Jacques Van Collection

Design for a Panel with Two Variants containing a Satyr and a Sphynx, from: Panneaux d ornement, 17th century

Prince Eugene of Savoy, French-born Austrian soldier, 1718 (1906). From the original painting by Jacobus van Schuppen, in the Rijks Museum, Amsterdam

Mask Bald Man Pointed Ears Long Parted Beard
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Satyr Mask Overlapping Horns Four Braided Strands
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Mask Curly Hair Long Mustache Loosely Twisted Beard
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Mask Long Mustache Tied Ribbon Beneath Chin Divers Masques
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Satyr Mask Horns Twisted Beard Wearing Ivy Wreath
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Satyr Mask Hooked Horns Ivy Wreath Divers Masques
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Satyr Mask Curled Horns Leafy Eyebrows Cloth Hanging Beneath
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Mask Bacchus Wreath Grape Leaves Ribbon Divers Masques
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Title Plate Two Satyr Heads Divers Masques ca
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Mask Bald Man Tufty Sideburns Divers Masques
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Satyr Mask Spiral-Shaped Beard Ivy Grouped Around
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Satyr Mask Indented Snout Wreath Oak Leaves Divers Masques
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Mask Long Eyebrows Mustache Headdress Dangling Cloth
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Satyr Mask Curled Horns Looking Down Divers Masques
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Satyr Mask Crown Ivy Facing Right Divers Masques
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Mask Wreath Laurels Oak Leaves Divers Masques
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Satyr Mask Laurel Wreath Draped Horns Divers Masques
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Jacques Van, the master of design intricacies and artistic expressions, unveils his brilliance once again with a captivating panel that showcases two mesmerizing variants. In this masterpiece titled "Design for a Panel with Two Variants containing a Satyr and a Sphynx, " Jacques Van transports us to an enchanting world where mythical creatures come alive. The first variant features a satyr, its mask adorned with overlapping horns and four braided strands cascading down its face. With pointed ears and a long parted beard, the satyr exudes an air of mischief and allure. A wreath of ivy rests upon its head, symbolizing nature's untamed beauty. In the second variant, another satyr emerges wearing a mask embellished with twisted horns resembling hooks. Its curly hair flows effortlessly as it sports a long mustache loosely twisted into intricate patterns. Beneath its chin lies a ribbon tied delicately, adding an element of elegance to this wild creature's appearance. As we delve deeper into Jacques Van's creation, we encounter yet another intriguing mask depicting Bacchus himself. Adorned with grape leaves intertwined in a wreath-like fashion held together by ribbons, this mask embodies indulgence and revelry. Amongst these remarkable masks are plates showcasing two distinct satyr heads from Divers Masques ca. , each possessing their own unique characteristics that captivate our imagination. One boasts baldness accompanied by tufty sideburns while the other dons curled horns above leafy eyebrows with cloth hanging beneath them. Prince Eugene of Savoy serves as both inspiration and patron for Jacques Van's artistry in this piece dating back to 1718 (1906). Through his support, Prince Eugene encourages creativity to flourish within society while preserving history through visual storytelling. With every stroke of his brush or chisel against stone, Jacques Van breathes life into these mystical beings from ancient folklore.