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Lace Cuff Collection

"Lace Cuff: A Glimpse into the Lives of Noteworthy Figures" Step back in time and explore the intricate details of history through the delicate lace cuff

Background imageLace Cuff Collection: Mrs Lucy Hutchinson, c. 1643 (oil on canvas)

Mrs Lucy Hutchinson, c. 1643 (oil on canvas)
NAM412346 Mrs Lucy Hutchinson, c.1643 (oil on canvas) by Souch, John (c.1593-1645) (attr. to); National Army Museum, London; (add.info)

Background imageLace Cuff Collection: One of a pair of portraits of two sisters of the Moult family of Nottinghamshire

One of a pair of portraits of two sisters of the Moult family of Nottinghamshire
HFA328882 One of a pair of portraits of two sisters of the Moult family of Nottinghamshire (oil on copper) (see also 328883) by Devis

Background imageLace Cuff Collection: Charles Gravier (1719-87) Count of Vergennes (oil on canvas) (detail of 257923)

Charles Gravier (1719-87) Count of Vergennes (oil on canvas) (detail of 257923)
CHT257924 Charles Gravier (1719-87) Count of Vergennes (oil on canvas) (detail of 257923) by Callet, Antoine Francois (1741-1823); Private Collection; (add.info)

Background imageLace Cuff Collection: One of a pair of portraits of two sisters of the Moult family of Nottinghamshire

One of a pair of portraits of two sisters of the Moult family of Nottinghamshire
HFA328883 One of a pair of portraits of two sisters of the Moult family of Nottinghamshire (oil on copper) (see also 328882) by Devis

Background imageLace Cuff Collection: Portrait of David Hume, illustration from David Humes

Portrait of David Hume, illustration from David Humes
STC429637 Portrait of David Hume, illustration from David Humes The History of England, pub. by R. Bowyer, London, 1812 (engraving) by English School

Background imageLace Cuff Collection: Portrait of Richard Wingfield (1697-1751), Viscount Powerscourt (oil on canvas)

Portrait of Richard Wingfield (1697-1751), Viscount Powerscourt (oil on canvas)
CH130106 Portrait of Richard Wingfield (1697-1751), Viscount Powerscourt (oil on canvas) by Lee, Anthony (1735-67); Private Collection; (add.info)

Background imageLace Cuff Collection: Ellen Fielden of Stansfield Hall (oil on canvas)

Ellen Fielden of Stansfield Hall (oil on canvas)
3822165 Ellen Fielden of Stansfield Hall (oil on canvas) by Unknown Artist, (19th century); 102x127.5 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; out of copyright

Background imageLace Cuff Collection: The Lute-Player (oil on canvas)

The Lute-Player (oil on canvas)
XKH151040 The Lute-Player (oil on canvas) by French School, (17th century); 103.5x80.5 cm; Hamburger Kunsthalle, Hamburg, Germany; French, out of copyright

Background imageLace Cuff Collection: Portrait of a Noble Woman

Portrait of a Noble Woman
BAL59346 Portrait of a Noble Woman by Monje, Paula (1849-1919); Haynes Fine Art at the Bindery Galleries, Broadway; German, out of copyright

Background imageLace Cuff Collection: Portrait of a Man (oil on panel)

Portrait of a Man (oil on panel)
XKH179540 Portrait of a Man (oil on panel) by German School, (17th century); 67.6x52 cm; Hamburger Kunsthalle, Hamburg, Germany; (add.info)

Background imageLace Cuff Collection: William Cavendish (1592-1676), from Lodges British Portraits, 1823

William Cavendish (1592-1676), from Lodges British Portraits, 1823
KW178674 William Cavendish (1592-1676), from Lodges British Portraits, 1823 (engraving) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright

Background imageLace Cuff Collection: Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754

Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754
XIR160433 Portrait of Horace Walpole (1717-97) Count of Orford, engraved by G. Madeley, 1754 (engraving) (b/w photo) by English School, (18th century); Bibliotheque Nationale, Paris, France; English


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"Lace Cuff: A Glimpse into the Lives of Noteworthy Figures" Step back in time and explore the intricate details of history through the delicate lace cuff. In Mrs Lucy Hutchinson's captivating portrait, c. 1643, painted on canvas, we are transported to a bygone era as we admire her elegant attire and ornate lace cuff. This lace accessory also graces the wrists of two sisters from Nottinghamshire's Moult family, immortalized in their portraits. The exquisite craftsmanship of these cuffs reflects both their refined taste and societal status. Moving forward in time, Charles Gravier, Count of Vergennes (1719-87), is depicted with his own lace cuff meticulously captured in oil on canvas. This detail from his portrait showcases not only his noble demeanor but also highlights the fashion trends prevalent during that period. The allure of lace transcends gender boundaries as seen in David Hume's illustration where he dons an intricately designed cuff. This portrayal further emphasizes how this fashionable accessory was embraced by individuals across society. Richard Wingfield, Viscount Powerscourt (1697-1751), proudly displays a lavish lace cuff that exudes opulence and sophistication. The artist skillfully captures every delicate thread, showcasing the wealth and refinement associated with such adornments. Ellen Fielden of Stansfield Hall radiates gracefulness with her choice of a lacy wrist embellishment portrayed on canvas. Her portrait serves as a reminder that even everyday individuals sought to enhance their appearance through accessories like the lace cuff. In "The Lute-Player, " we witness how artistry intertwines with fashion as this musician gracefully strums while sporting an elaborate sleeve adorned with intricate lacework—a testament to creativity merging seamlessly with style. From noblewomen to men hailing from various walks of life—such as those featured in "Portrait of a Noble Woman" or "Portrait of a Man"—the presence of these lace cuffs signifies both elegance and refinement.