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Innocence Collection (page 19)

"Innocence: A Glimpse into the Purest of Hearts" The Lamb, a gentle creature embodying innocence and vulnerability

Background imageInnocence Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023245 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocence Collection: Illustration for The Babes in the Wood (colour litho)

Illustration for The Babes in the Wood (colour litho)
6023250 Illustration for The Babes in the Wood (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageInnocence Collection: Portrait of a young child (photo)

Portrait of a young child (photo)
5999865 Portrait of a young child (photo) by European Photographer, (19th century); Private Collection; (add.info.: Portrait of a young child. Postcard, early 20th century.); © Look and Learn

Background imageInnocence Collection: 'I m not her to beg for her, 'she said, fiercely, 'but for THIS'- Temperance picture (engraving)

"I m not her to beg for her, "she said, fiercely, "but for THIS"- Temperance picture (engraving)
5998371 " I m not her to beg for her, " she said, fiercely, " but for THIS" - Temperance picture (engraving) by English School

Background imageInnocence Collection: Its Not Me, 1872 (oil on canvas)

Its Not Me, 1872 (oil on canvas)
5984017 Its Not Me, 1872 (oil on canvas) by Schlesinger, Heinrich Wilhelm (1814-93); Private Collection; (add.info.: Feather Duster Broken Vase); German, out of copyright

Background imageInnocence Collection: Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien

Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien
5617132 Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien (1874-1925). Lilian is considered as the father of Zionist iconography

Background imageInnocence Collection: The musician angel Painting by Vincenzo Irolli (1860-1949) 1900 Private Collection

The musician angel Painting by Vincenzo Irolli (1860-1949) 1900 Private Collection
QUA5036603 The musician angel Painting by Vincenzo Irolli (1860-1949) 1900 Private Collection by Irolli, Vicenzo (1860-1945); (add.info)

Background imageInnocence Collection: A Mermaid, 1900 (oil on canvas)

A Mermaid, 1900 (oil on canvas)
5051363 A Mermaid, 1900 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x66.6 cm; Royal Academy of Arts, London, UK; English, out of copyright

Background imageInnocence Collection: Illustration 4 to Miltons 'Paradise Lost'

Illustration 4 to Miltons "Paradise Lost"
5854525 Illustration 4 to Miltons " Paradise Lost" : Satan Spying on Adam and Eve and Raphaels Descent into Paradise, 1807 (pen & ink and w/c on paper) by Blake

Background imageInnocence Collection: Children by the Lake - Makovsky, Konstantin Yegorovich (1839-1915

Children by the Lake - Makovsky, Konstantin Yegorovich (1839-1915
FIA5400530 Children by the Lake - Makovsky, Konstantin Yegorovich (1839-1915) Constantin Makovski - Oil on canvas - 47x64 - Private Collection by Makovsky

Background imageInnocence Collection: Child with a Doll par Trubetskoy (Troubetzkoy), Prince Pavel (Paul) Petrovich (1866-1938)

Child with a Doll par Trubetskoy (Troubetzkoy), Prince Pavel (Paul) Petrovich (1866-1938)
FIA5401428 Child with a Doll par Trubetskoy (Troubetzkoy), Prince Pavel (Paul) Petrovich (1866-1938), 1912 - Oil on canvas, 55, 5x46 - Private Collection by Trubetskoy

Background imageInnocence Collection: Sisters, 1868 (oil on canvas)

Sisters, 1868 (oil on canvas)
1698931 Sisters, 1868 (oil on canvas) by Millais, John Everett (1829-96); 108x108 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageInnocence Collection: The First Awakening of Eve (oil on canvas)

The First Awakening of Eve (oil on canvas)
1762042 The First Awakening of Eve (oil on canvas) by Prinsep, Valentine Cameron (1838-1904); 114.1x135.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageInnocence Collection: Exhibition of the Royal Academy (engraving)

Exhibition of the Royal Academy (engraving)
1618201 Exhibition of the Royal Academy (engraving) by Rankley, Alfred (1819-72); Private Collection; (add.info.: Exhibition of the Royal Academy)

Background imageInnocence Collection: At The Cradle, late 19th - early 20th century (oil on canvas)

At The Cradle, late 19th - early 20th century (oil on canvas)
3960254 At The Cradle, late 19th - early 20th century (oil on canvas) by Tarkhoff, Nikolai Alexandrovich (1871-1930); Tretyakov Gallery, Moscow

Background imageInnocence Collection: Adam and Eve, 1517 (oil on paper)

Adam and Eve, 1517 (oil on paper)
3956454 Adam and Eve, 1517 (oil on paper) by Holbein the Younger, Hans (1497/8-1543); 30 x 35.5 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Background imageInnocence Collection: Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds

Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds
3744835 Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds, 12th January 1891 (b/w photo) by English Photographer

Background imageInnocence Collection: An Old Man and a Boy, c. 1490 (oil on panel)

An Old Man and a Boy, c. 1490 (oil on panel)
YOU3745744 An Old Man and a Boy, c.1490 (oil on panel) by Ghirlandaio, Domenico (Domenico Bigordi) (1449-94); 62.7x46.3 cm; Louvre, Paris

Background imageInnocence Collection: Three little Children on the wide wide Earth (pen and black ink on off-white paper)

Three little Children on the wide wide Earth (pen and black ink on off-white paper)
1217880 Three little Children on the wide wide Earth (pen and black ink on off-white paper) by Hughes, Arthur (1832-1915); 8.7x8.1 cm; Ashmolean Museum, University of Oxford

Background imageInnocence Collection: Playmates, 1866 (oil on canvas)

Playmates, 1866 (oil on canvas)
1217545 Playmates, 1866 (oil on canvas) by Houghton, Arthur Boyd (1836-75); 25x20 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageInnocence Collection: The triumph over all Temptation in the Hour of Death (engraving)

The triumph over all Temptation in the Hour of Death (engraving)
1217309 The triumph over all Temptation in the Hour of Death (engraving) by Master E. S. (c.1420-c.1468); 8.9x6.6 cm; Ashmolean Museum, University of Oxford

Background imageInnocence Collection: Cover of 'Le Sans-Panlotte', number 10, Satirique en Couleurs

Cover of "Le Sans-Panlotte", number 10, Satirique en Couleurs
ICA4868497 Cover of " Le Sans-Panlotte", number 10, Satirique en Couleurs, 1878_12_2: Charged - Republican - Reaction - Dufaure Jules (1798-1881)

Background imageInnocence Collection: L Plate au beurre, number 123, Satirique en couleurs, 1903_8_8: Social

L Plate au beurre, number 123, Satirique en couleurs, 1903_8_8: Social
ICA4883152 L Plate au beurre, number 123, Satirique en couleurs, 1903_8_8: Social, Justice Proces, Vie des riches - Magistrate - Illustration by Adolphe (Willette) (1857-1926) by Willette

Background imageInnocence Collection: Infant Joy, 1789 (hand-coloured relief-etching, watercolour)

Infant Joy, 1789 (hand-coloured relief-etching, watercolour)
985821 Infant Joy, 1789 (hand-coloured relief-etching, watercolour) by Blake, William (1757-1827); 19.8x12.8 cm; Private Collection; (add.info.: Infant Joy. Plate 26 from Songs of Innocence)

Background imageInnocence Collection: Winged Fairy Riding a Dragonfly near Nasturtium Flowers, 1882 (chromolitho)

Winged Fairy Riding a Dragonfly near Nasturtium Flowers, 1882 (chromolitho)
1126326 Winged Fairy Riding a Dragonfly near Nasturtium Flowers, 1882 (chromolitho) by Unknown Artist, (19th century); Private Collection; (add.info)

Background imageInnocence Collection: Hoyts German Cologne Illustration, 1892 (chromolitho)

Hoyts German Cologne Illustration, 1892 (chromolitho)
1126021 Hoyts German Cologne Illustration, 1892 (chromolitho) by Unknown Artist, (19th century); Private Collection; (add.info.: Chromolithograph for Hoyts German Cologne with child hugging a dog)

Background imageInnocence Collection: Virtue and Innocence seated at the Tomb of Clarissa (engraving)

Virtue and Innocence seated at the Tomb of Clarissa (engraving)
966194 Virtue and Innocence seated at the Tomb of Clarissa (engraving) by English School, (19th century); Private Collection; (add.info.: Virtue and Innocence seated at the Tomb of Clarissa)

Background imageInnocence Collection: Princess Tuvstarr looking at the water of the lake with nostalgia, 1913 (w / c on paper)

Princess Tuvstarr looking at the water of the lake with nostalgia, 1913 (w / c on paper)
3743020 Princess Tuvstarr looking at the water of the lake with nostalgia, 1913 (w/c on paper) by Bauer, John (1882-1918); Konstmuseum, Malmo, Sweden; Photo eFine Art Images; Swedish, out of copyright

Background imageInnocence Collection: On the Beach (oil on panel)

On the Beach (oil on panel)
996364 On the Beach (oil on panel) by Hutchison, Robert Gemmell (1855-1936); 32.4x24.4 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageInnocence Collection: Jolly Times (engraving)

Jolly Times (engraving)
961415 Jolly Times (engraving) by German School, (19th century); Private Collection; (add.info.: Jolly Times. Engraving after a painting by M Fleischer)

Background imageInnocence Collection: Caught! Illustration with Santa Claus by Thomas Nast, 1892 (engraving)

Caught! Illustration with Santa Claus by Thomas Nast, 1892 (engraving)
1126490 Caught! Illustration with Santa Claus by Thomas Nast, 1892 (engraving) by Nast, Thomas (1840-1902); Private Collection; (add.info.: Caught)

Background imageInnocence Collection: Maquette for Jane Gott as a Babe in the Wood, 1829 (terracotta)

Maquette for Jane Gott as a Babe in the Wood, 1829 (terracotta)
828516 Maquette for Jane Gott as a Babe in the Wood, 1829 (terracotta) by Gott, Joseph (1785-1860); 8.4x18x8 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageInnocence Collection: Maquette for Margaret Gott as a Babe in the Wood, 1829 (terracotta)

Maquette for Margaret Gott as a Babe in the Wood, 1829 (terracotta)
828514 Maquette for Margaret Gott as a Babe in the Wood, 1829 (terracotta) by Gott, Joseph (1785-1860); 7x18x8 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageInnocence Collection: Miscarriage of justice. Two innocent forces: reading to convicts Jamet

Miscarriage of justice. Two innocent forces: reading to convicts Jamet
XEE4173094 Miscarriage of justice. Two innocent forces: reading to convicts Jamet and Leger of the report announcing the commutation of their sentences

Background imageInnocence Collection: Pretty Teachings, 1868 (etching & aquatint)

Pretty Teachings, 1868 (etching & aquatint)
877295 Pretty Teachings, 1868 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 31.1x22.9 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageInnocence Collection: Page from the Humours of Cynicus (coloured engraving)

Page from the Humours of Cynicus (coloured engraving)
3635900 Page from the Humours of Cynicus (coloured engraving) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info)

Background imageInnocence Collection: Satan Exulting over Eve, 1795 (graphite, black ink and watercolour)

Satan Exulting over Eve, 1795 (graphite, black ink and watercolour)
3545850 Satan Exulting over Eve, 1795 (graphite, black ink and watercolour) by Blake, William (1757-1827); 42.5x53.5 cm; J. Paul Getty Museum, Los Angeles, USA; English, out of copyright

Background imageInnocence Collection: The Vampire Seduces Jenny, illustration from The Vampyre

The Vampire Seduces Jenny, illustration from The Vampyre
GIA3515864 The Vampire Seduces Jenny, illustration from The Vampyre by John William Polidori (engraving) by Italian School, (19th century); Private Collection; eGiancarlo Costa; Italian

Background imageInnocence Collection: God Judging Adam, c. 1795 (coloured etching with pen, ink and watercolour)

God Judging Adam, c. 1795 (coloured etching with pen, ink and watercolour)
3493135 God Judging Adam, c.1795 (coloured etching with pen, ink and watercolour) by Blake, William (1757-1827); 42.5x52.7 cm; Metropolitan Museum of Art, New York

Background imageInnocence Collection: The Broken Pitcher (colour litho)

The Broken Pitcher (colour litho)
2818267 The Broken Pitcher (colour litho) by Greuze, Jean Baptiste (1725-1805) (after); Private Collection; (add.info.: The Broken Pitcher. Painting by Jean-Baptiste Greuze. La Cruche Cassee)

Background imageInnocence Collection: Girl with flowers and butterflies (chromolitho)

Girl with flowers and butterflies (chromolitho)
2811584 Girl with flowers and butterflies (chromolitho) by Edwards, Mary Ellen (1838-1934); Private Collection; (add.info.: Girl with flowers and butterflies)

Background imageInnocence Collection: Girl playing with dog (chromolitho)

Girl playing with dog (chromolitho)
2811583 Girl playing with dog (chromolitho) by Edwards, Mary Ellen (1838-1934); Private Collection; (add.info.: Girl playing with dog)

Background imageInnocence Collection: Girl picking roses (chromolitho)

Girl picking roses (chromolitho)
2811581 Girl picking roses (chromolitho) by Edwards, Mary Ellen (1838-1934); Private Collection; (add.info.: Girl picking roses)

Background imageInnocence Collection: Girl waiting for postman (chromolitho)

Girl waiting for postman (chromolitho)
2811580 Girl waiting for postman (chromolitho) by Edwards, Mary Ellen (1838-1934); Private Collection; (add.info.: Girl waiting for postman)

Background imageInnocence Collection: Girl about to swim (chromolitho)

Girl about to swim (chromolitho)
2811577 Girl about to swim (chromolitho) by Edwards, Mary Ellen (1838-1934); Private Collection; (add.info.: Girl about to swim)



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"Innocence: A Glimpse into the Purest of Hearts" The Lamb, a gentle creature embodying innocence and vulnerability, reminds us of the untainted beauty that exists in the world. Daniel in the Lions Den portrays a remarkable display of trust and innocence as this young man fearlessly faces danger with unwavering faith. In Sir Joshua Reynolds' painting, The Infant Samuel, we witness the purity and innocence of childhood as Samuel's angelic face reflects his connection to something greater than himself. Just like an orangutan baby's wide-eyed curiosity, innocence shines through their innocent gaze, reminding us to cherish our own childlike wonder. Pas Meche (Nothing Doing) captures a moment of carefree joy where children embrace their innocence by engaging in playful activities without any worries or responsibilities weighing them down. Alfred Lord Tennyson's poem Maud comes alive through an illustration that transports us to a realm where love blossoms amidst untouched hearts filled with pure intentions. Princess Elizabeth's youthful radiance symbolizes not only her personal innocence but also represents hope for a brighter future guided by compassion and grace. An angel playing harp with butterfly wings embodies ethereal purity while creating heavenly melodies that soothe even troubled souls seeking solace from life's complexities. A Miscarriage of Justice serves as a stark reminder that even within systems meant to uphold fairness and righteousness, innocent lives can be tragically affected due to human error or corruption. Mental calculation at primary school shows how children approach learning with open minds and unburdened spirits, embracing knowledge without prejudice or preconceived notions. Cape Washington presents Emperor Penguin chicks basking in soft focus high key lighting—a visual representation of their delicate existence yet resilient spirit—innocently awaiting their turn to conquer Antarctica’s icy challenges