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Italian Opera Collection

Italian opera is a captivating art form that has enthralled audiences for centuries

Background imageItalian Opera Collection: Four Seasons, The Spring: Eurydice Bitten by a Serpent while Picking Flowers... 1856-1863

Four Seasons, The Spring: Eurydice Bitten by a Serpent while Picking Flowers... 1856-1863
Four Seasons, The Spring: Eurydice Bitten by a Serpent while Picking Flowers (Eurydice's Death), 1856-1863. Found in the Collection of the Museu de Arte de S£o Paulo

Background imageItalian Opera Collection: Orpheus Descent into Hades, 1763. Creator: Restout, Jean II (1692-1768)

Orpheus Descent into Hades, 1763. Creator: Restout, Jean II (1692-1768)
Orpheus Descent into Hades, 1763. Found in the collection of the Musee du Louvre, Paris

Background imageItalian Opera Collection: Frontispiece of the score sheet for La Boheme by Puccini

Frontispiece of the score sheet for La Boheme by Puccini
CHT277815 Frontispiece of the score sheet for La Boheme by Puccini, early twentieth century (colour litho) by French School

Background imageItalian Opera Collection: 'I Pagliacci, 'the New Italian Opera at Covent Garden Theatre (engraving)

"I Pagliacci, "the New Italian Opera at Covent Garden Theatre (engraving)
1604286 " I Pagliacci, " the New Italian Opera at Covent Garden Theatre (engraving) by English School, (19th century); Private Collection; (add.info.: " I Pagliacci)

Background imageItalian Opera Collection: A Sketch at the Opera (engraving)

A Sketch at the Opera (engraving)
5230869 A Sketch at the Opera (engraving) by English School, (19th century); Private Collection; (add.info.: A Sketch at the Opera)

Background imageItalian Opera Collection: Checks and tickets of admission to the public theatres and other places of amusement (engraving)

Checks and tickets of admission to the public theatres and other places of amusement (engraving)
583295 Checks and tickets of admission to the public theatres and other places of amusement (engraving) by English School

Background imageItalian Opera Collection: Key to Colosseum Print (engraving)

Key to Colosseum Print (engraving)
1587237 Key to Colosseum Print (engraving) by English School, (19th century); Private Collection; (add.info.: Key to Colosseum Print. Illustration for The Illustrated London News, 31 December 1842)

Background imageItalian Opera Collection: Her Majestys State Visit to the Italian Opera (engraving)

Her Majestys State Visit to the Italian Opera (engraving)
1100642 Her Majestys State Visit to the Italian Opera (engraving) by English School, (19th century); Private Collection; (add.info.: Her Majestys State Visit to the Italian Opera)

Background imageItalian Opera Collection: Eurydice Bitten by a Snake, 1913. Creator: Roussel, Ker-Xavier (1867-1944)

Eurydice Bitten by a Snake, 1913. Creator: Roussel, Ker-Xavier (1867-1944)
Eurydice Bitten by a Snake, 1913. Private Collection

Background imageItalian Opera Collection: Orpheus and Eurydice in the Hell. Artist: Fris, Pieter (1627-1706)

Orpheus and Eurydice in the Hell. Artist: Fris, Pieter (1627-1706)
Orpheus and Eurydice in the Hell. Found in the collection of Museo del Prado, Madrid

Background imageItalian Opera Collection: Orpheus and Eurydice

Orpheus and Eurydice. Private Collection

Background imageItalian Opera Collection: The Death of Eurydice, ca 1550-1565. Artist: Niccolo dell Abate (1509 / 12-1571)

The Death of Eurydice, ca 1550-1565. Artist: Niccolo dell Abate (1509 / 12-1571)
The Death of Eurydice, ca 1550-1565. Found in the collection of the National Gallery, London

Background imageItalian Opera Collection: John Bull Italian Opera October 2 1811 Etching

John Bull Italian Opera October 2 1811 Etching
Artokoloro

Background imageItalian Opera Collection: Illustration from the Faust, 19th Century (oil on canvas)

Illustration from the Faust, 19th Century (oil on canvas)
XJF862530 Illustration from the Faust, 19th Century (oil on canvas) by German School, (19th century); Private Collection; (add.info.: by Theodor Mattias von Holt)

Background imageItalian Opera Collection: Scene from Spohrs Faust at the Royal Italian Opera, 1852 (engraving)

Scene from Spohrs Faust at the Royal Italian Opera, 1852 (engraving)
XJF862527 Scene from Spohrs Faust at the Royal Italian Opera, 1852 (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageItalian Opera Collection: ANNIE LOUISE CARY was born in Wayne, Maine

ANNIE LOUISE CARY was born in Wayne, Maine. In 1866, she went to Italy and studied in Milan with Giovanni Corsi until January 1868

Background imageItalian Opera Collection: ANNIE LOUISE CARY was born in Wayne, Maine. In 1866, she went to Italy and studied

ANNIE LOUISE CARY was born in Wayne, Maine. In 1866, she went to Italy and studied in Milan with Giovanni Corsi until January 1868


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Italian opera is a captivating art form that has enthralled audiences for centuries. From the grandeur of La Boheme by Puccini to the mesmerizing performance of I Pagliacci at Covent Garden Theatre, these iconic works have left an indelible mark on the world of music. The opera house comes alive with enchanting melodies and dramatic performances, as depicted in sketches and engravings capturing the essence of this cultural phenomenon. As we delve into the world of Italian opera, we are transported to a time when checks and tickets were admission passes to public theaters and places of amusement. These engravings serve as reminders of a bygone era when attending an opera was not just entertainment but also a social event. The Colosseum print acts as a key, unlocking the secrets behind this magnificent art form. It symbolizes Italy's rich history and its contribution to the development of opera. Just like Her Majesty's State Visit to the Italian Opera, where royalty graced these hallowed halls with their presence, it showcases how Italian opera transcends boundaries and captivates people from all walks of life. Eurydice takes center stage in various depictions throughout history - bitten by a snake in Roussel's haunting creation or trapped in hell alongside Orpheus according to Fris' interpretation. These artworks evoke emotions ranging from sorrow to hope, reminding us that love can conquer even death itself. Even John Bull couldn't resist the allure back in 1811 when he attended one such performance etched forever in history. This comical depiction adds humor amidst all the drama surrounding this beloved art form. Lastly, an illustration from Faust transports us further into fantasyland – oil on canvas bringing characters to life before our very eyes. This testament to artistic expression showcases how Italian operas continue inspiring creativity across different mediums. Italian opera is more than just music.