John Seymour Collection

The Armada in sight, Plymouth hoe, 1880, (1911). Artist: John Seymour Lucas
The Armada in sight, Plymouth hoe, 1880, (1911). A depiction of the apocryphal story that Sir Francis Drake (c1540-1596) played a game of bowls in Plymouth Hoe in 1588 while waiting for the tide to

Down to the Dregs, 1880 (c1902)
Down to the Dregs, 1880, (c1902). Artist, John Seymour Lucas. A man in 17th century dress drains a tankard of beer. From The Nations Pictures

Though Lost to Sight to Memory Dear, 1879. Artist: John Seymour Lucas
Though Lost to Sight to Memory Dear, 1879. A print from The Graphic, 1879

An Unexpected Question, 1922 (oil on canvas)
659921 An Unexpected Question, 1922 (oil on canvas) by Lucas, John Seymour (1849-1923); 48.5x66.3 cm; Private Collection; (add.info.: An Unexpected Question. John Seymour Lucas (1849-1923)

A Whip for Van Tromp, the Admiralty, 1883, (c1902). Creator: Unknown
A Whip for Van Tromp, the Admiralty, 1883, (c1902). Painting in the New Walk Museum & Art Gallery, Leicester. Another version of the picture is entitled A New Whip for the Dutch

William I granting the charter to the citizens of London, 1899. William I was the king of England in the 11th century

Royal Exchange (3rd) interior, London, 1899
Depiction of a mural painting in the Royal Exchange, London, 1899 by J. Seymour Lucas, of William I granting the charter to the citizens of London

The Standard Bearer, 1903. Artist: John Seymour Lucas
The Standard Bearer, 1903. Genre scene showing a royalist standard bearer from the Civil War period (1642-1648). The man sits, arm on drum, reading a letter

A Spy in the Camp, c1890, (c1915). Artist: John Seymour Lucas
A Spy in the Camp, c1890, (c1915). From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Artist: John Seymour Lucas
King Charles II Visiting Wren During The Building of St. Pauls Cathedral, 1888, (1912). Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London

The Gordon Riots, London, 1780 (1905). The most destructive riots in Londons history, the Gordon Riots began as an anti-Catholic protest against the Papists Act of 1778 led by Lord George Gordon

After Culloden: Rebel Hunting, 1905. From Cassells History of England, Vol. IV, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

George Frederick Ernest Albert (King George V), 1910. Artist: John Seymour Lucas
George Frederick Ernest Albert (King George V), 1910. George succeeded his father, Edward VII, as king on 6th May 1910. A print from The Graphic, 14th May 1910

A Study for The Gordon Riots, 1879 (1899). A print from The Magazine of Art, Cassell and Company, Limited, 1899

William I granting a charter to the City of London, 1075, (c1920). Artist: John Seymour Lucas
William I granting a charter to the City of London, 1075, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

The Favourite, 1882. A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

Charles II visiting Sir Christopher Wren during the building of St Pauls Cathedral, London, 1909. Illustration taken from the Harmsworth History of the World. (London, 1909)

Flirtation, 1885, (1912). Artist: John Seymour Lucas
Flirtation, 1885, (1912). A colour print from Famous Paintings with an introduction by Gilbert Chesterton, (Cassell and Company, London, New York, Toronto, 1912)

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John Seymour was a renowned artist known for his captivating and diverse range of works. In "Down to the Dregs, " created in 1880 but popularized in 1902, Seymour showcases his ability to capture raw emotions on canvas. Similarly, "The Armada in sight, Plymouth hoe" depicts a pivotal moment in history with meticulous attention to detail. Seymour's talent is further highlighted in "Though Lost to Sight to Memory Dear" where he masterfully portrays the bittersweet nature of nostalgia. His work often surprises viewers, as seen in "An Unexpected Question, " an intriguing piece from 1922 that leaves us pondering its meaning. In collaboration with unknown creators, Seymour's influence can be seen in pieces like "A Whip for Van Tromp, the Admiralty. " This artwork exudes power and authority while showcasing the artist's versatility. Seymour also delves into historical events such as William I granting the charter to London citizens or capturing the grandeur of Royal Exchange (3rd) interior. These paintings transport us back in time and allow us glimpses into significant moments of our past. "The Standard Bearer" demonstrates Seymour's ability to immortalize bravery and honor through his brushstrokes. Conversely, "Silenced" evokes a sense of mystery and intrigue that captivates viewers' imaginations. With works like "A Spy in the Camp, " we witness Seymour's skillful storytelling abilities as he transports us into covert operations during uncertain times. Meanwhile, "King Charles II Visiting Wren During The Building of St. Pauls Cathedral" offers a glimpse into royal patronage and architectural marvels under construction. Lastly, we are reminded of our city's tumultuous past through Seymour's depiction of "The Gordon Riots. " Through this painting from 1905, he sheds light on historical events that shaped London forevermore.