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Last Judgment Collection (page 5)

"The Last Judgment: A Visual Journey through Time and Art" Step into the world of divine justice as depicted by master artists throughout history

Background imageLast Judgment Collection: The Last Judgment: Hell (tempera on wood, 1432-1435)

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613324 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

Background imageLast Judgment Collection: The Last Judgement, (oil on panel)

The Last Judgement, (oil on panel)
990251 The Last Judgement, (oil on panel) by Bosch, Hieronymus (c.1450-1516) (follower of); 96.5x61 cm; Private Collection; (add.info.: The Last Judgement. School of Hieronymus Bosch (c.1450-1516)

Background imageLast Judgment Collection: The Last Judgement, c. 1525 (oil on panel)

The Last Judgement, c. 1525 (oil on panel)
990153 The Last Judgement, c.1525 (oil on panel) by Provost, Jan II (1465-1529); 108.5x92 cm; Private Collection; (add.info.: The Last Judgement. Jan Provost II (1465-1529). Oil on panel

Background imageLast Judgment Collection: Last Judgement, 1520s (illuminated manuscript on vellum)

Last Judgement, 1520s (illuminated manuscript on vellum)
985752 Last Judgement, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Last Judgement)

Background imageLast Judgment Collection: The Last Judgment, c. 1400 (fresco)

The Last Judgment, c. 1400 (fresco)
3496201 The Last Judgment, c.1400 (fresco) by Veris da Milano, Filippolo de & Veris da Milano, Lanfranco de (fl.1400); Sanctuary of Madonna dei Ghirli, Campione d Italia

Background imageLast Judgment Collection: The Last Judgment: Detail of the Open Tombs, 1432-1435 (tempera on wood)

The Last Judgment: Detail of the Open Tombs, 1432-1435 (tempera on wood)
BAT5468003 The Last Judgment: Detail of the Open Tombs, 1432-1435 (tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); (add.info.: On the left, blessed)

Background imageLast Judgment Collection: The Last Judgment (painting)

The Last Judgment (painting)
BAT5467993 The Last Judgment (painting) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Photo eNicol Orsi Battaglini; Italian

Background imageLast Judgment Collection: Adams dream of the Day of Judgment (engraving)

Adams dream of the Day of Judgment (engraving)
5207626 Adams dream of the Day of Judgment (engraving) by German School, (19th century); Private Collection; (add.info.: Adams dream of the Day of Judgment)

Background imageLast Judgment Collection: Conserved section from the Great East Window at York Minster

Conserved section from the Great East Window at York Minster
498965 Conserved section from the Great East Window at York Minster: The Army of Horsemen (stained glass) by English School; York Minster, Yorkshire, UK; (add.info.: Revelation 9:16-19)

Background imageLast Judgment Collection: Fra Angelico (engraving)

Fra Angelico (engraving)
1092649 Fra Angelico (engraving) by American School, (19th century); Private Collection; (add.info.: Fra Angelico, from the representation of him in the fresco of the " Last Judgment)

Background imageLast Judgment Collection: The Last Judgement - in 'De civitate dei'by Saint Augustine

The Last Judgement - in "De civitate dei"by Saint Augustine
GIA4817119 The Last Judgement - in " De civitate dei" by Saint Augustine, early 15th century. Municipal Bibl. of Rimini

Background imageLast Judgment Collection: The Last Judgment Detail of the Apotres (of which Saint Paul is right) - Fresco, 1293

The Last Judgment Detail of the Apotres (of which Saint Paul is right) - Fresco, 1293
LRI4571252 The Last Judgment Detail of the Apotres (of which Saint Paul is right) - Fresco, 1293 by Cavallini, Pietro (c.1250-c.1330); Santa Cecilia in Trastevere, Rome

Background imageLast Judgment Collection: Tryptic of the Last Judgement, right panel. The Hell with half-man, half-animal monsters

Tryptic of the Last Judgement, right panel. The Hell with half-man, half-animal monsters
LRI4570790 Tryptic of the Last Judgement, right panel. The Hell with half-man, half-animal monsters. Detail (painting on wood, c.1504) by Bosch

Background imageLast Judgment Collection: View of the tympanum of last judgment, christ between paradise and hell (sculpture

View of the tympanum of last judgment, christ between paradise and hell (sculpture
LRI4721013 View of the tympanum of last judgment, christ between paradise and hell (sculpture, 1130-1140) by Romanesque, (12th century); Church of St

Background imageLast Judgment Collection: Detail of the Chair realized by Giovanni Pisano (1248-1314)

Detail of the Chair realized by Giovanni Pisano (1248-1314)
LRI4584445 Detail of the Chair realized by Giovanni Pisano (1248-1314): the Christ judge between the elect and the damns (Detail of the reliefs of the marble pulpit)

Background imageLast Judgment Collection: Last judgment, the elected, detail from the Pulpit, 1266-1268

Last judgment, the elected, detail from the Pulpit, 1266-1268
LRI4584185 Last judgment, the elected, detail from the Pulpit, 1266-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena, Italy; (add.info)

Background imageLast Judgment Collection: The last judgment: the dance of the elected in Paradise. (tempera on wood, 1432-1435)

The last judgment: the dance of the elected in Paradise. (tempera on wood, 1432-1435)
LRI4577140 The last judgment: the dance of the elected in Paradise. (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Background imageLast Judgment Collection: The Last Judgment: Hell (tempera on wood, 1432-1435)

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613341 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

Background imageLast Judgment Collection: The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)

The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
LRI4613261 The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Background imageLast Judgment Collection: Last judgment, sculpted tympanum of the Cathedrale Saint Lazarus d Autun

Last judgment, sculpted tympanum of the Cathedrale Saint Lazarus d Autun
LSE4118692 Last judgment, sculpted tympanum of the Cathedrale Saint Lazarus d Autun, Romanesque art of the 13th century. Autun, Saone and Loire, Burgundy, France

Background imageLast Judgment Collection: Portal of the Cathedrale Saint Lazarus (the sculpted eardrum illustrates the last

Portal of the Cathedrale Saint Lazarus (the sculpted eardrum illustrates the last
LSE4118688 Portal of the Cathedrale Saint Lazarus (the sculpted eardrum illustrates the last judgment). Autun, 13th century Romanesque art. Autun, Saone and Loire, Burgundy, France

Background imageLast Judgment Collection: Conserved panel from the Great East Window at York Minster

Conserved panel from the Great East Window at York Minster
498967 Conserved panel from the Great East Window at York Minster: The Mighty Angel and Seven Thunders (stained glass) by English School; York Minster, Yorkshire

Background imageLast Judgment Collection: Detail of a cloister relief (stone)

Detail of a cloister relief (stone)
3469364 Detail of a cloister relief (stone) by French School; Cathedral of Notre-Dame, Noyon, Picardie, France; (add.info.: The cloister); ePaul Maeyaert; French, out of copyright

Background imageLast Judgment Collection: Detail of a cloister relief (stone)

Detail of a cloister relief (stone)
3469363 Detail of a cloister relief (stone) by French School; Cathedral of Notre-Dame, Noyon, Picardie, France; ePaul Maeyaert; French, out of copyright

Background imageLast Judgment Collection: The Last Judgment Down Satan devore the souls of the damns - Detail of the mosaics

The Last Judgment Down Satan devore the souls of the damns - Detail of the mosaics
LRI4582984 The Last Judgment Down Satan devore the souls of the damns - Detail of the mosaics, ca1270 by Coppo di Marcovaldo (fl.1225/30-after 1274); Baptistery, Florence

Background imageLast Judgment Collection: Monks, detail of the Last Judgement, c. 1400 (fresco)

Monks, detail of the Last Judgement, c. 1400 (fresco)
3496204 Monks, detail of the Last Judgement, c.1400 (fresco) by Veris da Milano, Filippolo de & Veris da Milano, Lanfranco de (fl.1400); Sanctuary of Madonna dei Ghirli, Campione d Italia

Background imageLast Judgment Collection: Angels, detail of the Last Judgment, c. 1400 (fresco) (detail of 3496201)

Angels, detail of the Last Judgment, c. 1400 (fresco) (detail of 3496201)
3496203 Angels, detail of the Last Judgment, c.1400 (fresco) (detail of 3496201) by Veris da Milano, Filippolo de & Veris da Milano, Lanfranco de (fl.1400); Sanctuary of Madonna dei Ghirli



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"The Last Judgment: A Visual Journey through Time and Art" Step into the world of divine justice as depicted by master artists throughout history. From Rubens to Botticelli, Bruegel to Giordano, these captivating artworks transport us to the realm of ultimate reckoning. In "The Fall of the Damned" by Rubens, we witness a chaotic scene where sinners plummet into fiery depths, their expressions wrought with despair. Meanwhile, in Bruegel's "The Fall of the Rebel Angels, " celestial beings clash in a battle between good and evil. Michelangelo's masterpiece on the Sistine Chapel ceiling comes alive in "The Expulsion from Paradise. " The anguish on Adam and Eve's faces is palpable as they are banished from Eden for succumbing to temptation. Saint Michael takes center stage in Maffei's painting, fearlessly vanquishing Satan himself. His triumph over evil radiates strength and righteousness. Transporting us back centuries earlier, an anonymous Upper Rhenish Master invites us into "The Little Garden of Paradise. " This serene depiction contrasts sharply with Filippo Napoletano's haunting portrayal of hell—a place filled with torment and suffering. Botticelli brings Dante Alighieri's words to life in his illustration for the Divine Comedy—an abyss that reveals humanity's darkest sins and punishments. Traveling further back in time, Byzantine mosaics from the 12th century Domesday era depict scenes from the Last Judgment—awe-inspiring works that have stood against time itself. Luca Giordano captures Archangel Michael defeating rebel angels—a testament to divine power prevailing over rebellion. Triptychs such as those created during the 14th century offer a comprehensive narrative encompassing ascension, last judgment, and Pentecost—the pivotal moments shaping Christian faith. Finally, stories of Jesus Christ painted on panels during this same period invite contemplation upon the ultimate sacrifice and redemption.