Knyff Collection

Plan of St Jamess Palace and Park in the time of Charles II, from a large plate by Knyff (engraving)
3636665 Plan of St Jamess Palace and Park in the time of Charles II, from a large plate by Knyff (engraving) by English School

Lambeth Palace, London, 1697. Artist: Johannes Kip
View of Lambeth Palace, London, 1697; with various water vessels on the River Thames in the foreground. In the margin the arms of the see of Canterbury can be seen

Aerial view of the seat of the Dukes of Beaufort, Chelsea, London, c1720. Artist
Aerial view of the seat of the Dukes of Beaufort, Chelsea, London, c1720. A large house surrounded by formal gardens leading down to the River Thames where boats pass up and down

Tower of London, 1760. Artist: Jean Benoit Winckler
Tower of London, 1760. South view of the Tower of London with boats and figures on the River Thames. Also including a description in German and French

Tower of London, c1700. Artist: Johannes Kip
Tower of London, c1700. South view of the Tower of London with boats and figures on the River Thames. Also showing a coat of arms in the lower margin

St Jamess Palace, London, 1730. Artist: Johannes Kip
St Jamess Palace, London, 1730. Situated on the Mall just to the north of St Jamess Park, St Jamess Palace was commissioned by Henry VIII

The Royal Palace of Hampton Court, London, 1730. Artist: Johannes Kip
The Royal Palace of Hampton Court, London, 1730. Hampton Court Palace is a former royal palace in the London Borough of Richmond upon Thames, London

Kensington Palace, London, 1730. Artist: Johannes Kip
Kensington Palace, London, 1730. Originally built in the 17th century as the residence of the Earl of Nottingham, Kensington Palace was acquired by King William III in 1689

A bird s-eye view of Burlington House, Piccadilly, Westminster, c1707 (1911). Artist: Johannes Kip
A bird s-eye view of Burlington House, Piccadilly, Westminster, c1707 (1911). From London - North of the Thames, by Sir Walter Besant. [Adam & Charles Black, London, 1911]

4th Gordon Bennett Trophy, Rene de Knyff (80 Panhard 13.7 litres for France) first round, Alex Winton seen trying to repair car. Date: 2nd July 1903

The Southeast Prospect of Hampton Court, Herefordshire Inscribed in black paint, lower right: " The South East Prospect | of Hampton Court in | Hertfordsheir" Signed in black paint

The North Prospect of Hampton Court, Herefordshire Inscribed in orcher-color paint, lower right: " The North Prospect of | Hampton Court with ye | Park + Decoy" In orcher-color paint

Black Game, Rabbits, and Swallows in a Park Black Game, Rabbits and Swallows in the Park of a Country House Signed in light brown paint, lower left: " L Knyff", Leonard Knyff, 1650-1721

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"Exploring the Legacy of Knyff: From Racing Triumphs to Architectural Marvels" In 1903, the prestigious Gordon Bennett Trophy witnessed its fourth edition, and it was none other than Rene de Knyff who emerged victorious. With his exceptional driving skills and unwavering determination, Knyff etched his name in racing history. But there is more to the name "Knyff" than just motorsports triumphs. Take a step back in time as we delve into the artistic contributions of various talented individuals bearing this surname. Johannes Kip, an acclaimed engraver from yesteryears, captured the grandeur of St James's Palace and Park during Charles II's reign. His intricate plan showcases the architectural beauty that once graced London's landscape. Moving on to Lambeth Palace in 1697, another masterpiece by Johannes Kip reveals a stunning portrayal of this historic landmark. The detailed artwork transports us back to a time when London exuded elegance and charm. Aerial views hold their own allure, offering unique perspectives on iconic locations like Chelsea's seat of Dukes of Beaufort around 1720. An anonymous artist skillfully captures this bird’s-eye view with precision and finesse. Jean Benoit Winckler takes us further into history with his depiction of Tower Bridge in 1760. This remarkable painting allows us to witness how this formidable fortress stood tall against the test of time. Returning to Johannes Kip's works, we are treated to glimpses of St James's Palace (1730), Kensington Palace (1730), Hampton Court (1730), and Burlington House (1707). Each piece immerses us in an era long gone but preserved through artistry. The enchanting landscapes continue with two paintings showcasing Hampton Court in Herefordshire - one inscribed in black paint capturing its southeast prospect while another adorned with orcher-color paint showcasing its north prospect.