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Jean Marc Collection

Jean-Marc Nattier, a renowned artist of the 18th century, captured the essence of elegance and beauty in his exquisite portraits

Background imageJean Marc Collection: Madame Victoire, 1748. Artist: Jean-Marc Nattier

Madame Victoire, 1748. Artist: Jean-Marc Nattier
Madame Victoire, 1748. Madame Victoire, Daughter of Louis XV (1733-1799). Painting held at the National Museum of the Palaces of Versailles and Trianon, Versailles. From The Connoisseur Volume XXIV

Background imageJean Marc Collection: Portrait of Empress Catherine I (1684-1727), (oil on canvas)

Portrait of Empress Catherine I (1684-1727), (oil on canvas)
1195711 Portrait of Empress Catherine I (1684-1727), (oil on canvas) by Nattier, Jean-Marc (1685-1766) (studio of); 90x71 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageJean Marc Collection: Portrait of a Gentleman, Half Length, in Armour, a White Jabot and Crimson Wrap

Portrait of a Gentleman, Half Length, in Armour, a White Jabot and Crimson Wrap
659263 Portrait of a Gentleman, Half Length, in Armour, a White Jabot and Crimson Wrap, in a Painted Oval, (oil on canvas) by Nattier, Jean-Marc (1685-1766) (attr)

Background imageJean Marc Collection: Portrait of a Marechal de France, probably Chretien-Louis de Montmorency-Luxembourg

Portrait of a Marechal de France, probably Chretien-Louis de Montmorency-Luxembourg
990135 Portrait of a Marechal de France, probably Chretien-Louis de Montmorency-Luxembourg (1675-1746), half-length, 1740 (oil on canvas) by Nattier

Background imageJean Marc Collection: Jean-Marc Nattier (1685-1766) (pastel on paper)

Jean-Marc Nattier (1685-1766) (pastel on paper)
XMN244119 Jean-Marc Nattier (1685-1766) (pastel on paper) by Tocque, Louis M. (1696-1772); Musee de Picardie, Amiens, France; eMusee de Picardie, Amiens; French, out of copyright

Background imageJean Marc Collection: Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands from Recueil de la Galerie du Luxembourg

Background imageJean Marc Collection: Madame Bergeret de Frouville as Diana, 1756. Creator: Jean-Marc Nattier

Madame Bergeret de Frouville as Diana, 1756. Creator: Jean-Marc Nattier
Madame Bergeret de Frouville as Diana, 1756

Background imageJean Marc Collection: Jean Marc Nattier (1685-1766). Creator: Louis Tocque

Jean Marc Nattier (1685-1766). Creator: Louis Tocque
Jean Marc Nattier (1685-1766)

Background imageJean Marc Collection: The Spring (La Source), 1738. Creator: Jean-Marc Nattier

The Spring (La Source), 1738. Creator: Jean-Marc Nattier
The Spring (La Source), 1738

Background imageJean Marc Collection: Marie Francoise de La Cropte de St. Abre, Marquise d Argence (born 1714), 1744

Marie Francoise de La Cropte de St. Abre, Marquise d Argence (born 1714), 1744

Background imageJean Marc Collection: Madame Marsollier and Her Daughter, 1749. Creator: Jean-Marc Nattier

Madame Marsollier and Her Daughter, 1749. Creator: Jean-Marc Nattier
Madame Marsollier and Her Daughter, 1749

Background imageJean Marc Collection: Portrait of a Woman, 1753. Creator: Jean-Marc Nattier

Portrait of a Woman, 1753. Creator: Jean-Marc Nattier
Portrait of a Woman, 1753

Background imageJean Marc Collection: Madame Adelaide tatting, 1756, (1903). Creator: Unknown

Madame Adelaide tatting, 1756, (1903). Creator: Unknown
Madame Adelaide tatting, 1756, (1903). Madame Adelaide Faisant De La Frivolite, portrait of French princess Adelaide of France (1732-1800) tatting: a method of making lace with knots and loops

Background imageJean Marc Collection: Jean-Marc Nattier and his family, 1730-1762, (1903). Creator: Unknown

Jean-Marc Nattier and his family, 1730-1762, (1903). Creator: Unknown
Jean-Marc Nattier and his family, 1730-1762, (1903). La Famille Du Peintre, self portrait with his wife and children, by French painter Jean-Marc Nattier (1685-1766)

Background imageJean Marc Collection: Katharina I, (1933). Creator: Unknown

Katharina I, (1933). Creator: Unknown
Katharina I, (1933). Portrait of Empress Catherine I of Russia (1684-1727), second wife of Peter the Great. After a miniature by Charles Boit, after a painting by Nattier

Background imageJean Marc Collection: A Prince of France, cearly 18th century, (1910). Artist: Jean-Marc Nattier

A Prince of France, cearly 18th century, (1910). Artist: Jean-Marc Nattier
A Prince of France, (1910). Rococo era portrait of a Prince of France. Jean-Marc Nattier (1685-1766), was a French painter and miniaturist, born in Paris

Background imageJean Marc Collection: Isabella de Bourbon, Infanta of Parma, 1747 (c1927). Artist: Jean-Marc Nattier

Isabella de Bourbon, Infanta of Parma, 1747 (c1927). Artist: Jean-Marc Nattier
Isabella de Bourbon, Infanta of Parma, 1747 (c1927). Isabella of Parma (1741-1763) was the granddaughter of Louis XV of France. The painting is held by the Chateau de Versailles, Paris

Background imageJean Marc Collection: Madame Henriette, Daughter of Louis XV, 1742, (1912). Artist: Jean-Marc Nattier

Madame Henriette, Daughter of Louis XV, 1742, (1912). Artist: Jean-Marc Nattier
Madame Henriette, Daughter of Louis XV, 1742, (1912). Anne Henriette de France (1727-1752) was the twin sister of Louise Elisabeth de France

Background imageJean Marc Collection: Peter the Great, Tsar of Russia, (1906)

Peter the Great, Tsar of Russia, (1906). From the original painting by Jean-Marc Nattier, in the Versailles Museum, France. Peter (1672-1725) became Tsar in 1682

Background imageJean Marc Collection: Madame de Beaujolais, 18th century (1910). Artist: Jean-Marc Nattier

Madame de Beaujolais, 18th century (1910). Artist: Jean-Marc Nattier
Madame de Beaujolais, 18th century (1910). From The Connoisseur magazine (September 1910)

Background imageJean Marc Collection: Louis of France, 1754, (1910). Artist: Jean-Marc Nattier

Louis of France, 1754, (1910). Artist: Jean-Marc Nattier
Louis of France, 1754, (1910). Portrait of Louis-Joseph-Xavier de France, Duke of Burgundy (1751-1761) aged about three. From the collection of the Chateau de Versailles, France

Background imageJean Marc Collection: Madame Sophie, daughter of Louis XV, 1909. Artist: Jean-Marc Nattier

Madame Sophie, daughter of Louis XV, 1909. Artist: Jean-Marc Nattier
Madame Sophie, daughter of Louis XV, 1909. Portrait of Sophie Philippine Elisabeth Justine (1734-1782), daughter of King Louis XV of France and Maria Leszczynska

Background imageJean Marc Collection: The Battle of Lesnaya, 1717. Artist: Jean-Marc Nattier

The Battle of Lesnaya, 1717. Artist: Jean-Marc Nattier
The Battle of Lesnaya, 1717. Fought by the armies of Sweden and Russia on 9 October 1708 in what is today Belarus, the Battle of Lesnaya was one of the major engagements of the Great Northern War

Background imageJean Marc Collection: Portrait of a Lady, 1757. Artist: Jean-Marc Nattier

Portrait of a Lady, 1757. Artist: Jean-Marc Nattier
Portrait of a Lady, 1757. Nattier, Jean-Marc (1685-1766). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Background imageJean Marc Collection: Madame Louise, Daughter of Louis XV, mid 18th century (1912). Artist: Jean-Marc Nattier

Madame Louise, Daughter of Louis XV, mid 18th century (1912). Artist: Jean-Marc Nattier
Madame Louise, Daughter of Louis XV, mid 18th century (1912). A print from The Connoisseur, (London, 1912)

Background imageJean Marc Collection: Madame Henriette de France in Court Costume Playing a Bass Viol, 1754. Artist: Jean-Marc Nattier

Madame Henriette de France in Court Costume Playing a Bass Viol, 1754. Artist: Jean-Marc Nattier
Madame Henriette de France in Court Costume Playing a Bass Viol, 1754

Background imageJean Marc Collection: Jupiter, Juno and Io, 1710s. Artist: Jean-Marc Nattier

Jupiter, Juno and Io, 1710s. Artist: Jean-Marc Nattier
Jupiter, Juno and Io, 1710s. According to Greek Mythology, Zeus seduced Io, one of the priestesses of his wife, Hera, and changed her into a heifer in order to try to hide his act from Hera

Background imageJean Marc Collection: after Jean-Marc Nattier, Portrait of a Young Woman, 1750-1760, oil on canvas

after Jean-Marc Nattier, Portrait of a Young Woman, 1750-1760, oil on canvas

Background imageJean Marc Collection: Jean-Marc Nattier, French (1685-1766), Joseph Bonnier de la Mosson, 1745, oil on canvas

Jean-Marc Nattier, French (1685-1766), Joseph Bonnier de la Mosson, 1745, oil on canvas

Background imageJean Marc Collection: Louis-Jacques Cathelin after Jean-Marc Nattier (French, 1738-1739 - 1804), Louis Tocque

Louis-Jacques Cathelin after Jean-Marc Nattier (French, 1738-1739 - 1804), Louis Tocque, engraving on laid paper


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Jean-Marc Nattier, a renowned artist of the 18th century, captured the essence of elegance and beauty in his exquisite portraits. His attention to detail and mastery of color brought his subjects to life on canvas. In "Madame Victoire, " painted in 1748, Nattier portrays a young woman with delicate features and an air of grace. Her regal attire reflects her noble status, while her serene expression hints at her inner strength. Another notable work by Nattier is the "Portrait of Empress Catherine I. " This oil painting showcases the empress's commanding presence as she gazes confidently into the distance. The intricate details in her elaborate gown highlight both her power and femininity. Nattier's talent for capturing character shines through in his portrait titled "Portrait of a Gentleman. " Clad in armor with a white jabot and crimson wrap, this gentleman exudes confidence and nobility. His piercing gaze suggests wisdom acquired through experience. One cannot overlook Nattier's skillful use of pastels in works like "Portrait of a Marechal de France. " The softness achieved through this medium adds depth to the marshal's countenance, revealing both determination and vulnerability beneath his military exterior. Nattier also demonstrated versatility beyond portraiture. In "The Spring (La Source), " he depicts a mythological scene filled with vibrant colors that evoke feelings of joy and renewal. This piece showcases Nattier's ability to transport viewers into fantastical realms through artistry alone. Among his many female subjects is Madame Bergeret de Frouville portrayed as Diana, goddess of hunting. With flowing robes adorned with flowers and holding a bow aloft, she embodies feminine strength intertwined with nature’s beauty—a testament to Nattier’s ability to capture multifaceted personalities within one frame. Throughout his career, Jean-Marc Nattier left an indelible mark on art history.