John Miller Collection

see record 3688 - Helianthus annus, sunflower
Page 68 from Illustration of the Sexual System of Linneaus (1777) vol 2, by John Miller (1715-c. 1790)

View of an Avenue with a Triumphal Arch in Vauxhall Gardens in London, 1751. Creator: John Miller
View of an Avenue with a Triumphal Arch in Vauxhall Gardens in London, 1751

View of Westminster Bridge over the River Thames in London, seen from the garden of Somer... 1750. Creator: John Miller
View of Westminster Bridge over the River Thames in London, seen from the garden of Somerset House, 1750. A View from Somerset Gardens to Westminster Bridge'. In the background Westminster Abbey

View of the ruins of the temple of Jupiter Stator, the amphitheater of Statilius Taurus... 1753. Creator: John Miller
View of the ruins of the temple of Jupiter Stator, the amphitheater of Statilius Taurus and other monuments in Rome, 1753

London in the 18th century
6266263 London in the 18th century by Canaletto, Antonio (1697-1768) (after); (add.info.: London, England. A View From Somerset Gardens to Westminster Bridge)

Portrait of Isaac Oliver or Isaac Olivier, French-born English portrait miniature painter, circa 1565-1617
6338814 Portrait of Isaac Oliver or Isaac Olivier, French-born English portrait miniature painter, circa 1565-1617 by Oliver

A View From Somerset Gardens to Westminster Bridge, engraved by John Miller
5892372 A View From Somerset Gardens to Westminster Bridge, engraved by John Miller, 1750 (coloured engraving) by Canaletto, Antonio (1697-1768) (after); Private Collection; Italian, out of copyright

John Hatchetts house, Long Acre, Westminster, London, 1783. Artist: John Walker
John Hatchetts house, Long Acre, Westminster, London, 1783. View with figures and a carriage. Hatchett was a coachbuilder

Long Acre, Westminster, London, 1783. Artist: John Miller
Long Acre, Westminster, London, 1783. View of Long Acre, showing the premises of John Hatchett, Coach Builder

Horse Guards, Westminster, London, 1795. Artist: Thomas Medland
Horse Guards, Westminster, London, 1795

Henry III renewing and confirming the Magna Carta, Westminster Hall, London, 13th century (c1800). King Henry III renewing and confirming Magna Charta

The Herb Miller Orchestra in concert at the Forum Theatre, Hatfield, Hertfordshire, 1985. Chris Smith (trombone), John Miller (vocals) and Herb Miller (trumpet)

Lieut. -Gen, Sir John Adye, Chief of the Staff, c1882-1885
Lieut.-Gen, Sir John Adye, Chief of the Staff, c1882-1885. John Miller Adye, (1819-1900), British soldier. From British Battles on Land and Sea, Vol. IV, by James Grant

London, England. A View From Somerset Gardens to Westminster Bridge. After an engraving dated 1750 by John Miller, after a painting by Canaletto

Drawings Prints, Print, Cockney, &, Wife, going, Wycombe, Publisher, Artist, Copy
Drawings and Prints, Print, A Cockney & his Wife going to Wycombe, Publisher, Artist, Copy after, John Miller, William Blackwood, James Gillray, London, Edinburgh, British, Chelsea 1756-1815 London

Hollyhock (Alcea rosea), artwork C013 / 6606
Hollyhock (Alcea rosea). Illustration from Illustratio Systematis Sexualis Linnaei (1777) by John Miller

Passiflora sp. passion flower
Page 74 from Illustration of the Sexual System of Linneaus (1779) vol 2, by John Miller (1715-c. 1790)

Ipomoea sp. morning glory
An illustration of morning glory by John Frederick Miller, 1776, from the Cook Collection held in the Botany Library at the Natural History Museum, London

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John Miller: A Multifaceted Artist and Historian John Miller, a name that resonates with artistic brilliance and historical significance. From his exquisite engravings to his captivating portraits, he has left an indelible mark on the art world. One of his notable works is the engraving "A View From Somerset Gardens to Westminster Bridge. " Through this piece, Miller transports us back in time, allowing us to witness the grandeur of London in the 18th century. His attention to detail captures every architectural nuance, immersing viewers in a bygone era. In another masterpiece titled "Horse Guards, Westminster, " Thomas Medland collaborates with John Miller to depict a scene from 1795. The painting showcases their shared ability to breathe life into historical events, and is as if we are standing alongside them at that very moment. However, it is not only through engravings and paintings that John Miller's talent shines. He also possesses a keen interest in botany as seen in record 3688 - Helianthus annus or sunflower. This fascination with nature adds depth and diversity to his body of work. Furthermore, John Miller's expertise extends beyond visual arts; he delves into music as well. The Herb Miller Orchestra concert at Hatfield's Forum Theatre in 1985 was undoubtedly an unforgettable event for all who attended. With each note played under his direction, audiences were transported into a realm where melodies danced freely through the air. Not limited solely to creative pursuits, it also explores history itself through depictions such as "Henry III renewing and confirming the Magna Carta. " By capturing significant moments like these within Westminster Hall during the 13th century (c1800), he preserves our heritage for future generations, and is evident that John Miller possesses an insatiable curiosity about various aspects of human expression throughout time – be it artistry or historical events.