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Lace Collar Collection (page 9)

"Lace Collar: A Timeless Fashion Statement Across Centuries" Throughout history, the lace collar has been a symbol of elegance and refinement

Background imageLace Collar Collection: A Victorian New Year card of four children and a mahut riding an elephant, c

A Victorian New Year card of four children and a mahut riding an elephant, c
3603700 A Victorian New Year card of four children and a mahut riding an elephant, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English

Background imageLace Collar Collection: A Victorian Christmas card of a boy dressed in regency costume bursting out of a scroll

A Victorian Christmas card of a boy dressed in regency costume bursting out of a scroll
3603697 A Victorian Christmas card of a boy dressed in regency costume bursting out of a scroll, c.1880 (colour litho) by English School

Background imageLace Collar Collection: Portrait of a lady, probably Marie de Rohan-Montbazon, Duchesse de Luynes Puis de

Portrait of a lady, probably Marie de Rohan-Montbazon, Duchesse de Luynes Puis de
747057 Portrait of a lady, probably Marie de Rohan-Montbazon, Duchesse de Luynes Puis de Chevreuse (oil on panel) by Leblond

Background imageLace Collar Collection: Portrait of a Young Man with a Glove, c. 1640 (oil on canvas)

Portrait of a Young Man with a Glove, c. 1640 (oil on canvas)
BOO48652 Portrait of a Young Man with a Glove, c.1640 (oil on canvas) by Hals, Frans (1582/3-1666); 80x66.5 cm; State Hermitage Museum, St. Petersburg, Russia; Dutch, out of copyright

Background imageLace Collar Collection: Portrait of a Gentleman, Possibly a Member of the Poulett Family

Portrait of a Gentleman, Possibly a Member of the Poulett Family
LST332890 Portrait of a Gentleman, Possibly a Member of the Poulett Family, late 1620s (oil on canvas) by Jackson, Gilbert (fl.1622-58)

Background imageLace Collar Collection: Boy with peaches, 1760 (oil on canvas)

Boy with peaches, 1760 (oil on canvas)
HEH416426 Boy with peaches, 1760 (oil on canvas) by Drouais, Francois-Hubert (1727-75); 71.1x58.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Background imageLace Collar Collection: Lord Henry Spencer and Lady Charlotte Spencer, later Charlotte Nares

Lord Henry Spencer and Lady Charlotte Spencer, later Charlotte Nares
HEH416340 Lord Henry Spencer and Lady Charlotte Spencer, later Charlotte Nares: The Young Fortune Tellers, c.1774-75 (oil on canvas) by Reynolds, Joshua (1723-92); 142.9x113.7 cm; Huntington Library

Background imageLace Collar Collection: Self Portrait (engraving)

Self Portrait (engraving)
FIT466188 Self Portrait (engraving) by Dyck, Anthony van (1599-1641) (after); Fitzwilliam Museum, University of Cambridge

Background imageLace Collar Collection: Portrait of a lady (oil on canvas)

Portrait of a lady (oil on canvas)
492509 Portrait of a lady (oil on canvas) by Graff, Anton (1736-1813); 77x63 cm; Private Collection; Haldane Fine Art; Swiss, out of copyright

Background imageLace Collar Collection: Portrait of William Herbert, 3rd Earl of Pembroke, c. 1620-30 (oil on panel)

Portrait of William Herbert, 3rd Earl of Pembroke, c. 1620-30 (oil on panel)
470212 Portrait of William Herbert, 3rd Earl of Pembroke, c.1620-30 (oil on panel) by Mytens, Daniel (1590-c.1648); 73x60 cm; Breamore House, Hampshire, UK; (add.info.: William Herbert)

Background imageLace Collar Collection: Portrait of Queen Henrietta Maria (oil on canvas laid down on board) (pair to 477022)

Portrait of Queen Henrietta Maria (oil on canvas laid down on board) (pair to 477022)
477023 Portrait of Queen Henrietta Maria (oil on canvas laid down on board) (pair to 477022) by Dyck, Anthony van (1599-1641) (after); 46.4x41.9 cm; Private Collection; (add.info)

Background imageLace Collar Collection: Portrait of a Woman, 1861 (oil on canvas)

Portrait of a Woman, 1861 (oil on canvas)
CH257844 Portrait of a Woman, 1861 (oil on canvas) by Bustos, Hermenegildo (1832-1907); 41x29.5 cm; Private Collection; (add.info.: Retrato de Mujer; ); Photo eChristies Images; Mexican

Background imageLace Collar Collection: Bust of Charles I, 1636 (marble)

Bust of Charles I, 1636 (marble)
DON279159 Bust of Charles I, 1636 (marble) by Dieussart, Francois (1600-61); height: 86.4 cm; His Grace The Duke of Norfolk, Arundel Castle; (add.info.: King Charles I (1600-49); ); Flemish

Background imageLace Collar Collection: Double Portrait of Thomas Howard, 14th Collector Earl of Arundel

Double Portrait of Thomas Howard, 14th Collector Earl of Arundel
DON283799 Double Portrait of Thomas Howard, 14th Collector Earl of Arundel, and his wife Aletheia Talbot, 1618 (oil on canvas) by Mytens

Background imageLace Collar Collection: Portrait of a man (tempera)

Portrait of a man (tempera)
NCO292162 Portrait of a man (tempera) by Flatman, Thomas (1635-88); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright

Background imageLace Collar Collection: Jeanne III d Albret (1528-72) (oil on canvas)

Jeanne III d Albret (1528-72) (oil on canvas)
PWI261836 Jeanne III d Albret (1528-72) (oil on canvas) by French School, (16th century); Chateau de Beauregard, France; (add.info.: Joanna III, Queen of Navarre; ); ePeter Willi; French

Background imageLace Collar Collection: Portrait of a gentleman, 1575 (oil on panel) (pair to 931090)

Portrait of a gentleman, 1575 (oil on panel) (pair to 931090)
931091 Portrait of a gentleman, 1575 (oil on panel) (pair to 931090) by Ketel, Cornelis (1548-1616) (circle of); 78.8x62.2 cm; Private Collection; (add.info.: William Vaux)

Background imageLace Collar Collection: Portrait of the artist (oil on canvas)

Portrait of the artist (oil on canvas)
492488 Portrait of the artist (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 41.2x33 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageLace Collar Collection: Portrait of a Lady, 1613 (oil on panel)

Portrait of a Lady, 1613 (oil on panel)
NUL115947 Portrait of a Lady, 1613 (oil on panel) by Voort, Cornelis van der (b.c.1576-1624); 131.8x102.9 cm; Private Collection; Flemish, out of copyright

Background imageLace Collar Collection: Portrait of Desiree Clary (1781-1860) Princess Royal of Sweden, c. 1810 (oil on canvas)

Portrait of Desiree Clary (1781-1860) Princess Royal of Sweden, c. 1810 (oil on canvas)
MMT102625 Portrait of Desiree Clary (1781-1860) Princess Royal of Sweden, c.1810 (oil on canvas) by Gerard, Francois Pascal Simon, Baron (1770-1837); 63x52 cm; Musee Marmottan Monet, Paris

Background imageLace Collar Collection: Elizabeth Poulett, 1616 (oil on panel)

Elizabeth Poulett, 1616 (oil on panel)
AGN125648 Elizabeth Poulett, 1616 (oil on panel) by Peake, Robert (fl.1580-1626) (attr. to); 78.7x63.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageLace Collar Collection: Mrs Gurney Hoare, c. 1837 (pencil, w / c and gouache on paper)

Mrs Gurney Hoare, c. 1837 (pencil, w / c and gouache on paper)
CEC128117 Mrs Gurney Hoare, c.1837 (pencil, w/c and gouache on paper) by Hunt, William Henry (1790-1864); 31.3x23.1 cm; The Higgins Art Gallery & Museum, Bedford

Background imageLace Collar Collection: Portrait of Louis XIII (1601-43) as a Boy, wearing the Order of the Saint Espirit, c

Portrait of Louis XIII (1601-43) as a Boy, wearing the Order of the Saint Espirit, c
KSG153825 Portrait of Louis XIII (1601-43) as a Boy, wearing the Order of the Saint Espirit, c.1616 (oil on canvas) by Pourbus, Frans II (1569-1622); 63x52 cm; Fundacion Yannick y Ben Jakober

Background imageLace Collar Collection: Reception dress c. 1892 (textile)

Reception dress c. 1892 (textile)
MNY94391 Reception dress c.1892 (textile) by Worth, Charles Frederick (1825-95); Museum of the City of New York, USA; eMuseum of the City of New York; British, out of copyright

Background imageLace Collar Collection: Portrait of a Lady in an Elaborate Embroidered Costume, 1640 (oil on canvas)

Portrait of a Lady in an Elaborate Embroidered Costume, 1640 (oil on canvas)
BAL93448 Portrait of a Lady in an Elaborate Embroidered Costume, 1640 (oil on canvas) by Sanders, Hercules (1606-63); 127.5x102.5 cm; Private Collection; Johnny Van Haeften Ltd

Background imageLace Collar Collection: Portrait of Sir Arthur Ingram (c. 1570-1642) 1638 (oil on canvas)

Portrait of Sir Arthur Ingram (c. 1570-1642) 1638 (oil on canvas)
LMG128855 Portrait of Sir Arthur Ingram (c.1570-1642) 1638 (oil on canvas) by Geldorp, George (c.1595-1665); 213.3x146 cm; Leeds Museums and Art Galleries (Temple Newsam House)

Background imageLace Collar Collection: Portrait of Vittoria della Rovere as St. Helena, 1669 (oil on canvas)

Portrait of Vittoria della Rovere as St. Helena, 1669 (oil on canvas)
XIR160677 Portrait of Vittoria della Rovere as St. Helena, 1669 (oil on canvas) by Sustermans, Justus (1597-1681); 66x50 cm; Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageLace Collar Collection: Sir Endymion Porter (1587-1649) and the Artist, c. 1635 (oil on canvas)

Sir Endymion Porter (1587-1649) and the Artist, c. 1635 (oil on canvas)
SCP36709 Sir Endymion Porter (1587-1649) and the Artist, c.1635 (oil on canvas) by Dyck, Anthony van (1599-1641); 119x144 cm; Prado, Madrid, Spain; (add.info.: see also 498156); Flemish

Background imageLace Collar Collection: Jane, Duchess of Gordon (oil on canvas)

Jane, Duchess of Gordon (oil on canvas)
NTS28416 Jane, Duchess of Gordon (oil on canvas) by Raeburn, Henry (1756-1823); Fyvie Castle, Scotland, UK; (add.info.: Jane Gordon nee Maxwell (1748/9-1812)

Background imageLace Collar Collection: Portrait of a Royalist Cavalry Officer, c. 1640 (oil on copper)

Portrait of a Royalist Cavalry Officer, c. 1640 (oil on copper)
LST203726 Portrait of a Royalist Cavalry Officer, c.1640 (oil on copper) by English School, (17th century); 21x11.5 cm; Private Collection; eLawrence Steigrad Fine Arts, New York; English

Background imageLace Collar Collection: Lady Mary Wortley Montagu (oil on canvas)

Lady Mary Wortley Montagu (oil on canvas)
SAG66173 Lady Mary Wortley Montagu (oil on canvas) by Richardson, Jonathan (1665-1745); 120x92.5 cm; Sheffield Galleries and Museums Trust

Background imageLace Collar Collection: Sir Francis Drake, after an engraving attributed to Jodocus Hondius, c

Sir Francis Drake, after an engraving attributed to Jodocus Hondius, c
JLJ5040809 Sir Francis Drake, after an engraving attributed to Jodocus Hondius, c.1583 (oil on panel) by Hondius, Jodocus (1567-1611); 31.8x32.4 cm; National Gallery, London

Background imageLace Collar Collection: A winter stroll in the Luxembourg Gardens, 1830. Woman in large bonnet with plumes

A winter stroll in the Luxembourg Gardens, 1830. Woman in large bonnet with plumes
5913060 A winter stroll in the Luxembourg Gardens, 1830. Woman in large bonnet with plumes, dress with sleeves en beret trimmed with velvet, high lace collar, and fur scarf

Background imageLace Collar Collection: Portrait of Gustav II Adolf, King of Sweden, c. 1633 (oil on panel)

Portrait of Gustav II Adolf, King of Sweden, c. 1633 (oil on panel)
5916313 Portrait of Gustav II Adolf, King of Sweden, c. 1633 (oil on panel) by Miereveld, Michiel Jansz. van (1567-1641) (after); 39.1x28.3 cm; Rijksmuseum, Amsterdam

Background imageLace Collar Collection: Andrew Marvell, c. 1650-70 (oil on wood)

Andrew Marvell, c. 1650-70 (oil on wood)
3619629 Andrew Marvell, c.1650-70 (oil on wood) by Helst, Bartolomeus van der (1613-70) (attr. to); Wilberforce House, Hull City Museums and Art Galleries, UK; (add.info.: Showing Marvell (1621-78)

Background imageLace Collar Collection: A Victorian Christmas card of a boy and a girl in regency costume carrying a casket, c

A Victorian Christmas card of a boy and a girl in regency costume carrying a casket, c
3603724 A Victorian Christmas card of a boy and a girl in regency costume carrying a casket, c.1880 (colour litho) by English School

Background imageLace Collar Collection: Head of an Elderly Man, 1654 (oil on canvas)

Head of an Elderly Man, 1654 (oil on canvas)
2829382 Head of an Elderly Man, 1654 (oil on canvas) by French School, (17th century); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageLace Collar Collection: Portrait of a Lady (oil on canvas)

Portrait of a Lady (oil on canvas)
NOO367896 Portrait of a Lady (oil on canvas) by Hudson, Thomas (1701-79); Private Collection; Photo eJohn Noott Galleries, Broadway, Worcestershire, UK; English, out of copyright

Background imageLace Collar Collection: Librairie Romantique poster advertising a series of books on the history of

Librairie Romantique poster advertising a series of books on the history of
PER437846 Librairie Romantique poster advertising a series of books on the history of romanticism, 1887 (colour litho) by Grasset

Background imageLace Collar Collection: Frances West, 1742 (oil on canvas)

Frances West, 1742 (oil on canvas)
HEH416454 Frances West, 1742 (oil on canvas) by Highmore, Joseph (1692-1780); 76.8x63.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA



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"Lace Collar: A Timeless Fashion Statement Across Centuries" Throughout history, the lace collar has been a symbol of elegance and refinement. From the portraits of influential figures like John Donne and Sarah Childress Polk to nobleman such as William Somerset and George Villiers, this delicate accessory has adorned the necks of both men and women. In the 16th century, lace collars became increasingly popular among European aristocracy. Infanta Isabella Clara Eugenia, daughter of Philip II of Spain, radiated regality with her intricate lace collar that perfectly complemented her royal attire. The allure of the lace collar continued into the 17th century when it graced the necks of notable individuals like Thomas Fairfax and Thomas Wentworth. These powerful men donned their suits of armor but added a touch of sophistication with their lacy adornments. Not limited to just formal occasions or high-ranking officials, even ladies embraced this fashion trend. In 1633, a young lady captured hearts with her plumed headdress paired elegantly with a lace collar in an oil painting that exuded gracefulness. From England to Scotland, from soldiers to politicians, from nobles to artists - all were captivated by the charm and beauty brought forth by wearing a lace collar. Figures like George Monck and James Hamilton showcased their status through these exquisite accessories which added an air of grandeur to their ensembles. As time passed, fashions evolved yet one thing remained constant -the timeless appeal of the lace collar. Its intricate patterns continue to inspire designers today as they create modern interpretations that pay homage to its historical significance. Whether worn by kings or queens or displayed in works of art for centuries on end, there is no denying that the humble lace collar holds within it stories untold; tales woven into every stitch that speak volumes about style across generations.