Fraud Blocker Skip to main content

Inscription Collection (page 2)

"Unveiling the Secrets: Tracing the Inscriptions of History" Step into the captivating world of inscriptions, where hidden stories are etched in time

Background imageInscription Collection: Statue of Maida, reported to be Sir Walter Scotts Favourite Dog. (sepia photo)

Statue of Maida, reported to be Sir Walter Scotts Favourite Dog. (sepia photo)
746717 Statue of Maida, reported to be Sir Walter Scotts Favourite Dog. (sepia photo) by Talbot, William Henry Fox (1800-77); Private Collection; (add.info)

Background imageInscription Collection: Julius Terentius Performing a Sacrifice, A. D. 239 (paint on plaster)

Julius Terentius Performing a Sacrifice, A. D. 239 (paint on plaster)
6200720 Julius Terentius Performing a Sacrifice, A.D. 239 (paint on plaster) by Roman, (3rd century AD); 107x165x10.2 cm; Yale University Art Gallery, New Haven, CT

Background imageInscription Collection: Inscription on the monument to David Livingstone, Zambia, Africa, late 19th or early 20th century

Inscription on the monument to David Livingstone, Zambia, Africa, late 19th or early 20th century. Scottish missionary and explorer Livingstone (1813-1873)

Background imageInscription Collection: Pendant inscribed with peace in Arabic and French, Lyon, Rhone, France, Europe

Pendant inscribed with peace in Arabic and French, Lyon, Rhone, France, Europe

Background imageInscription Collection: Akkadian inscription on a brick-stamp of baked clay

Akkadian inscription on a brick-stamp of baked clay
Inscription in Akkadian on a brick-stamp of baked clay of King Sarkali-Sarri of the Akkadian dynasty, from Nippur. from the Archaeological Museums collection, Istanbul

Background imageInscription Collection: Conrad Gessner (1516-1565)

Conrad Gessner (1516-1565)
Conradus Gesnerus, Medeus & Philosophus. Plate 4, Isis 22

Background imageInscription Collection: WASHINGTON, George (1732-1799)

WASHINGTON, George (1732-1799). Portrait of George Washington with the inscription First President of the United States

Background imageInscription Collection: NOBEL PRIZE: LITERATURE. Reverse of the Nobel Prize medal for Literature, first awarded in 1901

NOBEL PRIZE: LITERATURE. Reverse of the Nobel Prize medal for Literature, first awarded in 1901

Background imageInscription Collection: Rene Descartes, French mathematician

Rene Descartes, French mathematician
Rene Descartes (1596-1650), French mathematician and philosopher. His coat-of-arms (upper right) mark his self-styled title of Lord of Perron

Background imageInscription Collection: Welsh National Memorial, Cardiff, Wales

Welsh National Memorial, Cardiff, Wales
Welsh National War Memorial, Cardiff, Wales - designed by J. Ninian Cooper and unveiled in June 1928 by the Prince of Wales

Background imageInscription Collection: Orkhon Valley

Orkhon Valley, Ovorkhangai, Mongolia, Asia

Background imageInscription Collection: Pile of caps

Pile of caps, Venice, Veneto, Italy, Europe

Background imageInscription Collection: Maximilian I / Durer Ptg

Maximilian I / Durer Ptg
MAXIMILIAN I

Background imageInscription Collection: John Nash / Photo 2 of 2

John Nash / Photo 2 of 2
JOHN NASH English architect

Background imageInscription Collection: Wyclif / Anon Oval

Wyclif / Anon Oval
JOHN WYCLIF English religious reformer and theologian, initiated the first complete translation of the Bible into English

Background imageInscription Collection: Epicurus / Virtus Mihi

Epicurus / Virtus Mihi
EPICURUS Greek philosopher: the Latin inscription reads " Virtue is my only pleasure"

Background imageInscription Collection: Pepys / Rw / Oval

Pepys / Rw / Oval
SAMUEL PEPYS Statesman & diarist

Background imageInscription Collection: Detail of petroglyphs on rock face, Arches National Park, Utah, USA

Detail of petroglyphs on rock face, Arches National Park, Utah, USA

Background imageInscription Collection: 'Christian, because of the burden that was on his back, began to sink in the mire' (colour litho)

"Christian, because of the burden that was on his back, began to sink in the mire" (colour litho)
8631992 "Christian, because of the burden that was on his back, began to sink in the mire" (colour litho) by Appleton

Background imageInscription Collection: Giovanni Battista Niccolini, Italian poet and playwright (engraving)

Giovanni Battista Niccolini, Italian poet and playwright (engraving)
8626290 Giovanni Battista Niccolini, Italian poet and playwright (engraving) by Ussi, Stefano (1822-1901); Private Collection; (add.info.: Giovanni Battista Niccolini (1782-1861)

Background imageInscription Collection: Writing notebook, study of oval letters, c1880-1900 (print)

Writing notebook, study of oval letters, c1880-1900 (print)
8713957 Writing notebook, study of oval letters, c1880-1900 (print); 22x17 cm; Private Collection; (add.info.: in "Reverdy method. The writing taught, engraved and printed in intaglio)

Background imageInscription Collection: Methodical collection of writing principles by Pierre Meyrat, c.1900 (printing)

Methodical collection of writing principles by Pierre Meyrat, c.1900 (printing)
8713766 Methodical collection of writing principles by Pierre Meyrat, c.1900 (printing); 16, 5 x 22 cm; Private Collection; (add.info)

Background imageInscription Collection: Student notebook: continuation of problems, French homework (redaction), 1882 (handwritten)

Student notebook: continuation of problems, French homework (redaction), 1882 (handwritten)
8713173 Student notebook: continuation of problems, French homework (redaction), 1882 (handwritten); Private Collection; (add.info.: Journal notebook by Alida Bouhet, 1st division)

Background imageInscription Collection: Student notebook: 'Respect' dictation and problems, 1882 (handwritten)

Student notebook: "Respect" dictation and problems, 1882 (handwritten)
8713172 Student notebook: "Respect" dictation and problems, 1882 (handwritten); Private Collection; (add.info.: Journal notebook by Alida Bouhet, 1st division)

Background imageInscription Collection: Student notebook: geography homework and conjugation homework, 1882 (handwritten)

Student notebook: geography homework and conjugation homework, 1882 (handwritten)
8713171 Student notebook: geography homework and conjugation homework, 1882 (handwritten); Private Collection; (add.info.: Journal notebook by Alida Bouhet, 1st division)

Background imageInscription Collection: Student notebook: conjugation homework (continued), dictation, 1882 (handwritten)

Student notebook: conjugation homework (continued), dictation, 1882 (handwritten)
8713169 Student notebook: conjugation homework (continued), dictation, 1882 (handwritten); Private Collection; (add.info.: Journal notebook by Alida Bouhet, 1st division)

Background imageInscription Collection: Style exercise on 'Tell me who you are dating and I will tell you who you are', 1888 (handwritten)

Style exercise on "Tell me who you are dating and I will tell you who you are", 1888 (handwritten)
8713119 Style exercise on "Tell me who you are dating and I will tell you who you are", 1888 (handwritten); 22 x 17 cm; Private Collection; (add.info)

Background imageInscription Collection: Simplified writing method, c1880-90 (printing)

Simplified writing method, c1880-90 (printing)
8713012 Simplified writing method, c1880-90 (printing); 21 x 16, 5 cm; Private Collection; (add.info.: in "Writing method simplified and supplemented by numerous models by E.-M. C)

Background imageInscription Collection: Writing method of the Brothers of the Christian Schools, 1862 (printing)

Writing method of the Brothers of the Christian Schools, 1862 (printing)
8712954 Writing method of the Brothers of the Christian Schools, 1862 (printing); 22 x 17 cm; Private Collection; (add.info.: in "Writing method of the Brothers of the Christian Schools)

Background imageInscription Collection: Rational writing by Signoret, c1900 (print)

Rational writing by Signoret, c1900 (print)
8712944 Rational writing by Signoret, c1900 (print); 22, 5 x 17, 5 cm; Private Collection; (add.info.: in "Rational writing. Straight writing method in 10 notebooks by J)

Background imageInscription Collection: Notebook, Good Writing, 1900 (print)

Notebook, Good Writing, 1900 (print)
8712899 Notebook, Good Writing, 1900 (print); 11 x 17, 5 cm; Private Collection; (add.info.: in "Good writing. Rational method for teaching straight writing by A. Belot. The new school)

Background imageInscription Collection: Round and bastard. Cover, c. 1890 (print)

Round and bastard. Cover, c. 1890 (print)
8714081 Round and bastard. Cover, c. 1890 (print); 22, 5 x 17 cm; Private Collection; (add.info.: in "New method for teaching writing in schools by Gustave Manoury)

Background imageInscription Collection: Looped letters 'l, h, k', c.1900-20 (print)

Looped letters "l, h, k", c.1900-20 (print)
8714062 Looped letters "l, h, k", c.1900-20 (print) by Lyon, Leopold (active c.1870); 22 x 17 cm; Private Collection; (add.info)

Background imageInscription Collection: The true picture of a shark, 1695-1703 (ink, paper)

The true picture of a shark, 1695-1703 (ink, paper)
7340650 The true picture of a shark, 1695-1703 (ink, paper) by Barlow, Edward (1639-1719); National Maritime Museum, London

Background imageInscription Collection: Copy of words, c.1900-20 (print)

Copy of words, c.1900-20 (print)
8714071 Copy of words, c.1900-20 (print) by Lyon, Leopold (active c.1870); 22 x 17 cm; Private Collection; (add.info.: in "New writing method in 11 notebooks engraved by Leopold Lyon)

Background imageInscription Collection: Fine, the genres of writing. Sample acts: example of a bill of exchange, c.1880-1900 (printing)

Fine, the genres of writing. Sample acts: example of a bill of exchange, c.1880-1900 (printing)
8714051 Fine, the genres of writing. Sample acts: example of a bill of exchange, c.1880-1900 (printing); 17, 5 x 22 cm; Private Collection; (add.info.: in "New writing method by F.T.D)

Background imageInscription Collection: Bastard, Gothic and various alphabets for titles, c.1880-1900 (print)

Bastard, Gothic and various alphabets for titles, c.1880-1900 (print)
8714045 Bastard, Gothic and various alphabets for titles, c.1880-1900 (print); 17, 5 x 22 cm; Private Collection; (add.info.: in "New writing method by F.T.D.. Method in 8 notebooks)

Background imageInscription Collection: Principles of round and application: big and medium, nouns proper to copy, c.1880-1900 (print)

Principles of round and application: big and medium, nouns proper to copy, c.1880-1900 (print)
8714042 Principles of round and application: big and medium, nouns proper to copy, c.1880-1900 (print); 17, 5 x 22 cm; Private Collection; (add.info.: in "New writing method by F.T.D)

Background imageInscription Collection: Principles of round and application: curly letters, c.1880-1900 (printing)

Principles of round and application: curly letters, c.1880-1900 (printing)
8714040 Principles of round and application: curly letters, c.1880-1900 (printing); 17, 5 x 22 cm; Private Collection; (add.info.: in "New writing method by F.T.D.. Method in 8 notebooks)

Background imageInscription Collection: Exercises on capital letters: two-line sentences, names and numbers, c.1890 (print)

Exercises on capital letters: two-line sentences, names and numbers, c.1890 (print)
8714027 Exercises on capital letters: two-line sentences, names and numbers, c.1890 (print); 21, 5x18, 5 cm; Private Collection; (add.info)

Background imageInscription Collection: round script, uppercase alphabet, c.1867-1889 (print)

round script, uppercase alphabet, c.1867-1889 (print)
8714023 round script, uppercase alphabet, c.1867-1889 (print); 22x17 cm; Private Collection; (add.info.: in "Rollin method. Writing made easy by L. Rollin, Officer of Public Instruction)

Background imageInscription Collection: round writing, first principles, jamb exercises, c.1867-1889 (print)

round writing, first principles, jamb exercises, c.1867-1889 (print)
8714019 round writing, first principles, jamb exercises, c.1867-1889 (print); 22x17 cm; Private Collection; (add.info.: in "Rollin method. Writing made easy by L)

Background imageInscription Collection: study of short lowercase letters, the letters 'i' and 'u', c.1867-1889 (print)

study of short lowercase letters, the letters "i" and "u", c.1867-1889 (print)
8714013 study of short lowercase letters, the letters "i" and "u", c.1867-1889 (print); 22x17 cm; Private Collection; (add.info.: in "Rollin method. Writing made easy by L)

Background imageInscription Collection: Capital letters: revision, letters grouped by series, departments, c.1890 (printing)

Capital letters: revision, letters grouped by series, departments, c.1890 (printing)
8713996 Capital letters: revision, letters grouped by series, departments, c.1890 (printing); 22x17 cm; Private Collection; (add.info.: in "Straight writing method in seven notebooks by C)

Background imageInscription Collection: principles of writing curly letters, the letters 'l, b, h', c.1890 (printing)

principles of writing curly letters, the letters "l, b, h", c.1890 (printing)
8713991 principles of writing curly letters, the letters "l, b, h", c.1890 (printing); 22x17 cm; Private Collection; (add.info.: in "Straight writing method in seven notebooks by C)

Background imageInscription Collection: principles of writing curly letters, the letter 'l', c.1890 (printing)

principles of writing curly letters, the letter "l", c.1890 (printing)
8713990 principles of writing curly letters, the letter "l", c.1890 (printing); 22x17 cm; Private Collection; (add.info.: in "Straight writing method in seven notebooks by C)

Background imageInscription Collection: Writing notebook, general principles, c1880-1900 (printing)

Writing notebook, general principles, c1880-1900 (printing)
8713981 Writing notebook, general principles, c1880-1900 (printing); 22x17 cm; Private Collection; (add.info.: in "Reverdy method. The writing taught, engraved and printed in intaglio)

Background imageInscription Collection: Writing notebook, sentences in medium batardy script, c1880-1900 (print)

Writing notebook, sentences in medium batardy script, c1880-1900 (print)
8713978 Writing notebook, sentences in medium batardy script, c1880-1900 (print); 22x17 cm; Private Collection; (add.info.: in "Reverdy method)



All Professionally Made to Order for Quick Shipping

"Unveiling the Secrets: Tracing the Inscriptions of History" Step into the captivating world of inscriptions, where hidden stories are etched in time. From Mary, Queen of Scots to William Tyndale and Whittock, these enigmatic figures left their mark on history with their profound words. Intriguingly, Nadia-Juliette Boulanger's musical manuscripts bear witness to her genius as a French music teacher. Each note carries an inscription that echoes through generations, inspiring countless musicians. Delve deeper into the mysteries surrounding the Count of St Germain, a French alchemist whose cryptic inscriptions still bewilder scholars today. His coded messages hold secrets waiting to be deciphered by those brave enough to unravel them. A signed photograph of Sigmund Freud from 1921 transports us back in time. In sepia tones, his inscription hints at the depths of his groundbreaking theories and invites us to explore our own subconscious realms. Et in Arcadia Ego - these Latin words engraved on Nicolas Poussin's masterpiece evoke contemplation and reflection. The inscription serves as a reminder that even in paradise, mortality is ever-present. Travel across continents and centuries to discover unexpected inscriptions like The Market Cross in Devizes or LCC-LFB Plumstead fire station in SE London. These architectural marvels bear testament to human craftsmanship and resilience throughout history. As late afternoon casts its golden glow upon ancient ruins such as the Temple of Hathor in Dendera or Monument before Fort San Pedro in Cebu City, we find solace amidst weathered inscriptions that have stood against time's relentless tide. Even war leaves behind its indelible marks; a captured German Railway gun from WW1 stands tall as an enduring inscription commemorating bravery amid conflict at the Battle of Amiens. Inscriptions tell tales beyond what meets the eye – they whisper stories untold until someone takes the time to listen.