Laszlo Collection (#2)

Dr Joseph Joachim, 1903. Artist: Philip A de Laszlo
Dr Joseph Joachim, 1903. Joseph Joachim (1831-1907), Hungarian violinist, conductor, composer and teacher. From The Studio Volume 40. [London Offices of the Studio, London, 1907]

Nina Bowes-Lyon, Countess of Strathmore and Kinghorne, 1937. Artist: Fulop Laszlo
Nina Bowes-Lyon, Countess of Strathmore and Kinghorne, 1937. The Countess of Strathmore (1862-1938) was the mother of Elizabeth Bowes-Lyon, Queen Consort of King George VI

Claude George Bowes-Lyon, 14th Earl of Strathmore and Kinghorne, 1937. Artist: Fulop Laszlo
Claude George Bowes-Lyon, 14th Earl of Strathmore and Kinghorne, 1937. The Earl of Strathmore and Kinghorne (1855-1944) was the father of Lady Elizabeth Bowes-Lyon, Queen Consort of King George VI

Marchioness of Milford Haven by Philip de Laszlo
Nadejda Mikhailovna Mountbatten, Marchioness of Milford Haven (28 March 1896 22 January 1963) second daughter of Grand Duke Michael Mikhailovich of Russia

Sir Joseph Austen Chamberlain, British politician
Sir Joseph Austen Chamberlain (1863-1937), British Conservative politician and government minister. 1920

Princess Elizabeth by Philip de Laszlo
Queen Elizabeth II as a little girl, painted by portrait painter Philip de Laszlo. Date: 1932

Victoria Eugenia of Battenberg (1887-1969). Queen consort of King Alfonso XIII of Spain (1906-1931). Portrait of 1927. LASZLO, Philip Alexius de (1869-1937). Oil on canvas. SPAIN

Drawing from the U. S. patent application of Hungarian inventor Laszlo Biro for his fountain pen
BALLPOINT PEN, 1941. Drawing from the U.S. patent application of Hungarian inventor Laszlo Biro for his fountain pen, the first commercially successful ballpoint pen, 1941

Watering by Laszlo Mednyanzsky
Laszlo Mednyanzsky (1852-1919). Watering. 1888. Hungarian National Gallery. Budapest. Hungary

Priscilla, Countess Annesley 1870-1941 (1915). Laszlo, Philip Alexius de 1869-1937. Date: 1915

Evelyn, Marchioness of Downshire d. 1942 (1919). Laszlo, Philip Alexius de 1869-1937. Date: 1919

Royal Wedding 1934 - Princess Marina
Inner front cover of the Illustrated London News Royal Wedding Number celebrating the marriage of Prince George, Duke of Kent to Princess Marina of Greece (1906 -1968)

Future Duke and Duchess of Kent leaving studio of de Laszlo
Prince George Duke of Kent, together with his fiancee, Princess Marina of Greece pictured leaving the studio of Philip de Laszlo where Princess Marina had been sitting for a portrait prior to her

Viscountess Castlereagh, 1913
Viscountess Castlereagh, formerly Hon. Edith Chaplin, from a painting by Philip A de Laszlo, 1913

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"Laszlo: A Legacy of Art, Royalty, and Literary Connections" Step into the world of Laszlo, a name that resonates with elegance and creativity. From capturing the essence of royalty to immortalizing literary figures, it has left an indelible mark on history. One notable connection lies in the realm of British monarchy. As a renowned artist, Philip A de Laszlo had the privilege to paint portraits of distinguished individuals such as Queen Elizabeth (Queen Mother) and King George VI. Through his brushstrokes, he captured their regal grace for generations to admire. Laszlo's artistic prowess extended beyond royal circles. He also depicted Princess Elizabeth during her youth - little did he know that she would ascend to become Queen Elizabeth II and reign over the Commonwealth Realms with distinction. But Laszlo's talents were not limited solely to portraiture; he ventured into various genres as well. His depiction of Henry Charles Keith Petty-Fitzmaurice, 5th Marquess of Lansdowne showcases his versatility as an artist. Beyond painting, Laszlo found inspiration in literature. Jerome K Jerome was one such figure who caught his attention - perhaps drawn by Jerome's wit and humor reflected in his works like "Three Men in a Boat. " Not only did Laszlo capture personalities through art but also commemorated significant events like "The Mourning Hunyadi" by Viktor Madarasz. This poignant piece evokes emotions surrounding loss and grief while paying homage to Hungarian history. In addition to these connections within artistic circles, eminent figures from different fields sought out Laszlo's talent for their portraits too. Sir Alymer Hunter-Weston entrusted him with preserving his image for posterity while Sir Edmund Gosse sought representation through brushstrokes rather than words. Sir Oliver Lodge, a prominent British physicist turned writer known for exploring spiritualism, also found himself immortalized by Laszlo's artistry.