Jacques Philippe Collection

Fauns and Nymphs, after Jacques-Philippe Caresme, 1770. From Illustrierte Sittengeschichte vom Mittelalter bis zur
1000917 Fauns and Nymphs, after Jacques-Philippe Caresme, 1770. From Illustrierte Sittengeschichte vom Mittelalter bis zur Gegenwart by Eduard Fuchs, published 1909.; Private Collection

Gallant conversation (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog, 1743

Pensant-ils au Raisin? (Are They Thinking About the Grape?), 18th century. After Francois Boucher

Reverse copy of Noisettes (Nutcrackers), from Les Cris de Paris (The Cries of Paris), 18th century

Reverse copy of A Racomoder les Vieux Souflets (Mend the Old Bellows), from Le Cris de Paris (The Cries of Paris), plate 3, 18th century

L Assomption. Creator: Jacques Philippe Le Bas
L Assomption. After Francois Boucher

Sweeping from Top to Bottom. Creator: Jacques Philippe Le Bas
Sweeping from Top to Bottom. After Francois Boucher

Second View of the Surroundings of Bruges (IIe. Vue des environs de Bruges)

View of the Surroundings of Bruges (Vue des environs de Bruges). After Jan Brueghel the Elder

Flanders Road (Route de Flandre) after a painting in the collection of the Duc de Praslin, 1772. After Jan Brueghel the Elder

The Three Windmills (Les Trois Moulins) after a painting in the collection of the Duc de Praslin, 1772. After Jan Brueghel the Elder

Ambassade Cochinchinoise a Paris, 1863. Creators: Louis Rousseau
Ambassade Cochinchinoise a Paris, 1863

Le Chateau De Teniers, 1740. Creator: Jacques Philippe Le Bas
Le Chateau De Teniers, 1740. Turreted castle and bridge over a moat, with men digging in the foreground. A poem inscribed below reads: Je cheris ce Sejour de gotique Structure

The Good Education, 1753, (1885). Artist: Jacques Philippe Le Bas
The Good Education, 1753, (1885). Drawing based on an original painting by Jean Baptiste Simeon Chardin

Vue d Temple de Pola en Istrie Les ruines des
Vue d un Temple de Pola en Istrie, Les ruines des plus beaux monuments de la Grece: ouvrage divise en deux parties, ou l on considere, dans la premiere

Julius Antiochus Philopappus a Athenes Vue d
Julius Antiochus, Philopappus; a Athenes, Vue d un Monument triomphal eleve en l honneur de Caius, Julius Antiochus, Philopappus; a Athenes

Kaiyan chenggong zhu jiangshi Suite des seize
Kaiyan chenggong zhu jiangshi, Suite des seize estampes representant les conquetes de l empereur de la Chine, avec leur explication, Le Bas, Jacques-Philippe, 1707-1783, Etching, engraving, 1770

Jacques-Philippe Le Bas after Hubert Drouais, French (1707-1783), Robert le Lorrain, 1741, engraving on laid paper

Jacques-Philippe Le Bas after Charles Eisen, French (1707-1783), La comete, engraving and etching

Jacques Philippe LeBas after Julien David Le Roy, French (1707-1783), The Dromos, Athens, 1758, etching on laid paper [proof]

Jacques-Philippe Le Bas after Jean Sima on Chardin (French, 1707 - 1783), Etude du dessin
Jacques-Philippe Le Bas after Jean Sima© on Chardin (French, 1707 - 1783), Etude du dessin, 1757, etching and engraving

Vase (Cuvette Mahon); Painted decoration by Jean-Louis Morin, French, 1732 - 1787, active at Vincennes and Sevres from 1754, After an engraving by Jacques-Philippe Le Bas, French, 1707 - 1783

Lidded Pot-pourri Vase (vase or pot-pourri vaisseau a mat, deuxieme grandeur); Painting on front panel attributed to Charles-Nicolas Dodin, French, 1734 - 1803, active at Sevres, France from 1754

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Jacques Philippe Le Bas, a renowned artist of the 18th century, captured the essence of gallant conversation in his masterpiece "Conversation galante. " Couples engage in lively discussions amidst the serene beauty of a garden, their words floating like delicate petals on the breeze. In another intriguing artwork titled "Are They Thinking About the Grape?, " Le Bas invites us to ponder the musings of individuals lost in thought. Perhaps contemplating life's mysteries or simply savoring the sweetness of grapes, their introspective expressions leave us curious and captivated. Le Bas showcases his artistic versatility with a reverse copy of "Nutcrackers" from "The Cries of Paris. " This playful depiction captures street vendors selling nutcrackers, showcasing everyday scenes that were an integral part of Parisian life during that era. "Mend the Old Bellows" presents yet another glimpse into daily existence through Le Bas' skilled hands. The image portrays craftsmen diligently repairing old bellows - an ode to preserving tradition and ensuring longevity for essential tools. Moving beyond France's borders, Le Bas transports us to Bruges with two captivating views. In both "View of Surroundings" and its second iteration, he masterfully depicts this Flemish city's charm and architectural grandeur. These artworks invite viewers to immerse themselves in Bruges' rich history and picturesque landscapes. Continuing our journey through time and space, we encounter Flanders Road after a painting owned by Duc de Praslin. Through meticulous strokes, Le Bas brings this scenic route to life - inviting travelers to embark on an imaginary voyage along its enchanting path. "The Three Windmills, " inspired by another work owned by Duc de Praslin, offers a whimsical portrayal that evokes nostalgia for simpler times. Against vast open fields dotted with windmills stands as testament to human ingenuity harnessing nature's power – reminding us that progress is built upon innovation rooted in tradition.