John Constable Collection (page 4)

Yarmouth Jetty, 1822. Creator: John Constable
Yarmouth Jetty, 1822

Cloud Study: Stormy Sunset, 1821-1822. Creator: John Constable
Cloud Study: Stormy Sunset, 1821-1822

Wivenhoe Park, Essex, 1816. Creator: John Constable
Wivenhoe Park, Essex, 1816

Portrait Of James Lloyd, 1806. Creator: John Constable
Portrait Of James Lloyd, 1806

Study of Clouds - Evening, August 31st, 1822. Creator: John Constable
Study of Clouds - Evening, August 31st, 1822

A Sea Beach, 1830. Creator: David Lucas
A Sea Beach, 1830

Weymouth Bay, 1830. Creator: David Lucas
Weymouth Bay, 1830

A Mill, 1832. Creator: David Lucas
A Mill, 1832

Yarmouth, Norfolk, 1832. Creator: David Lucas
Yarmouth, Norfolk, 1832

Yarmouth, Norfolk, 1830. Creator: David Lucas
Yarmouth, Norfolk, 1830

A Summerland, 1829. Creator: David Lucas
A Summerland, 1829

Summer Evening, 1831. Creator: David Lucas
Summer Evening, 1831

Spring, 1830. Creator: David Lucas
Spring, 1830

A Lock on the Stour, 1830. Creator: David Lucas
A Lock on the Stour, 1830

Jacques and the Wounded Stag (Shakespeare, As You Like It, Act 2, Scene 1), 1830

Old Sarum, 1830. Creator: David Lucas
Old Sarum, 1830

Stoke-by-Neyland, 1830. Creator: David Lucas
Stoke-by-Neyland, 1830

Autumnal Sunset, 1830. Creator: David Lucas
Autumnal Sunset, 1830

A Dell, Helmingham Park, Suffolk, 1830. Creator: David Lucas
A Dell, Helmingham Park, Suffolk, 1830

Noon, 1830. Creator: David Lucas
Noon, 1830

River Stour, 1831. Creator: David Lucas
River Stour, 1831

Stoke-by-Neyland, 1829. Creator: David Lucas
Stoke-by-Neyland, 1829

A Mill, 1829. Creator: David Lucas
A Mill, 1829

Hadleigh Castle: Large Plate, 1830-32. Creator: David Lucas
Hadleigh Castle: Large Plate, 1830-32

Cloud Study, 1830-35. Creator: John Constable
Cloud Study, 1830-35

A Mill Near Colchester, 1833. Creator: John Constable
A Mill Near Colchester, 1833

Salisbury Cathedral from the Bishops Grounds, ca. 1825. Creator: John Constable
Salisbury Cathedral from the Bishops Grounds, ca. 1825

Stoke-by-Nayland, ca. 1810-11. Creator: John Constable
Stoke-by-Nayland, ca. 1810-11

Mrs. James Pulham Sr. (Frances Amys, ca. 1766-1856), 1818. Creator: John Constable
Mrs. James Pulham Sr. (Frances Amys, ca. 1766-1856), 1818

Ford Road and Rope Walk Showing the Windmill, near Folkestone, 1947. Creator: John Constable
Folkestone: Ford Road and the Ropewalk, 1833, (1947). A windmill in the Kent countryside. Picture in the Fitzwilliam Museum, Cambridge. From " British Windmills and Watermills, by C. P. Skilton

Landscape with Trees Surrounding a Pond. Creator: John Constable (British, 1776-1837)
Landscape with Trees Surrounding a Pond

Landscape. Creator: John Constable (British, 1776-1837)
Landscape

Hampstead Heath, Looking Toward Harrow, c. 1821. Creator: John Constable (British, 1776-1837)
Hampstead Heath, Looking Toward Harrow, c. 1821. Interested in the changing light effects of weather, Constable often worked outdoors and made a large number of quick oil sketches on paper

Hampstead Heath, 1800s. Creator: John Constable (British, 1776-1837), imitator of
Hampstead Heath, 1800s

The White Horse. Creator: John Constable (British, 1776-1837), imitator of
The White Horse

Branch Hill Pond, Hampstead, 1828. Creator: John Constable (British, 1776-1837)
Branch Hill Pond, Hampstead, 1828. From 1819 to 1826, Constable rented a summer house at Hampstead, a quarrying district on the northern outskirts of London, where he made drawings, oil sketches

A Country Road with Trees and Figures, c1830, (1934). Creator: John Constable
A Country Road with Trees and Figures, c1830, (1934). Painting in the Victoria & Albert Museum, London. From " The Connoisseur", Vol 93, No 389, January 1934. [The Connoisseur Ltd

Chesil Beach, late 18th-early 19th century, (1943). Creator: John Constable
Chesil Beach, late 18th-early 19th century, (1943). View of Chesil Beach in Dorset. From " The Studio", Volume 125. [The Offices of the Studio, London & New York, 1943]

John Constable, 1881. Creator: Unknown
John Constable, 1881. From " The Leisure Hour 1881", by. [The Religious Tract Society, London, 1881]

Dedham Lock, or The Leaping Horse, 1825, (1922). Creator: John Constable
Dedham Lock, or The Leaping Horse, 1825, (1922). View of the Suffolk countryside, with a horse leaping a barrier by a sluice near the River Stour

Storm Clouds passing over Hampstead, early 19th century, (c1900). Creator: Unknown
Storm Clouds passing over Hampstead, early 19th century, (c1900). Dark skies over the village of Hampstead, (now part of greater London). Print after a painting by John Constable

John Constable, R. A. (1776-1837). Creator: Unknown
John Constable, R.A. (1776-1837). Print after a self portrait drawing by British landscape painter Constable, made c1799-1804, in the National Portrait Gallery in London

The Leaping Horse, 1825, (c1950). Creator: John Constable
The Leaping Horse, 1825, (c1950). Tow horse leaping over a barrier on the path as the barge lowers its sail, scene in Suffolk. Painting in the Royal Academy, London

Hampstead, Middlesex, 1831. Artist: David Lucas
Hampstead, Middlesex, 1831. A view on Hampstead Heath

View of Hampstead Heath, London, 1831. Artist: David Lucas
View of Hampstead Heath, London, 1831

John Constable, English landscape painter, 1796. Artist: Daniel Gardner
John Constable, English landscape painter, 1796. Portrait of Constable (1776-1837) aged 20

Cottage in a Cornfield, 1833. Artist: John Constable
Cottage in a Cornfield, 1833

Brighton Beach, 19th century. Artist: John Constable
Brighton Beach, 19th century

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John Constable, a renowned English landscape painter, captured the beauty of various locations with his remarkable talent. One such masterpiece is "Sir Richard Steeles Cottage, " painted in Hampstead between 1831 and 1832. In this artwork, Constable skillfully portrays the quaint cottage surrounded by lush greenery, showcasing his ability to capture nature's essence. Another notable piece by Constable is "Parham Mill" at Gillingham in Dorset. This painting depicts a picturesque mill nestled amidst serene surroundings. The artist's attention to detail brings life to every stroke, making the viewer feel as though they are standing right beside the flowing river. "The Hay Wain, " created in 1821 (and reproduced in 1912), remains one of Constable's most famous works. This iconic painting showcases a rural scene with a horse-drawn cart crossing a tranquil river. The composition exudes tranquility and harmony while highlighting the artist's mastery of capturing light and atmosphere. Constable also immortalized St Giles Church in Stoke Poges through his brushstrokes in 1833. With meticulous precision, he captures the architectural details of this historic church against an idyllic backdrop, evoking a sense of peace and spirituality. One cannot overlook Constable's fascination with Hampstead Heath; he depicted its breathtaking views multiple times throughout his career. Whether it be "Hampstead Heath Looking Toward Harrow" or simply "Hampstead Heath, " these paintings showcase the vastness and natural beauty that captivated him so deeply. In "The White Horse, " completed between 1818-1819, Constable presents us with an enchanting rural scene featuring livestock grazing peacefully near Dedham Vale—a testament to his love for depicting pastoral landscapes filled with charm and serenity. "Willy Lott's House from the Stour (The Valley Farm)" transports viewers back to early nineteenth-century England through its depiction of a quaint farmhouse nestled in the countryside.