Joseph Highmore Collection

Mary Rossam, c1734, (1930). Creator: Joseph Highmore
Mary Rossam, c1734, (1930). Portrait of a woman, 1st Wife of Rev. S. F. Swinden. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]

Sir James Thornhill, English painter
5893408 Sir James Thornhill, English painter.; (add.info.: Portrait of Sir James Thornhill, English painter of historical subjects 1675-1734. Jacques Thornhill)

Mrs. Freeman Flower, 1747. Creator: Joseph Highmore
Mrs. Freeman Flower, 1747

Freeman Flower, 1747. Creator: Joseph Highmore
Freeman Flower, 1747

Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham
824214 Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham, three-quarter-length, 1743 (oil on canvas) by Highmore

Portrait of a Woman, 1745. Creator: Joseph Highmore
Portrait of a Woman, 1745

Portrait Of John Whitehall Of Furnivalls Inn, 1731. Creator: Joseph Highmore
Portrait Of John Whitehall Of Furnivalls Inn, 1731

Portrait of a Lady, c. 1730 / 1735. Creator: Joseph Highmore
Portrait of a Lady, c. 1730/1735

Study for a Group Portrait, between 1729 and 1730. Creator: Joseph Highmore
Study for a Group Portrait, between 1729 and 1730. Formerly attributed to William Hogarth

A Club of Gentlemen, ca. 1730. Creator: Joseph Highmore
A Club of Gentlemen, ca. 1730. Formerly attributed to William Hogarth

Figures in a Tavern or Coffee House, ca. 1725 or after 1750. Creator: Joseph Highmore
Figures in a Tavern or Coffee House; The Coffee House Politicians; Figures in a Coffee-House, ca. 1725 or after 1750. Formerly attributed to William Hogarth

The Angel of Mercy, ca. 1746. Creator: Joseph Highmore
The Angel of Mercy, ca. 1746. Formerly attributed to William Hogarth

An Eighteenth-Century Rendezvous, c1744, (1942). Creator: Joseph Highmore
An Eighteenth-Century Rendezvous, c1744, (1942). Illustration to " Pamela" by Samuel Richardson. Published in " Life Among the English", by Rose Macaulay. [Collins, London, 1942]

Anthony Highmore, 1720, (1930). Creator: Joseph Highmore
Anthony Highmore, 1720, (1930). Portrait of the British artist Anthony Highmore (1719-1799) as a child, painted by his father Joseph Highmore

General James Wolfe (1727-1759) as a Young Man, 19th century, (1930). Creator: Unknown
General James Wolfe (1727-1759) as a Young Man, 19th century, (1930). Portrait of British Army officer James Wolfe who died during the successful battle to take Quebec from the French in 1759 during

Thomas Emlyn, V. D. M. 1742. Creator: G van der Gucht
Thomas Emlyn, V.D.M. 1742. Portrait of English Presbyterian minister and writer Thomas Emlyn (1663-1741), first Unitarian minister in England

Sir John Barnard, Lord Mayor 1737, 1738. Artist: Joseph Highmore
Sir John Barnard, Lord Mayor 1737, 1738. Sir John was a merchant and politician. As well as Lord Mayor of London, he was MP for the City, Sheriff (1735) and Alderman (1728-1756)

Coronation of William III in Westminster Abbey, London, 1689, (c1689). Artist: John Pine
Coronation of William III in Westminster Abbey, London, 1689, (c1689). William is shown offering his sword to the dean at the altar

Samuel Richardson, English writer and printer, c1750 (1911). Artist: Joseph Highmore
Samuel Richardson (1689-1761), English writer and printer, c1750 (1911).From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

The Harlowe Family, from Samuel Richardsons Clarissa, c1745. Artist: Joseph Highmore
The Harlowe Family, from Samuel Richardsons Clarissa, c1745. Painting held in the Yale Center for British Art. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Mrs. Melancthon Strong (Nee Sanders of Sanderstead), 18th century. Artist: Joseph Highmore
Mrs. Melancthon Strong (Nee Sanders of Sanderstead), 18th century. From The Studio Volume 94. [London Offices of the Studio, London, 1927]

Half-Length Portrait Study Woman Wearing Cap
Artokoloro

Three-Quarters-Length Portrait Study Man Seated
Artokoloro

Bust-Length Portrait Study Young Woman Striped Shawl
Artokoloro

Oval Bust-Length Portrait Study Young Man ca
Artokoloro

Half-Length Portrait Study Young Woman Long Hair
Artokoloro

A Club of Gentlemen, Joseph Highmore, 1692-1780, British

Study for a Group Portrait, Joseph Highmore, 1692-1780, British

Sketch of a Young Girl, Joseph Highmore, 1692-1780, British

The Angel of Mercy, Joseph Highmore, 1692-1780, British

The Head of a Young Boy, Joseph Highmore, 1692-1780, British

An Unknown Man, Joseph Highmore, 1692-1780, British

Charles Penruddocke Inscribed in black paint, upper left: Carolus Penruddocke [
Charles Penruddocke Inscribed in black paint, upper left: " Carolus Penruddocke [....]:" Signed and dated in black paint, lower right: " J of Highmore | pinx: 1743"

Mrs. Sharpe and Her Child Mrs. Sharpe and Child Inscribed lower left, in red (probably later): " Mrs. Sharpe. and child. | postea Mrs. Douglas

The Harlowe Family, from Samuel Richardsons Clarissa, Joseph Highmore
The Harlowe Family, from Samuel Richardsons " Clarissa", Joseph Highmore, 1692-1780, British

A Family Conversation Piece, Joseph Highmore, 1692-1780, British

An Unknown Man in Black, Joseph Highmore, 1692-1780, British

Pamela
1744, Pamela Tells A Nursery Tale, an illustration of Richardsons Pamela, by Joseph Highmore, on show at the Royal Academy Exhibition of British Art

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Joseph Highmore was a renowned British artist who lived from 1692 to 1780. He is best known for his exquisite portraits that captured the essence and personality of his subjects. One of his notable works is "Mary Rossam" painted in c1734, which showcases Highmore's attention to detail and mastery of capturing emotions on canvas. In 1747, Highmore created two remarkable portraits - "Mrs. Freeman Flower" and "Freeman Flower. " These paintings exhibit his ability to depict the elegance and grace of the upper class during the Georgian era. Another captivating piece by the "Double Portrait of Henry Penruddocke Wyndham and his Brother Wandham, " showcasing familial bonds through artistry. The intricate details in their clothing and expressions reveal Highmore's dedication to realism. Highmore also excelled at portraying women, as seen in his painting titled "Portrait of a Woman" from 1745. This artwork exemplifies both beauty and strength, highlighting Highmore's talent for capturing female empowerment. Amongst other notable works are "Portrait Of John Whitehall Of Furnivalls Inn" (1731), which portrays an esteemed lawyer with poise and intelligence; "Portrait of a Lady" (c. 1730 / 1735), showcasing an elegant woman adorned with fashionable attire; and "Study for a Group Portrait" (between 1729-1730), providing insight into Highmore's creative process. Highmore also ventured into depicting social scenes such as in "A Club of Gentlemen" (ca. 1730) where he captures camaraderie amongst men within an exclusive club setting, while in "Figures in a Tavern or Coffee House, " he explores everyday life interactions between individuals during this period. "The Angel of Mercy, " created around 1746, demonstrates another facet of Joseph Highmore's artistic abilities by conveying compassion through symbolism within the painting.