Fraud Blocker Skip to main content

John Dowman Collection

John Downman, a renowned artist of his time, captured the essence of human emotions and stories through his exquisite paintings

Background imageJohn Dowman Collection: Old Lady with Magnifying Glass, between 1750 and 1824. Creator: John Downman

Old Lady with Magnifying Glass, between 1750 and 1824. Creator: John Downman
Old Lady with Magnifying Glass, between 1750 and 1824

Background imageJohn Dowman Collection: Mrs. George Mills, 1783. Creator: John Downman

Mrs. George Mills, 1783. Creator: John Downman
Mrs. George Mills, 1783

Background imageJohn Dowman Collection: George Mills, 1792. Creator: John Downman

George Mills, 1792. Creator: John Downman
George Mills, 1792

Background imageJohn Dowman Collection: Portrait of a Woman with a Blue Sash, 1791. Creator: John Downman

Portrait of a Woman with a Blue Sash, 1791. Creator: John Downman
Portrait of a Woman with a Blue Sash, 1791

Background imageJohn Dowman Collection: Portrait of a Woman in Profile, 1791. Creator: John Downman

Portrait of a Woman in Profile, 1791. Creator: John Downman
Portrait of a Woman in Profile, 1791

Background imageJohn Dowman Collection: Standing Nude from the Back, n.d. Creator: John Downman

Standing Nude from the Back, n.d. Creator: John Downman
Standing Nude from the Back, n.d. Possibly by John Downman

Background imageJohn Dowman Collection: Study after Nature, 1774. Creator: John Downman

Study after Nature, 1774. Creator: John Downman
Study after Nature, 1774. Attributed to John Downman

Background imageJohn Dowman Collection: Diogenes, 1774. Creator: John Downman

Diogenes, 1774. Creator: John Downman
Diogenes, 1774

Background imageJohn Dowman Collection: Fright, n. d. Creator: John Downman

Fright, n. d. Creator: John Downman
Fright, n.d

Background imageJohn Dowman Collection: Attention, n. d. Creator: John Downman

Attention, n. d. Creator: John Downman
Attention, n.d

Background imageJohn Dowman Collection: Antique Statue of Seated Putto Holding Mask of Silenus, 1775. Creator: John Downman

Antique Statue of Seated Putto Holding Mask of Silenus, 1775. Creator: John Downman
Antique Statue of Seated Putto Holding Mask of Silenus, 1775

Background imageJohn Dowman Collection: High-Waisted Gown, n. d. Creator: John Downman

High-Waisted Gown, n. d. Creator: John Downman
High-Waisted Gown, n.d

Background imageJohn Dowman Collection: Lovers in a Room, n. d. Creator: John Downman

Lovers in a Room, n. d. Creator: John Downman
Lovers in a Room, n.d

Background imageJohn Dowman Collection: Seventeenth Century Boots of Standing Figure, n. d. Creator: John Downman

Seventeenth Century Boots of Standing Figure, n. d. Creator: John Downman
Seventeenth Century Boots of Standing Figure, n.d

Background imageJohn Dowman Collection: Woman Seated in Roman Chair, n. d. Creator: John Downman

Woman Seated in Roman Chair, n. d. Creator: John Downman
Woman Seated in Roman Chair, n.d

Background imageJohn Dowman Collection: Before the Dukes Palace-Rosalind, Celia, Orlando, the Duke

Before the Dukes Palace-Rosalind, Celia, Orlando, the Duke
Before the Dukes Palace - Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2), first published 1800; reissued 1852

Background imageJohn Dowman Collection: Elizabeth Ford, later Lady Colville of Culross, 1785. Creator: John Downman

Elizabeth Ford, later Lady Colville of Culross, 1785. Creator: John Downman
Elizabeth Ford, later Lady Colville of Culross, 1785

Background imageJohn Dowman Collection: Memento Portrait of a Young Midship-Man, late 18th-early 19th century

Memento Portrait of a Young Midship-Man, late 18th-early 19th century

Background imageJohn Dowman Collection: The Dyson Children, 1787. Creator: John Downman

The Dyson Children, 1787. Creator: John Downman
The Dyson Children, 1787

Background imageJohn Dowman Collection: Miss Mary Cruikshank, only sister of James Cruikshank, 1781. Creator: John Downman

Miss Mary Cruikshank, only sister of James Cruikshank, 1781. Creator: John Downman
Miss Mary Cruikshank, only sister of James Cruikshank, 1781

Background imageJohn Dowman Collection: Mrs. Palmer, 1785. Creator: John Downman

Mrs. Palmer, 1785. Creator: John Downman
Mrs. Palmer, 1785

Background imageJohn Dowman Collection: Thomas Jackson, 1780. Creator: John Downman

Thomas Jackson, 1780. Creator: John Downman
Thomas Jackson, 1780

Background imageJohn Dowman Collection: Mrs. Morgan and her Child, 1785. Creator: John Downman

Mrs. Morgan and her Child, 1785. Creator: John Downman
Mrs. Morgan and her Child, 1785

Background imageJohn Dowman Collection: Child Holding a Doll, 1780. Creator: John Downman

Child Holding a Doll, 1780. Creator: John Downman
Child Holding a Doll, 1780

Background imageJohn Dowman Collection: Isabella Hunter, Cousin of the Artist, 1781. Creator: John Downman

Isabella Hunter, Cousin of the Artist, 1781. Creator: John Downman
Isabella Hunter, Cousin of the Artist, 1781


All Professionally Made to Order for Quick Shipping

John Downman, a renowned artist of his time, captured the essence of human emotions and stories through his exquisite paintings. His works range from capturing moments of fright to demanding attention with their intricate details. In "Fright, " Downman skillfully portrays the terror in one's eyes, leaving viewers captivated by the intensity of the moment. The antique statue of a seated putto holding a mask of Silenus showcases Downman's ability to bring life to inanimate objects. Downman's talent extends beyond capturing fear; he also beautifully depicts love and intimacy in "Lovers in a Room. " The painting evokes feelings of warmth and tenderness as two souls intertwine amidst an intimate setting. Additionally, his portrayal of fashion is evident in "High-Waisted Gown, " where he captures the elegance and gracefulness that comes with such attire. Intriguingly, Downman explores various themes throughout his work. From seventeenth-century boots worn by standing figures to women seated on Roman chairs, each piece tells its own unique story. Furthermore, his depiction of characters from Shakespearean plays like Rosalind, Celia, Orlando, and the Duke adds depth to their personalities. Downman's portraits are equally captivating; they serve as mementos frozen in time. Whether it be Elizabeth Ford or Miss Mary Cruikshank - both painted with meticulous detail - these portraits immortalize individuals for generations to come. "The Dyson Children" stands out among Downman's creations as it captures youthful innocence radiating from three siblings' faces. Lastly, "Memento Portrait of a Young Midship-Man" pays homage to those who served at sea during late 18th-early 19th century conflicts. John Downman was not just an artist but also a storyteller who used brushes instead of words.