Ladder Collection (page 20)

The Golden Age, 1875 (oil on canvas)
5861983 The Golden Age, 1875 (oil on canvas) by Poynter, Edward John (1836-1919); 137.2--53.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Sir John Edward Poynter (1836-1919))

The Festival, 1875 (oil on canvas)
5861988 The Festival, 1875 (oil on canvas) by Poynter, Edward John (1836-1919); 137.2--53.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Sir John Edward Poynter (1836-1919))

The Deposition (oil on panel)
SHK332085 The Deposition (oil on panel) by Master of the Hanover Marktkirche Altar, (fl.c.1465-99); 83.2x48.9 cm; Private Collection; German, out of copyright

An embrasure after the assault at North Taku Fort, during the second China War, 1860 (b / w photo)
STC253546 An embrasure after the assault at North Taku Fort, during the second China War, 1860 (b/w photo) by Beato, Felice (Felix) (1825-c.1908); Private Collection; The Stapleton Collection

Marlay Cutting IT. 34: The Deposition from the Cross and border fragments from a missal of Pope Clement VII
FIT276983 Marlay Cutting IT.34: The Deposition from the Cross and border fragments from a missal of Pope Clement VII, after 1523 (parchment) by Raymond, Vincent (fl)

DDE-90037789
Argentina, Valdes Peninsula, Patagonia, Chubut Province, Faro Punto Delgado, landscape with sheep and lighthouse and lodge in distance Date: 08/12/2006

DDE-90037791
Argentina, Valdes Peninsula, Patagonia, Chubut Province, Faro Punto Delgado, lighthouse and lodge and water tower Date: 08/12/2006

DDE-90034481
Poland, Carpathian Mountains, Zakopane. View of chalet and Tatra Mountains Date: 30/08/2007

DDE-90034479
Poland, Carpathian Mountains, Zakopane. View of chalet and Tatra Mountains Date: 30/08/2007

DDE-90029296
Pagode de Chanteloup. Amboise. Loire Valley. France Date: 06/08/2005

DDE-90022885
Central Circuit on Ruwenzori through Swampy Forest, Uganda. Date: 07/01/2009

Pool_001
Pictufy Studio III

Trampoline
Jose Beut

Stairs
Theo Luycx

Hospital wall inside
Theo Luycx

The State of Mind
Ruslan Bolgov (Axe)

Ladder
MOSTAFA NODEH

The diving board
Stephanie Kleimann

Rosa in weddingdress with saw on ladder
Axel K. Schoeps

flock
Paulo Nogueira

Nostalgically Yours
InTheMoment

Belle Fleur
InTheMoment

Urban abstract
Inge Schuster

The Entry of the Baron of Caprice to the Home of Miss Favors (Entredu... second half 18th century. Creator: Anon)
The Entry of the Baron of Caprice to the Home of Miss Favors (Entre du Baron du Caprice chez Melle des Faveurs), second half 18th century

In mobile camp at end of season, cold day, FSA camp, Merrill, Klamath County, Oregon, 1939. Creator: Dorothea Lange
In mobile camp at end of season, cold day. Merrill, Klamath County, Oregon, FSA (Farm Security Administration) camp

Picking pears, Pleasant Hill Orchards, Yakima Valley, Washington, 1939. Creator: Dorothea Lange
Picking pears. Pleasant Hill Orchards. Washington, Yakima Valley. See general caption number 34

Picking pears, Pleasant Hill Orchard, Yakima Valley, Washington, 1939. Creator: Dorothea Lange
Picking pears. Pleasant Hill Orchard. Washington, Yakima Valley. See general caption number 34

Possibly: Picking pears, Pleasant Hill Orchard, Yakima Valley, Washington, 1939. Creator: Dorothea Lange
[Untitled, possibly related to: Picking pears. Pleasant Hill Orchard. Washington, Yakima Valley. See general caption number 34]

Harvesting pears requires agility and balance, Yakima Valley, Wahington, 1939. Creator: Dorothea Lange
Harvesting pears requires agility and balance. Washington, Yakima Valley. See general caption number 34

Possibly: Dumping full sack of picked pears to lug box... Yakima Valley, Wahington, 1939. Creator: Dorothea Lange
[Untitled, possibly related to: Dumping full sack of picked pears to lug box, which will be trucked to the packinghouse. Note design of picking sack which opens from bottom

Migrant fruit picker (single) takes rest in the mid-morning, Yakima Valley, Washington, 1939. Creator: Dorothea Lange
Washington, Yakima Valley. Migrant fruit picker (single) takes rest in the mid-morning. General caption number 3A

Frank Mineo, owner of the Alden, climbs to the crows nest... Gloucester, Massachusetts, 1943. Creator: Gordon Parks
Frank Mineo, owner of the Alden, climbs to the crows nest to sight the mackerel school. Gloucester, Massachusetts

Wood stacked up preliminary to firing the tobacco, Person County, North Carolina, 1939. Creator: Dorothea Lange
Wood stacked up preliminary to firing the tobacco. Person County, North Carolina

The home of a new farmer who has successfully established himself on the raw land, 1939. Creator: Dorothea Lange
The home of a new farmer who has successfully established himself on the raw land. He has repaid his FSA (Farm Security Administration) loan of twelve hundred and forty-eight dollars in full

Building barn for tobacco, near Chapel Hill, North Carolina, 1939. Creator: Dorothea Lange
Building barn for tobacco. Such a barn costs about one hundred dollars, takes approximately one week to build. Near Chapel Hill, North Carolina

Father and son building house on outskirts of Salinas, California, 1939. Creator: Dorothea Lange
Father and son building house on outskirts of Salinas, California. Settlement of recently migrated lettuce workers

Between Tulare and Fresno, California, 1939. Creator: Dorothea Lange
Between Tulare and Fresno, California. [Accommodation for farm workers: New Cabins Now Open ]

Burroughs children playing in the yard, Hale County, Alabama, 1936. Creator: Walker Evans
Burroughs children playing in the yard, Hale County, Alabama

Mii Temple in Omi Province, No. 14 on the Saikoku Pilgrimage Route (Saikoku junrei juyonba... 1859)
Mii Temple in Omi Province, No. 14 on the Saikoku Pilgrimage Route (Saikoku junrei juyonban Omi Miidera), from the series " The Miracles of Kannon (Kannon reigenki)", 1859

The Seasons - Autumn (oil on canvas)
XOT362344 The Seasons - Autumn (oil on canvas) by Diziani, Antonio (1737-97); Museo Civico degli Eremitani, Padua, Italy; (add.info.: by Antonio Diziani (1737-97))

Silbury Hill (w / c on paper)
AGN252249 Silbury Hill (w/c on paper) by Nash, Paul (1889-1946); 39x57 cm; Private Collection; Photo © Agnew s, London; English, out of copyright

A Moscow Street, 1910s (oil on canvas)
BAL92380 A Moscow Street, 1910s (oil on canvas) by Ulyanov, Nikolai Pavlovich (1875-1949); 74x100 cm; Art Museum, Samara, Russia; Russian, out of copyright

Project for theatrical decor, gymnasts, 1926 (gouache on paper) (b / w photo)
FFA151366 Project for theatrical decor, gymnasts, 1926 (gouache on paper) (b/w photo) by Exter, Alexandra Alexandrovna (1882-1949); 50.8x66.6 cm; Private Collection

Farm Yard, Essex, 1940 (oil on canvas)
657680 Farm Yard, Essex, 1940 (oil on canvas) by Hodgkins, Frances (1869-1947); 70x82.5 cm; Private Collection; (add.info.: Farm Yard, Essex. Frances Hodgkins (1869-1947). Oil on canvas. Dated 1940

The Absolution of Volunteers, 1915 (litho)
STC407198 The Absolution of Volunteers, 1915 (litho) by Jonas, Lucien Hector (1880-1947); Private Collection; The Stapleton Collection

Study for Design for Wall Decoration, c. 1918 (pencil on paper)
LIS244448 Study for Design for Wall Decoration, c.1918 (pencil on paper) by Knights, Winifred (1899-1947); 62.5x45.7 cm; Private Collection; © Liss Fine Art; British, out of copyright

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"Ascending to the Divine: The Ladder of Saint John Climacus" In the realm of spiritual enlightenment, few have reached the pinnacle as Saint John Climacus did. As an Abbot of Mount Sinai in the 6th century, he crafted a metaphorical ladder that would guide souls towards heavenly ascent. This late 12th-century icon depicts St. John at the top rung, symbolizing his profound wisdom and connection with God. Meanwhile, across time and space, other ladders tell their own stories. In 1926-1927 London, an old pub on the River Thames witnessed laughter and camaraderie as locals climbed its wooden steps to enjoy pints and conversations that echoed through history. On Polkanuggo Quarry in Cornwall during 1903-1904, sturdy ladders were essential tools for miners seeking precious minerals deep within Earth's embrace. Each step taken was a testament to human resilience and determination. But not all they are meant for earthly endeavors alone. Zazel, known as the Human Cannonball, defied gravity itself by soaring through the air propelled by explosive force – her ladder becoming a launching pad into awe-inspiring heights. Even within iconic structures like Big Ben's clock face or towering oil rigs in Iran's deserts, ladders serve as gateways to hidden worlds where brave individuals venture daily. Firefighters battling infernos on Eagle Street or responding swiftly to serious house fires in Notting Hill rely on these trusty companions to ascend towards danger with unwavering courage. And then there are those unique instances where nature intertwines with human craftsmanship – Meoto-Iwa (Wedded Rocks) standing tall amidst crashing waves off Japan's coast beckon visitors who dare climb their sacred path towards unity and harmony. From ancient monastic teachings to bustling city streets or remote corners of our planet – each ladder holds significance beyond its physical form. They represent our innate desire for growth, progress, and connection.