John 19 Collection

Peasant Woman Spinning Spinning Peasant Woman
Peasant Woman Spinning, Spinning Peasant Woman. Interior of a farmhouse where a woman is spinning, next to her a child is playing in a high chair with a dog. The room is full of furniture

Christ shown people Ecce Homo Passion series title
Christ shown to the people (Ecce Homo) The Passion (series title), Christ is shown to the people on a podium by Pilate. Pilate has asked the people whether he will release Christ or Barabbas

Christ cross skull bones foot left Jerusalem
Christ on the cross, a skull and bones at its foot. On the left, Jerusalem, the crucifixion of Christ: Christs death on the cross, Calvary (Matthew 27: 45-58, Mark 15: 33-45, Luke 23: 44-52)

Crucifixion De Passie series title Christ cross
Crucifixion De Passie (series title), Christ on the cross between the two other crucifixions. At the foot of the cross among others the three Marys and Longinus with his lance

Christ Presented to the People (Ecce Gay), Anonymous, Hendrick Goltzius, 1596 - 1667

Crowning with Thorns, Ludovicus Siceram, Hendrick Goltzius, 1623

Crucifixion, Jacob de Gheyn (II), Nicolaes de Clerck, 1588 - 1592

Christ on the cross, print maker: Arnold Houbraken, Jasper Goris wed. 1681 - 1683

Ecce Homo, Jan-Baptist Barbe, Adriaen Collaert, 1598 - 1618

Christ is crowned with the crown of thorns, Jan Collaert (II), Adriaen Collaert, 1598-1618

Christ on the cross, print maker: Nicolaes de Bruyn, Nicolaes de Bruyn, 1610

Flagellation of Christ, Monogrammist HR (graveur), Monogrammist RH (graveur), Hendrick Goltzius, 1597 - 1667

Flagellation of Christ, Nicolaes de Bruyn, 1619

Crucifixion of Christ, Jan Luyken, Hendrick and Dirk Boom, 1679

Christ on the cross, Jan Luyken, Pieter Mortier, 1703 - 1762

Female holding a burning heart, beholds the crucified Christ, Jan Luyken, Gijsbert de Groot, 1691

Five sorrowful mysteries, Antonie Wierix (II), Hieronymus Wierix, 1605 - 1619

Ecce Homo, Nicolaes de Bruyn, unknown, 1639 - after 1706

Crowning with Thorns, Jan Harmensz. Muller, 1613 - 1622

Flagellation of Christ, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Crowning with Thorns of Christ, Hieronymus Wierix, Melchior Model, Pierre Firens, 1608

Christ on the cross, Nicolaes de Bruyn, Pieter Schenk (I), 1637

Crowning with Thorns of Christ, Nicolaes de Bruyn, 1618

Christ Presented to the People, Johannes Wierix, 1581

Flagellation of Christ, Johannes Wierix, 1603

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"John 19: A Glimpse into the Passion of Christ" In this captivating artwork, titled "John 19, " we are transported to a world where the essence of faith and suffering intertwine. The painting begins with a scene of a humble Peasant Woman Spinning, symbolizing the simplicity and purity that Christ embodied. As our gaze shifts, we encounter an arresting image of Christ shown to the people in Ecce Homo. His face bears the weight of his impending sacrifice, as depicted in the Passion series title. The artist masterfully captures both vulnerability and strength in this poignant moment. Moving further, our eyes fall upon Christ's journey towards Golgotha. We witness him carrying his cross amidst skull bones at his foot, signifying death's presence lurking nearby. This Crucifixion De Passie series title evokes deep contemplation on mortality and redemption. The composition then takes us back to Ecce Homo once again; here, Christ is presented to the people (Ecce Gay) by anonymous hands. Their gazes reflect disbelief or perhaps even indifference towards this divine figure who would soon bear their sins. Next comes Crowning with Thorns – an act of unspeakable cruelty inflicted upon Jesus by Ludovicus Siceram and Hendrick Goltzius in 1623. This portrayal serves as a reminder of humanity's capacity for inflicting pain upon its savior. Jacob de Gheyn (II) and Nicolaes de Clerck transport us to Calvary through their depiction of Crucifixion from 1588-1592. The agony etched on Jesus' face reminds us that salvation came at an immense cost – one borne out of immeasurable love for mankind. Arnold Houbraken's printmaker brings forth another perspective with "Christ on the Cross. " Here we witness Jasper Goris wed. 's interpretation from 1681-1683 which emphasizes both the physical and spiritual dimensions of Christ's sacrifice.