John Singer Sargent Collection (page 5)

La Carmencita, c1890, (1911). Artist: John Singer Sargent
La Carmencita, c1890. Painting held at the Musee d Orsay, Paris. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]

John Singer Sargent, American painter, late 19th century, (c1920). Artist: J E Purdy
John Singer Sargent, American painter, late 19th century, (c1920). Illustration from Story of the British Nation, Volume IV, by Walter Hutchinson, (London, c1920s)

Lady Elcho, Mrs Tennant and Mrs Adeane, 1926. Artist: John Singer Sargent
Lady Elcho, Mrs Tennant and Mrs Adeane, 1926. From Apollo magazine, volume IV, no 24, December 1926

Miss Ellen Terry as Lady Macbeth, 1906, (1912). Artist: John Singer Sargent
Miss Ellen Terry as Lady Macbeth, 1906, (1912). The famous actress, Dame Ellen Terry (1847-1928), is shown here in the role of Lady Macbeth

Patio 1908 John Singer Sargent American 1856-1925
The Patio, 1908. John Singer Sargent (American, 1856-1925). Watercolor with traces of gouache over graphite; sheet: 53.2 x 34.6 cm (20 15/16 x 13 5/8 in.)

Portrait Lisa Colt Curtis 1898 John Singer Sargent
Portrait of Lisa Colt Curtis, 1898. John Singer Sargent (American, 1856-1925). Oil on canvas; framed: 249 x 134 x 9.5 cm (98 1/16 x 52 3/4 x 3 3/4 in.); unframed

Study Young Man Robe Standing 1895 Transfer lithograph
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Study Young Man Drawing 1895 Transfer lithograph
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Study Young Man Seated ca 1895 Transfer lithograph
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Study Young Man Seated 1895 Transfer lithograph
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Study Young Man Cloak Standing 1895 Transfer lithograph
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Javanese Dancers Sketchbook 1889 Cardboard covered
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Study Young Man Back 1895 Transfer lithograph
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Study Young Man Back 1895 Lithographic crayon
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Orlando Inammorato ca 1874-78 Pen ink off-white wove paper
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John Singer Sargent, Frascati, Architectural Study, American, 1856-1925, c. 1907, watercolor over graphite on wove paper mounted on board

John Singer Sargent, Cairo, American, 1856-1925, 1905, watercolor over graphite on wove paper, Egypt

John Singer Sargent, American (Spanish Church Interior, c. 1880, watercolor on wove paper

John Singer Sargent, Sir Neville Wilkenson on the Steps of a Venetian Palazzo, American, 1856-1925, 1905, watercolor over graphite on wove paper. Venice, Italy

John Singer Sargent, The Calle della Rosa with the Monte di Pieta, Venice, American, 1856-1925, c. 1904, watercolor over graphite on wove paper

John Singer Sargent, A War Memorial, American, 1856-1925, 1918, watercolor and gouache over graphite on wove paper mounted on board

John Singer Sargent, Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), American, 1856-1925, 1902, oil on canvas

John Singer Sargent, American (Pavement, Cairo, 1891, oil on canvas

John Singer Sargent, Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), American, 1856 - 1925, 1901, oil on canvas

John Singer Sargent, Nonchaloir (Repose), American, 1856-1925, 1911, oil on canvas

John Singer Sargent, Peter A. B. Widener, American, 1856-1925, 1902, oil on canvas

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John Singer Sargent, a renowned American artist of the late 19th and early 20th centuries, left an indelible mark on the art world with his extraordinary talent. His diverse body of work encompasses various subjects and styles, showcasing his versatility as an artist. One of Sargent's notable works is "Carnation, Lily, Lily, Rose" painted between 1885-86. This enchanting masterpiece captures the innocence and beauty of two young girls in a garden illuminated by lanterns. The play of light and shadows creates a dreamlike atmosphere that mesmerizes viewers even today. In "Olimpio Fusco, " created around 1900-1910, Sargent portrays a distinguished Italian gentleman with remarkable precision and attention to detail. The subject's piercing gaze reflects both strength and vulnerability, revealing layers of complexity within this captivating portrait. Sargent's skill in capturing the essence of his subjects is evident in "Elizabeth Winthrop Chanler (Mrs. John Jay Chapman)" from 1893. Through delicate brushstrokes and subtle nuances in expression, he brings out Mrs. Chapman's elegance and grace while hinting at her inner thoughts. "Gondolas by the Piazzetta" transports us to Venice circa 1904-1925 through Sargent's masterful use of color and composition. The vibrant hues evoke the city's romantic allure while showcasing his ability to capture fleeting moments with great finesse. The study portraits such as "Study of the Duke of York" from 1923 reveal Sargent's proficiency in capturing character through meticulous observation. Each stroke conveys depth and personality while highlighting the sitter’s unique features. Sargent also excelled at depicting women like Lady Elizabeth Bowes-Lyon in his "Study. " With soft lines and gentle shading techniques, he immortalizes their beauty for generations to admire.