Fraud Blocker Skip to main content

Inferno Collection (page 2)

"Inferno: A Journey through the Depths of Hell" Step into the haunting world of Dante's Divine Comedy, where darkness reigns and souls are tormented

Background imageInferno Collection: 2020 Bahrain GP

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas F1, emerges from flames after a horrific accident on the opening lap of the Bahrain Grand Prix

Background imageInferno Collection: 2020 Bahrain GP

2020 Bahrain GP
BAHRAIN INTERNATIONAL CIRCUIT, BAHRAIN - NOVEMBER 29: Romain Grosjean, Haas F1, emerges from flames after a horrific accident on the opening lap of the Bahrain Grand Prix

Background imageInferno Collection: The angel up to heaven 1885

The angel up to heaven 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

Background imageInferno Collection: The Hell. Illustration to the Divine Comedy by Dante Alighieri, 1861

The Hell. Illustration to the Divine Comedy by Dante Alighieri, 1861. Private Collection

Background imageInferno Collection: The Triumph of Death, c1562. Artist: Pieter Bruegel the Elder

The Triumph of Death, c1562. Artist: Pieter Bruegel the Elder
The Triumph of Death, c1562. From the the collection of the Museo del Prado, Madrid, Spain

Background imageInferno Collection: Aerial view of Timanfaya volcanoes and craters, Lanzarote, Canary Islands

Aerial view of Timanfaya volcanoes and craters, Lanzarote, Canary Islands

Background imageInferno Collection: Agaves (Agave) in the lava field near Mancha Blanca, Lanzarote, Canary Islands

Agaves (Agave) in the lava field near Mancha Blanca, Lanzarote, Canary Islands

Background imageInferno Collection: Emotional Explosion

Emotional Explosion
Julia Jakovleva

Background imageInferno Collection: Inferno Crater Lake in Waimangu volcanic valley, New Zealand

Inferno Crater Lake in Waimangu volcanic valley, New Zealand

Background imageInferno Collection: Dreadful was the din of hissing through the hall 1885

Dreadful was the din of hissing through the hall 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

Background imageInferno Collection: Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)

Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble)
3615935 Detail of Ugolino and His Sons, 1865-67 (Saint-Beat marble) by Carpeaux, Jean-Baptiste (1827-75); Metropolitan Museum of Art, New York

Background imageInferno Collection: Inferno, Canto 4 : Homer, the poets, and heroes in Limbo

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte)

Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte)
GIA745674 Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte), illustration from The Divine Comedy by Dante Alighieri, 1885 (coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 13 : The suicides flee the forest, illustration from

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 17 : The descent into the abyss on Geryons back

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 21 : The demons threaten Virgil, illustration from

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageInferno Collection: Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Background imageInferno Collection: Dante and Virgil in Hell, 1850 (oil on canvas)

Dante and Virgil in Hell, 1850 (oil on canvas)
938625 Dante and Virgil in Hell, 1850 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 280.5 x 225.3 cm; Musee d Orsay, Paris, France; (add.info.: Dante et Virgile); French

Background imageInferno Collection: Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dan... ca

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dan... ca
Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent, from Dantes Inferno, Canto XXVV, ca. 1825-27

Background imageInferno Collection: DIVINE COMEDY / DAMNED

DIVINE COMEDY / DAMNED
Dante & Virgil contemplate some of the damned... Date: First published: 1307-21?

Background imageInferno Collection: DANTE IN HELL

DANTE IN HELL
Virgil is Dantes guide on a tour of Inferno; they come across some evildoers punished by being placed up to their necks in ice

Background imageInferno Collection: Aeneas and the Sibyl in the Underworld, 1630s. Creator: Jan Brueghel the younger

Aeneas and the Sibyl in the Underworld, 1630s. Creator: Jan Brueghel the younger
Aeneas and the Sibyl in the Underworld, 1630s

Background imageInferno Collection: Dante and Virgil in the Second Circle of Hell, 1823. Creator: Koch, Joseph Anton (1768-1839)

Dante and Virgil in the Second Circle of Hell, 1823. Creator: Koch, Joseph Anton (1768-1839)
Dante and Virgil in the Second Circle of Hell, 1823. Found in the Collection of Thorvaldsens Museum, Copenhagen

Background imageInferno Collection: Clown With Flames

Clown With Flames
http://csaimages.com/images/istockprofile/csa_vector_dsp.jpg

Background imageInferno Collection: Escape from the prairie fire, chromolithograph, published in 1888

Escape from the prairie fire, chromolithograph, published in 1888
Escape from the prairie fire. Chromolithograph after a watercolor by G. Franz, published in 1888

Background imageInferno Collection: Nyiragongo volcano lava lake, Virungas National Park, Democratic Republic of Congo

Nyiragongo volcano lava lake, Virungas National Park, Democratic Republic of Congo February 2015

Background imageInferno Collection: Traditional Japanese Woodblock print of a Ghost

Traditional Japanese Woodblock print of a Ghost
Utagawa Kunisada (1786 a January 12, 1865) also known as Utagawa Toyokuni III

Background imageInferno Collection: Inferno. (Abyss of Hell). Illustration to the Divine Comedy by Dante Alighieri (Detail), 1480-1490

Inferno. (Abyss of Hell). Illustration to the Divine Comedy by Dante Alighieri (Detail), 1480-1490. Found in the collection of Biblioteca Apostolica Vaticana

Background imageInferno Collection: Purgatorio. Illustration to the Divine Comedy by Dante Alighieri

Purgatorio. Illustration to the Divine Comedy by Dante Alighieri (After drawing by Bernardino Poccet)
Purgatorio. Illustration to the Divine Comedy by Dante Alighieri (After drawing by Bernardino Poccetti), 1612. Private Collection

Background imageInferno Collection: Inferno Landscape. Artist: Bosch, Hieronymus, (School)

Inferno Landscape. Artist: Bosch, Hieronymus, (School)
Inferno Landscape. Found in the collection of Museo del Prado, Madrid

Background imageInferno Collection: Paolo and Francesca da Rimini (detail), 1855. Artist: Dante Gabriel Rossetti

Paolo and Francesca da Rimini (detail), 1855. Artist: Dante Gabriel Rossetti
Paolo and Francesca da Rimini (detail), 1855. Left hand panel of a triptych housed in the Tate Britain. From The Studio Volume 65. [London Offices of the Studio, London, 1915]

Background imageInferno Collection: Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Artist: Gustave Dore
Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil

Background imageInferno Collection: Dante protected by Virgil from harm by demons, 1863. Artist: Gustave Dore

Dante protected by Virgil from harm by demons, 1863. Artist: Gustave Dore
Dante protected by Virgil from harm by demons, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil, and in his Divina Commedia (Divine Comedy)

Background imageInferno Collection: Dante and Virgil beset by demons on their passage through the eighth circle, 1861

Dante and Virgil beset by demons on their passage through the eighth circle, 1861. Artist: Gustave Dore
Dante and Virgil beset by demons on their passage through the eighth circle, 1861. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil, and in his Divina Commedia (Divine Comedy)

Background imageInferno Collection: Ruta de los volcanes, scenic route in Timanfaya National Park, Lanzarote, Canary Islands

Ruta de los volcanes, scenic route in Timanfaya National Park, Lanzarote, Canary Islands

Background imageInferno Collection: Volcanic landscape and crater, Timanfaya, Lanzarote, Canary Islands

Volcanic landscape and crater, Timanfaya, Lanzarote, Canary Islands

Background imageInferno Collection: Dante / Divine Comedy / Map

Dante / Divine Comedy / Map
A map of Inferno to Dantes La Divina Commedia. Date: First published: 1307-21?

Background imageInferno Collection: Etna

Etna
Massimo Tamajo

Background imageInferno Collection: Triptych with the Triumph of Death and the Last Judgement by

Triptych with the Triumph of Death and the Last Judgement by
Renaissance. Triptych with the Triumph of Death and the Last Judgement by Hermann Tom Ring (1521-1596), around 1550. Museum Catharijneconvent. Utrecht. Netherlands. Detail

Background imageInferno Collection: Francesco Traini. Italian painer active form 1321-1365. The

Francesco Traini. Italian painer active form 1321-1365. The Triumph of Death, 1355. Fresco. Camposanto. Pisa. Italy

Background imageInferno Collection: DANTE/DEAD LOVERS

DANTE/DEAD LOVERS
Dead lovers. Date: First published: 1307-21?

Background imageInferno Collection: The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate

The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate (oil on canvas)
MAN430853 The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate (oil on canvas) by Etty, William (1787-1849); Manchester Art Gallery

Background imageInferno Collection: Dante, guided by Virgil, in third gulf of the eighth circle, observes those guilty of simony

Dante, guided by Virgil, in third gulf of the eighth circle, observes those guilty of simony suffering burning
536436 Dante, guided by Virgil, in third gulf of the eighth circle, observes those guilty of simony suffering burning, buried head first with just legs and feet exposed

Background imageInferno Collection: Dante Alighieri (1265-1321) Italian poet: Inferno first part of his Divina Commedia (Divine Comedy)

Dante Alighieri (1265-1321) Italian poet: Inferno first part of his Divina Commedia (Divine Comedy)
531187 Dante Alighieri (1265-1321) Italian poet: Inferno first part of his Divina Commedia (Divine Comedy) illustrated by Gustave Dore 1863



All Professionally Made to Order for Quick Shipping

"Inferno: A Journey through the Depths of Hell" Step into the haunting world of Dante's Divine Comedy, where darkness reigns and souls are tormented. The frontispiece of this timeless masterpiece captures the essence of Inferno, with Dante himself at its center, embarking on a treacherous quest. As we delve deeper into this infernal realm, a woodcut from a Venetian edition transports us to the very mouth of hell. Its fiery jaws beckon sinners towards their eternal damnation, while Charon stands as an ominous figure ready to ferry them across the river Styx. Dante and Virgil navigate through icy terrain in their harrowing journey. Their presence amidst frozen landscapes symbolizes their resilience against evil forces that lurk within these depths. Together they face unimaginable horrors as they traverse through each circle of hell. The suicides and Harpies stand as a chilling reminder of the consequences faced by those who took their own lives. Their souls forever trapped in twisted forms, serving as an everlasting testament to despair and regret. But it is Satan himself who commands attention with his imposing presence. Engravings depict him alongside Beelzebub, fallen angels forever condemned for rebelling against heaven's order. These illustrations capture both awe-inspiring power and profound sorrow. In Gustave Doré's wood engraving from 1861, Charon takes center stage once again - his skeletal frame embodying death itself as he ferries lost souls across Styx's black waters. This image serves as a visual representation of mankind's inevitable journey towards judgment. Through these captivating artworks spanning centuries, we witness Dante Alighieri's vivid imagination brought to life – an exploration into humanity’s darkest impulses and divine justice intertwined within Inferno’s intricate tapestry.