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Italianate Collection (page 6)

"Exploring the Italianate Influence

Background imageItalianate Collection: Scene in an Italianate garden (coloured engraving)

Scene in an Italianate garden (coloured engraving)
3639662 Scene in an Italianate garden (coloured engraving) by European School, (18th century); Private Collection; (add.info.: Scene in an Italianate garden)

Background imageItalianate Collection: Isola Bella, Lake Maggiore (colour photo)

Isola Bella, Lake Maggiore (colour photo)
3095190 Isola Bella, Lake Maggiore (colour photo) by Italian Photographer, (20th century); Private Collection; (add.info.: Isola Bella, Lake Maggiore)

Background imageItalianate Collection: A family from Anticoli Corrardo, Going to Market, 1928 (w / c with pen & ink on paper)

A family from Anticoli Corrardo, Going to Market, 1928 (w / c with pen & ink on paper)
2651878 A family from Anticoli Corrardo, Going to Market, 1928 (w/c with pen & ink on paper) by Nixon, Job (1891-1938); 38x54 cm; Private Collection; eLiss Fine Art; English, out of copyright

Background imageItalianate Collection: Le vase de Medicis, 1656 (etching)

Le vase de Medicis, 1656 (etching)
2562914 Le vase de Medicis, 1656 (etching) by Bella, Stefano della (1610-64); New York Public Library, USA; Stephen A. Schwarzman Building / Photography Collection, Miriam and Ira D

Background imageItalianate Collection: Italianate Landscape with Travellers on a winding Road, 1775 - 1779

Italianate Landscape with Travellers on a winding Road, 1775 - 1779
1217782 Italianate Landscape with Travellers on a winding Road, 1775 - 1779 (black chalk with watercolour and bodycolour, varnished) by Gainsborough, Thomas (1727-88); 22.5x30.9 cm; Ashmolean Museum

Background imageItalianate Collection: Italianate Landscape with Muleteers (oil on canvas)

Italianate Landscape with Muleteers (oil on canvas)
1217530 Italianate Landscape with Muleteers (oil on canvas) by Both, Jan (c.1618-52); 127.5x160.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Dutch, out of copyright

Background imageItalianate Collection: Tivoli with the Temple of the Sibyl (pencil & w / c on paper on board)

Tivoli with the Temple of the Sibyl (pencil & w / c on paper on board)
1214500 Tivoli with the Temple of the Sibyl (pencil & w/c on paper on board) by Turner, Joseph Mallord William (1775-1851) (attr.to); 68.2x47.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageItalianate Collection: Burlington House, Piccadilly, from Vitruvius Britannicus or The British

Burlington House, Piccadilly, from Vitruvius Britannicus or The British
1280621 Burlington House, Piccadilly, from Vitruvius Britannicus or The British Architect by Colen Campbell, 1717 (engraving) by English School, (18th century); eThe Devonshire Collections

Background imageItalianate Collection: River Landscape with a Nymph Plucking a Branch from a Bleeding Tree (oil on canvas)

River Landscape with a Nymph Plucking a Branch from a Bleeding Tree (oil on canvas)
CH192296 River Landscape with a Nymph Plucking a Branch from a Bleeding Tree (oil on canvas) by Locatelli, Andrea (1695-1741); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageItalianate Collection: The Great Gate at Burlington House, Piccadilly, from

The Great Gate at Burlington House, Piccadilly, from
1280620 The Great Gate at Burlington House, Piccadilly, from Vitruvius Britannicus or The British Architect by Colen Campbell, 1717 (engraving) by English School

Background imageItalianate Collection: The South Front of Chatsworth, illustration from

The South Front of Chatsworth, illustration from
1280485 The South Front of Chatsworth, illustration from Vitruvius Britannicus or The British Architect by Colen Campbell (engraving) by English School, (18th century); eThe Devonshire Collections

Background imageItalianate Collection: View of Grand Canal with the Palazzi Foscari and Moro Lin (oil on canvas)

View of Grand Canal with the Palazzi Foscari and Moro Lin (oil on canvas)
3545947 View of Grand Canal with the Palazzi Foscari and Moro Lin (oil on canvas) by Bellotto, Bernardo (1720-80); 101x162 cm; National Museum, Stockholm, Sweden; Italian, out of copyright

Background imageItalianate Collection: An Italian Garden of 1500s (chromolitho)

An Italian Garden of 1500s (chromolitho)
735320 An Italian Garden of 1500s (chromolitho) by European School, (19th century); Private Collection; (add.info.: An Italian Garden of 1500s)

Background imageItalianate Collection: Papigno on the Nar below the Falls of the Terni, 1839 (w / c on paper)

Papigno on the Nar below the Falls of the Terni, 1839 (w / c on paper)
BOL229438 Papigno on the Nar below the Falls of the Terni, 1839 (w/c on paper) by Palmer, Samuel (1805-81); 52.7x71.8 cm; Bolton Museum and Art Gallery, Lancashire

Background imageItalianate Collection: Design for a Ceiling Fresco, published c. 1780 (gouache, ink & w / c on an etched base

Design for a Ceiling Fresco, published c. 1780 (gouache, ink & w / c on an etched base
STC192028 Design for a Ceiling Fresco, published c.1780 (gouache, ink & w/c on an etched base) (see also 192025-027) by Correggio

Background imageItalianate Collection: View from the Ile de Sora above the Waterfalls of the Chateau, c. 1822 (oil on canvas)

View from the Ile de Sora above the Waterfalls of the Chateau, c. 1822 (oil on canvas)
BMT220210 View from the Ile de Sora above the Waterfalls of the Chateau, c.1822 (oil on canvas) by Dunouy, Alexandre Hyacinthe (1757-1841); 24x31 cm; BibliothAque Paul-Marmottan

Background imageItalianate Collection: The Antique Fountain and Arch at Grottaferrata, Rome (pen & ink with w / c on paper)

The Antique Fountain and Arch at Grottaferrata, Rome (pen & ink with w / c on paper)
449385 The Antique Fountain and Arch at Grottaferrata, Rome (pen & ink with w/c on paper) by Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736); eThe Devonshire Collections

Background imageItalianate Collection: A view of Civita Castellana (w / c on paper)

A view of Civita Castellana (w / c on paper)
AMO423098 A view of Civita Castellana (w/c on paper) by Smith, John Warwick (1749-1831); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageItalianate Collection: Landscape with classical ruins and a youth attacked by dogs (pen & ink on paper)

Landscape with classical ruins and a youth attacked by dogs (pen & ink on paper)
CTS413012 Landscape with classical ruins and a youth attacked by dogs (pen & ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 25.3x41.8 cm; eThe Devonshire Collections

Background imageItalianate Collection: View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w / c on paper)

View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w / c on paper)
449386 View of the Basilian Monastery at Grottaferrata, Rome (pen & ink with w/c on paper) by Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736); eThe Devonshire Collections

Background imageItalianate Collection: Landscape with a crenellated gatehouse and a winding road (pen & ink on paper)

Landscape with a crenellated gatehouse and a winding road (pen & ink on paper)
CTS413010 Landscape with a crenellated gatehouse and a winding road (pen & ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 21.8x41.8 cm; eThe Devonshire Collections

Background imageItalianate Collection: View of Hadrians Villa near Rome (oil on canvas)

View of Hadrians Villa near Rome (oil on canvas)
SRM92420 View of Hadrians Villa near Rome (oil on canvas) by Matveev, Fedor Mikhailovich (1758-1826); 97x137 cm; State Russian Museum, St

Background imageItalianate Collection: The Seller of Statuettes, 1874 (w / c on paper)

The Seller of Statuettes, 1874 (w / c on paper)
HTL93682 The Seller of Statuettes, 1874 (w/c on paper) by Linton, James Dromgole (1840-1916); 61x76.2 cm; Private Collection; By courtesy of Julian Hartnoll; English, out of copyright

Background imageItalianate Collection: Architectural capriccio with oriental figures

Architectural capriccio with oriental figures
BAL77034 Architectural capriccio with oriental figures by Weenix, Jan Baptist (1621-c.1664); 80.3x66.5 cm; Johnny van Haeften Gallery, London, UK; Dutch, out of copyright

Background imageItalianate Collection: An Extensive Italianate River Landscape with Travellers by a Pool, 1646 (oil on canvas)

An Extensive Italianate River Landscape with Travellers by a Pool, 1646 (oil on canvas)
990298 An Extensive Italianate River Landscape with Travellers by a Pool, 1646 (oil on canvas) by Saftleven, Herman the Younger (1609-85); 73.6x94 cm; Private Collection; (add.info)

Background imageItalianate Collection: Portrait of Maddalena Doni, 1506 (oil on panel)

Portrait of Maddalena Doni, 1506 (oil on panel)
885608 Portrait of Maddalena Doni, 1506 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 63x45 cm; Palazzo Pitti, Florence

Background imageItalianate Collection: The Grand Dukes Madonna, c. 1504-05 (oil on panel)

The Grand Dukes Madonna, c. 1504-05 (oil on panel)
885575 The Grand Dukes Madonna, c.1504-05 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 84x55 cm; Palazzo Pitti, Florence

Background imageItalianate Collection: Richmond Castle, Yorkshire (oil on canvas)

Richmond Castle, Yorkshire (oil on canvas)
3601842 Richmond Castle, Yorkshire (oil on canvas) by Lines, Henry Harris (1801-99); 32.5x42.5 cm; Worcester City Art Gallery & Museum, Worcestershire, UK; English, out of copyright

Background imageItalianate Collection: Moses and Aaron Changing the Rivers of Egypt to Blood, 1631 (oil on panel)

Moses and Aaron Changing the Rivers of Egypt to Blood, 1631 (oil on panel)
3545787 Moses and Aaron Changing the Rivers of Egypt to Blood, 1631 (oil on panel) by Breenbergh, Bartholomeus (1599-1657); 58.1x83.2 cm; J

Background imageItalianate Collection: Man and woman in 18th Century dress in a garden (coloured engraving)

Man and woman in 18th Century dress in a garden (coloured engraving)
3639661 Man and woman in 18th Century dress in a garden (coloured engraving) by European School, (18th century); Private Collection; (add.info.: Man and woman in 18th Century dress in a garden)

Background imageItalianate Collection: Adoration of the Child, c. 1499 (tempera on wood)

Adoration of the Child, c. 1499 (tempera on wood)
704171 Adoration of the Child, c.1499 (tempera on wood) by Bartolomeo, Fra (Baccio della Porta) (1472-1517); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageItalianate Collection: Madonna and Child (oil on canvas)

Madonna and Child (oil on canvas)
704166 Madonna and Child (oil on canvas) by Perugino, Pietro (c.1445-1523); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageItalianate Collection: Landscape with buildings and lovers, embracing, after Titian (pen & brown ink on paper)

Landscape with buildings and lovers, embracing, after Titian (pen & brown ink on paper)
2912825 Landscape with buildings and lovers, embracing, after Titian (pen & brown ink on paper) by Titian, Tiziano Vecelli (c.1488-1576) (follower); 14.9x21 cm; eThe Devonshire Collections

Background imageItalianate Collection: Landscape with horseman (pen, ink, brush & w / c on paper)

Landscape with horseman (pen, ink, brush & w / c on paper)
3108944 Landscape with horseman (pen, ink, brush & w/c on paper) by Sandby, Paul (1725-1809); 22.9x27.9 cm; Private Collection; Abbott and Holder, London, UK; English, out of copyright

Background imageItalianate Collection: 2654949

2654949

Background imageItalianate Collection: View on the Arno, 1838 (oil on canvas)

View on the Arno, 1838 (oil on canvas)
2652536 View on the Arno, 1838 (oil on canvas) by Cole, Thomas (1801-1848); 42.9x64.8 cm; Shelburne Museum, Vermont, USA; eShelburne Museum; Museum purchase, acquired from Maxim Karolik; American

Background imageItalianate Collection: Mediterranean landscape with poppies in foreground and walled town in background

Mediterranean landscape with poppies in foreground and walled town in background
2651863 Mediterranean landscape with poppies in foreground and walled town in background (oil on panel) by Studd, Arthur Haythorne (1863-1919); Private Collection; eLiss Fine Art; British

Background imageItalianate Collection: Italian Scene Composition, 1833 (oil on canvas)

Italian Scene Composition, 1833 (oil on canvas)
NYH434997 Italian Scene Composition, 1833 (oil on canvas) by Cole, Thomas (1801-1848); 95.2x138.4 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American



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"Exploring the Italianate Influence: From Glasgow's George Square to Osborne House J030057" Immerse yourself in the captivating world architecture as you wander through George Square, Glasgow. Admire the grandeur and elegance of buildings inspired by this style, transporting you to a different era. Venture further to Osborne House J030057, where Queen Victoria herself sought solace within its Italianate walls. Feel like royalty as you stroll through its opulent rooms and marvel at the intricate details that make this architectural gem truly unique. As your journey continues, let your eyes be drawn to Mona Lisa (oil on canvas) - an iconic masterpiece that embodies the essence of Italian artistry. Its enigmatic smile echoes throughout history, leaving a lasting impression on all who gaze upon it. Delve into history with tales from Earl of Crawford tomb robbed in 1881. Uncover secrets and mysteries surrounding this unfortunate event that shook society during those times. Travel across continents to Africa House - a magnificent mansion built on an estate reminiscent of Italy's charm. Marvel at its grandeur and imagine yourself transported to another world altogether. Discover how even institutions such as Middlesex Pauper Lunatic Asylum embraced the allure design in 1849. Witness firsthand how beauty was incorporated into every aspect, providing solace for those seeking refuge within these walls. Wales' Portmeirion beckons with its own interpretation architecture amidst stunning natural surroundings. Lose yourself in its whimsical charm and picturesque landscapes that seem straight out of a fairytale. Plymouth Guildhall stands proudly as yet another testament to Italy's influence on British architecture. Its imposing presence commands attention while showcasing exquisite craftsmanship synonymous with the Italianate style. The east front and part of the grounds at Deepdene offer glimpses into England's Lost Houses by Giles Worsley (1961-2006), published in 2002.