Israel Henriet Collection

Plate 12: bust of an old Turkish man in a turban, looking towards the left, from Various heads and figures (Diverses tetes et figures), 1650

Plate 11: bust of a man wearing a cap and looking towards the right, from Various heads and figures (Diverses tetes et figures), 1650

Head of a Man without a Beard, Turned in Profile to the Right, from Diverse Heads and Figures (Diverses tetes et figures), plate 10, 1650

Plate 9: bust of Minerva, wearing a helmet with feathers, looking towards the left, from Various heads and figures (Diverses tetes et figures), 1650

Plate 7: bust of a bearded soldier wearing armor, facing left in profile, from Various heads and figures (Diverses tetes et figures), 1650

Plate 6: head of an old bearded soldier wearing a helmet facing right, from Various heads and figures (Diverses tetes et figures), 1650

Plate 5: head of a woman, turned in profile to the right, from Various heads and figures (Diverses tetes et figures), 1650

Plate 4: head of an old woman with a bonnet, looking left from Various heads and figures (Diverses tetes et figures), 1650

Plate 3: head of a woman with braided hair, turned in profile to the right, from Various heads and figures (Diverses tetes et figures), 1650

Plate 2: head of a man with a moustache and fur cap facing left, an oval composition, from Various heads and figures (Diverses tetes et figures), 1650

Plate 16: head of an old man in profile with a cloth tied around his head, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 14: head of a woman, in profile, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 11: a Polish bust in profile, turned to the right, another Polish head seen from behind in the background, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre à
Plate 7: Five feet, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 4: two profiles and three mouths, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 2: at top, the head of a young man, frontal view, at bottom, four eyes, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Clotaire 2.-e / Juste, modere... from Game of the Kings of France (Jeu des Rois de France), 1644

Plate 13: two peasants standing to left, a cripple kneeling on the ground in center, a woman carrying a child seen from behind to right in middleground, a church to right in background

Plate 10: a peasant woman turned towards the right with a child on her back, a boy lying on the ground behind her in center, two women and a child to left in middleground

Plate 8: two horsemen in hats at right, each with a woman seated behind them, riding towards the left in profile across a river, a tree at far right, from Caprice faict par de la Bella, ca. 1642

Plate 7: a peasant woman carrying a child to right, speaking to another child standing facing right in center, a castle to left in the background, from Caprice faict par de la Bella, ca. 1642

Plate 2: a ship at right and a rowboat at left, washed up on shore, a tower in ruins behind to left, from Caprice faict par de la Bella, ca. 1642

Plate 19: a rider making his horse drink from a basin of a fountain at left, another horseman seen from behind riding towards the left in the background

A mule carrying a woman and a peasant walking with a mule to left, a fisherman to right casting his line towards the right, a bridge in the center background

A waterfall descending from the mountains in the center background, various animals and a woman and child beneath a tree in the foreground, from Various landscapes (Divers paysages), ca. 1641

A naval battle, a rowboat full of men to left, a sinking ship to right, two galleys battling in center, other ships battle to left in the background, from Various landscapes (Divers paysages), ca

Two horseman descend a hill in center, following another man on foot, a castle in the mountains in the center background, from Various landscapes (Divers paysages), ca. 1641

Plate 19: Landscape with a Cavalier Watering His Horse at a Fountain, from Various figures and doodles (Diverses figures et griffonnemens), ca. 1646

Plate 5: four ears, from The Book for Learning to Draw (Livre pour apprendre à
Plate 5: four ears, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 15: mid-bust of a young woman in profile wearing a hat topped with feathers, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 9: five heads, two young women at left, a bearded man at upper right, a young woman and a bearded man at bottom right, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca

Plate 12: head of a child, from The Book for Learning to Draw (Livre pour apprendre a dessiner), ca. 1649

Plate 9: two horsemen at left galloping uphill towards the right, a horse and seated man to right, from Various landscapes (Divers paysages), ca. 1641

Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background

Plate 11: shepherdess seated to the right under a tree, watching her flock to the left, mountains to right in the background, from Various landscapes (Divers paysages), ca. 1641

Plate 10: a family in center foreground, various figures and horses in middleground, a windmill in center background, from Various landscapes (Divers paysages), ca. 1641

Plate 8: A the bow of a galley at left and another galley at right, seen from behind, two rowboats in center, a hill with a fortress in the background, from Various landscapes (Divers paysages), ca

Plate 7: various boats on shore to left, a man carrying a bag, seen from behind and walking towards the background, a fortress in center background, a tree to the right

Plate 6: a fisherman carrying a net to left, two horsemen in a stream to right, a tree in center, a castle in ruins to right in the background, from Various landscapes (Divers paysages), ca. 1641

Plate 4: two pilgrims observing ruins to right, one pointing towards the right, a shepherd and a herd of cattle in center background, from Various landscapes (Divers paysages), ca. 1641

Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from Various landscapes (Divers paysages)

Plate 2: a peasant woman removing her shoes in center, another peasant woman and two cows in a stream to left, a bridge to right in the background, from Various landscapes (Divers paysages), ca. 1641

Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to right, two groups of lovers to left in the background

A procession of horse-drawn cannon carriages to left, horsemen in combat and a dead horse to right, battle on a bridge in center background

An entrance to a fortress in center, a woman with child seated by a fire to right, soldiers gather to right and in center, cannons in landscape to left

Sultana wearing a turban, in profile to the right, from Several heads in the Persian style (Plusieurs tetes coiffees a la persienne), 1649-50

A bust of a young man wearing a cap with feathers, turned three-quarters to the left, the coat of arms of the Grand Duke of Tuscany in top left

Plate 13: Two pikemen walking towards the right, each with their pikes in their right hands, from Various Figures (Agreable diversite de figures), 1642

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"Israel Henriet: A Master of Capturing Expressions in Portraits" Plate 12 showcases the skillful artistry as he presents a bust of an old Turkish man adorned in a majestic turban, his gaze fixed towards the left. The intricate details and lifelike representation are testament to Henriet's mastery. In Plate 11, we encounter another captivating creation by Henriet - a bust of a man wearing a cap, his eyes directed towards the right. The artist's ability to capture subtle nuances and convey emotions through portraiture is truly remarkable. Henriet's expertise extends beyond male subjects, as demonstrated in Plate 5 where he portrays the head of a woman turned elegantly in profile to the right. Her features delicately rendered, showcasing both beauty and grace. The diversity within Henriet's portfolio is evident with Plate 9 presenting Minerva herself - goddess of wisdom and warfare. Donning her iconic feathered helmet, she gazes resolutely towards the left, and is clear that even mythical figures come alive under Henriet's skilled hand. Plate 7 introduces us to a bearded soldier clad in armor facing left in profile. The attention to detail highlights not only his strength but also vulnerability beneath that battle-hardened exterior. Continuing this theme, Plate 6 presents an aged soldier donning a helmet while facing right. His weathered face tells tales of battles fought and victories won; it is as if time itself has been etched upon his visage. Henriet does not limit himself solely to mature subjects; Plate 3 captures the essence of youth with its depiction of a woman sporting braided hair turned gracefully in profile towards the right. Her youthful glow radiates from every stroke on canvas or paper alike. Moving back into masculine territory with Plate 2, we encounter yet another intriguing character - this time featuring a mustachioed man wearing fur cap facing left.