John Henry Collection

Jigsaw puzzle of golfers on Prestwick golf course, Scotland, c1914. Handcut wooden puzzle of Michael Browns picture used in the Life Association of Scotland calendar

Beechlands, Newick, 1835. Creator: John Henry Hurdis
Beechlands, Newick, 1835. Village fair in the grounds of Grade II listed Beechlands House in Newick, Sussex, England. Engraving by John Henry Hurdis

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

Sapphic Love, (pencil and pen and brown ink)
651806 Sapphic Love, (pencil and pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 17.2x12.4 cm; Private Collection; (add.info.: Sapphic Love)

A Nude Throwing, (pen and brown ink)
651826 A Nude Throwing, (pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 30.5x24.7 cm; Private Collection; (add.info.: A Nude Throwing)

Satan (?) (recto), (pencil)
651825 Satan (?) (recto), (pencil) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 20.2x30.5 cm; Private Collection; (add.info.: Satan (?) (recto)

A Gleam of Light, 1891 (watercolour)
659866 A Gleam of Light, 1891 (watercolour) by Henshall, John Henry (1856-1928); 67.4x52.1 cm; Private Collection; (add.info.: A Gleam of Light. John Henry Henshall (1856-1928). Watercolour

John Henry, Cardinal Newman (engraving)
1060360 John Henry, Cardinal Newman (engraving) by English School, (19th century); Private Collection; (add.info.: John Henry, Cardinal Newman)

Portrait of Cardinal Newman (1801-90) (oil on canvas)
BBC199371 Portrait of Cardinal Newman (1801-90) (oil on canvas) by Millais, John Everett (1829-96); National Portrait Gallery, London, UK; English, out of copyright

Haman, After Michelangelo, (pen and grey ink)
651824 Haman, After Michelangelo, (pen and grey ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 37x24.4 cm; Private Collection; (add.info.: Haman, After Michelangelo)

A Lady Walking, (pencil, pen and brown ink and watercolour)
651818 A Lady Walking, (pencil, pen and brown ink and watercolour) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 32.8x21.1 cm; Private Collection; (add.info.: A Lady Walking)

A Threatening Head, (pen and black ink, black wash)
651820 A Threatening Head, (pen and black ink, black wash) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 18x19.5 cm; Private Collection; (add.info.: A Threatening Head)

Study of a Womans Gloved Arms, 1798 (pencil)
651819 Study of a Womans Gloved Arms, 1798 (pencil) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 16.1x31 cm; Private Collection; (add.info.: Study of a Womans Gloved Arms)

Portrait Of John Henry Chamberlain (1831-1883), 1864. Creator: William Thomas Roden
Portrait Of John Henry Chamberlain (1831-1883), 1864

Winter Harmony, c. 1890 / 1900. Creator: John Henry Twachtman
Winter Harmony, c. 1890/1900

The Rev. Mr. Newman, 1844. Creator: Unknown
The Rev. Mr. Newman, 1844. Portrait of British theologian Cardinal John Henry Newman. From " Illustrated London News", 1844, Vol V

Cattle at a Watering Hole in a Valley, 1830-86. Creator: John Henry Mole
Cattle at a Watering Hole in a Valley, 1830-86. Eroded limestone cliffs reminiscent of the Yorkshire dales near Malham

[John Henry Mole], 1860s. Creator: John & Charles Watkins
[John Henry Mole], 1860s

John Henry Robinson, 1860s. Creator: John & Charles Watkins
John Henry Robinson, 1860s

Portrait of a Gentleman, ca. 1845. Creator: John Henry Brown
Portrait of a Gentleman, ca. 1845

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885

Arques-la-Bataille, 1885. Creator: John Henry Twachtman
Arques-la-Bataille, 1885

Horseneck Falls, ca. 1889-1900. Creator: John Henry Twachtman
Horseneck Falls, ca. 1889-1900

Arques-la-Bataille, ca. 1884. Creator: John Henry Twachtman
Arques-la-Bataille, ca. 1884

Waterfall, ca. 1889-91. Creator: John Henry Twachtman
Waterfall, ca. 1889-91

The O Connell Monument and the Nelson Pillar, O Connell Street, Dublin, Ireland, c1930s. Memorial to Daniel O Connell by John Henry Foley

1895 Knight with John Henry Knight and his son. Creator: Unknown
1895 Knight with John Henry Knight and his son

John Henry Knight and wife on Knight 1895 3 wheeler. Creator: Unknown
John Henry Knight and wife on Knight 1895 3 wheeler

John Henry Knight on Knight 1895. Creator: Unknown
John Henry Knight on Knight 1895

Henry Irving and Ellen Terry in Tennysons Becket at Windsor Castle, 1893, (1901)
Henry Irving and Ellen Terry in Tennysons " Becket" at Windsor Castle, 1893, (1901). Actors Henry Irving (as Thomas Becket) and Ellen Terry (as Rosamund)

The Transvaal War, 1881: President Brand Making the Declaration of Peace at Laings Nek, (1901)
The Transvaal War, 1881: President Brand Making the Declaration of Peace at Laings Nek, March 24, (1901). Episode during the First Boer War: Johannes Brand (1823-1888)

Thomas Howard, Earl of Suffolk, c1600, (early-mid 19th century). Creator: John Henry Robinson
Thomas Howard, Earl of Suffolk, c1600, (early-mid 19th century). Portrait of Admiral Thomas Howard, 1st Earl of Suffolk (1561-1626). Howard built the stately home of Audley End in Essex

Henry Fitzalan, Earl of Arundel, (early-mid 19th century). Creator: John Henry Robinson
Henry Fitzalan, Earl of Arundel, (early-mid 19th century). Portrait of English nobleman Henry Fitzalan, 19th Earl of Arundel (c1511-1580), a prominent figure at the courts of Edward VI

Thomas, Lord Clifford of Chudleigh, (1830s). Creator: John Henry Robinson
Thomas, Lord Clifford of Chudleigh, (1830s). Portrait of English statesman and politician Thomas Clifford, 1st Baron Clifford of Chudleigh

The Church of St. Rembauld, Mechlin, mid-late 19th century. Creator: John Henry Le Keux
The Church of St. Rembauld, Mechlin, mid-late 19th century. View of St Rumbolds Cathedral in Mechelen, Belgium. [Saunders & Otley]

Charles Pratt, First Earl Camden, (early-mid 19th century). Creator: John Henry Robinson
Charles Pratt, First Earl Camden, (early-mid 19th century). Portrait of English lawyer, judge and Whig politician Charles Pratt, 1st Earl Camden (1714-1794)

James Stanley, Earl of Derby, (c1831). Creator: John Henry Robinson
James Stanley, Earl of Derby, (c1831). Portrait of English politician and soldier James, 7th Earl of Derby (1607-1651) a staunch supporter of the Royalist cause in the English Civil War

Solomon Sights the Mysterious Palace, 1928. Creator: John Henry Amshewitz
Solomon Sights the Mysterious Palace, 1928. Illustration originally published in " Myth and Legend of Ancient Israel" by Donald A. Mackenzie, [Gresham Publishing Co]

Interior of the Radcliffe Library, 1835. Creator: John Henry Le Keux
Interior of the Radcliffe Library, 1835. View of the reading room in the Radcliffe Library in Oxford, with a plaster cast of the Laocoon Group on the right

Victoria, c1847. Creator: John Henry Robinson
Victoria, c1847. Portrait of Queen Victoria (1819-1901). Engraving after a miniature by Robert Thorburn

Launch of HMS Trafalgar, Woolwich Royal Dockyard, Kent, 1841. Queen Victoria and Prince Albert were among those attending the ceremony, which was watched by an estimated 500, 000 people

View of the Royal Asylum of St Anns Society to be erected on Streatham Hill, London, 1829

View of London from the north as seen from a balloon, 1851

The Morning Herald from Cries of London, 1826. Artist: John Henry Lynch
The Morning Herald, 1826. A yawning night watchman wearing a yellow overcoat and carrying a cudgel and lantern. From Cries of London, 1826

Caractacus. 1856. Artist: John Henry Foley
Caractacus.1856. King of the British tribe of Trinovantes, and the son of Cunobelinus. Caratacus kingdom, embracing the Atrebates of Hampshire and probably the Dobunni of Gloucestershire

Egeria. 1855. Artist: John Henry Foley
Egeria.1855. In Roman religion, she was a water spirit worshiped in connection with Diana at Aricia and also with the Camenae in their grove outside the Porta Capena at Rome

Caractacus. 1859. Artist: John Henry Foley
Caractacus. 1859. King of the British tribe of Trinovantes, and the son of Cunobelinus. Caratacus kingdom, embracing the Atrebates of Hampshire and probably the Dobunni of Gloucestershire

Queen Victoria, 19th century. Artist: John Henry Lynch
Queen Victoria, 19th century

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"John Henry: A Multifaceted Artist and Enigmatic Figure" Step into the world of John Henry, a man whose artistic prowess spanned various mediums and subjects. From a captivating jigsaw puzzle depicting golfers on Prestwick golf course in Scotland circa 1914 to the intricate Beechlands creation by John Henry Hurdis in Newick back in 1835, his talent knew no bounds. Delve deeper into his portfolio, and you'll encounter thought-provoking pieces like "The Massacre of the Innocents, " showcasing his mastery of pencil, pen, and brown ink. Another intriguing work portrays an old woman adorned with a rosary cursing a seated man; some speculate it could be Queen Margaret's curse upon the Duke of Gloucester. In exploring human emotions through art, it also delved into themes such as love. His piece titled "Sapphic Love" beautifully captures this sentiment using pencil and pen alongside brown ink. Conversely, he explored darker realms with "A Woman Swooning at a Writing Table, " where a threatening figure lurks behind her. Not limited to figurative works alone, John Henry ventured into other genres too. In "A Nude Throwing, " he skillfully employed pen and brown ink to depict movement frozen in time. Meanwhile, enigmatic sketches like "Satan (?)" leave viewers pondering their hidden meanings. Yet amidst these diverse creations lies unexpected beauty within watercolor masterpiece "A Gleam of Light" from 1891—a testament to John Henry's versatility as an artist. Beyond his own artwork, it also paid homage to notable figures like Cardinal Newman through engravings or oil paintings that immortalized their essence for generations to come. Lastly, we glimpse Michelangelo's influence in one of his works titled "Haman. " Executed with precision using pen and grey ink techniques reminiscent of the Renaissance master himself—John Henry proves himself capable of capturing the essence of great artists who came before him.