Joseph Turner Collection (page 7)

Turin: From the Church of the Superga, 1909. Artist: JMW Turner
Turin: From the Church of the Superga, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Goarhausen and Katz Castle, 1909. Artist: JMW Turner
Goarhausen and Katz Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Seelisberg: Moonlight, 1909. Artist: JMW Turner
The Seelisberg: Moonlight, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Schaaffhausen: The Town, 1909. Artist: JMW Turner
Schaaffhausen: The Town, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne: From Le Signal, 1909. Artist: JMW Turner
Lausanne: From Le Signal, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Distant View of Lichfield Cathedral, 1909. Artist: JMW Turner
Distant View of Lichfield Cathedral, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Pent, Dover, 1909. Artist: JMW Turner
The Pent, Dover. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Mouth of the Avon, 1909. Artist: JMW Turner
The Mouth of the Avon, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Archbishops Palace, Lambeth, 1909. Artist: JMW Turner
The Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

The Splugen Pass, c1841, (1938). Artist: JMW Turner
The Splugen Pass, c1841, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Forum Romanum, 1818, (1938). Artist: JMW Turner
Forum Romanum, 1818, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Linlithgow Palace, Scotland, c1810, (1938). Artist: JMW Turner
Linlithgow Palace, Scotland, c1810, (1938). Painting held at the Walker Art Gallery, Liverpool. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Letter from JMW Turner, c1840 (1904). Artist: JMW Turner
Letter from JMW Turner, c1840 (1904). Joseph Mallord William Turner (1775-1851) English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

On the Rhine, c1825 (1904). Artist: JMW Turner
On the Rhine, c1825 (1904). From The Royal Academy From Reynolds to Millais Edited by Charles Holme. [Offices of The Studio, London, Paris and New York, 1904]

A Swiss Lake, 1909. Artist: JMW Turner
A Swiss Lake, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Venice: Casa Grimani and the Rialto, 1909. Artist: JMW Turner
Venice: Casa Grimani and the Rialto. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

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Joseph Turner was a renowned British artist who left an indelible mark on the art world with his breathtaking masterpieces. Born in 1775, Turner's talent and passion for painting were evident from a young age. His works spanned various genres, showcasing his versatility and artistic prowess. One of his most iconic paintings, "The Fighting Temeraire, " created in 1839, captures the majestic beauty of a ship being towed to its final resting place. The ethereal colors and delicate brushstrokes transport viewers into a realm of tranquility and nostalgia. In "A First Rate Taking in Stores" (1818), Turner depicts the bustling activity surrounding a naval vessel as it prepares for its journey. The attention to detail is remarkable, highlighting both the grandeur and intricacies of maritime life. Turner's fascination with architecture is evident in pieces like "Brinkburn Priory, Northumberland" (c1830). Here he skillfully portrays the ruins of this historical site against dramatic skies, evoking a sense of mystery and melancholy. His love for nature shines through in works such as "Scarborough" (1909), where he captures the rugged beauty of coastal cliffs amidst crashing waves. Similarly, "Barnard Castle" (1909) showcases Turner's ability to capture light and atmosphere while depicting serene landscapes. Turner also ventured into mythological themes with pieces like "Ulysses Deriding Polyphemus" (1829), which presents an epic encounter between man and monster. This painting demonstrates his mastery at conveying drama through vivid imagery. Not limited to traditional subjects or mediums, Turner experimented with different styles throughout his career. In "Shoeburyness Fisherman Hailing a Whitstable Hoy, " he combines elements of marine art with narrative storytelling to create an engaging composition that captivates viewers' imagination. Even portraits were not beyond Turner's reach.