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Late Collection (page 16)

"Late in the 19th century, on High Street in Southampton, Hampshire, England, a bustling scene unfolds

Background imageLate Collection: The blacksmiths, in the ounyamouezi (Great Lakes region, Africa)

The blacksmiths, in the ounyamouezi (Great Lakes region, Africa)
LSE4325257 The blacksmiths, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa, from 1860 to 1863 of Captain Speke

Background imageLate Collection: The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru

The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru
LSE4325153 The manufacture of a canoe, evacuated by fire, by the Conibo Indians of Peru, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P

Background imageLate Collection: Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock

Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock
LSE4325370 Indian husbands Chontaquiros of Peru sleeping, in their bridal hammock, drawing by Riou to illustrate the voyage, from 1848 to 1860, of P

Background imageLate Collection: The production of beer, in the ounyamouezi (Great Lakes region, Africa)

The production of beer, in the ounyamouezi (Great Lakes region, Africa)
LSE4325252 The production of beer, in the ounyamouezi (Great Lakes region, Africa), drawing by Emile Bayard (1837-1891), illustrating the voyage of discovery in Africa

Background imageLate Collection: Manufacture of balls in the Sierra de Tardienda - Oil on canvas, 1810-1814

Manufacture of balls in the Sierra de Tardienda - Oil on canvas, 1810-1814
LRI4353573 Manufacture of balls in the Sierra de Tardienda - Oil on canvas, 1810-1814 by Goya y Lucientes, Francisco Jose de (1746-1828); Palacio de la Zarzuela, Madrid

Background imageLate Collection: A late Zand lacquered papier mache casket, c. 1794-95 (painted papier mache casket)

A late Zand lacquered papier mache casket, c. 1794-95 (painted papier mache casket)
987301 A late Zand lacquered papier mache casket, c.1794-95 (painted papier mache casket) by Persian School, (18th century); 20x42x29 cm; Private Collection; (add.info)

Background imageLate Collection: The Gutians capturing a Babylonian city from the Akkadians

The Gutians capturing a Babylonian city from the Akkadians
3614183 The Gutians capturing a Babylonian city from the Akkadians, from Hutchinsons History of the Nations, pub.1915 by English School

Background imageLate Collection: Late Home, 1854 (oil on canvas)

Late Home, 1854 (oil on canvas)
651407 Late Home, 1854 (oil on canvas) by Koelman, Jan Philip (1818-93); 63.5x49 cm; Private Collection; (add.info.: Late Home. Johan Philip Koelman (1818-1893). Oil on canvas. Dated Roma 1854

Background imageLate Collection: Indian of the banks of the Oyapock, making fire, by means of a stem of reeds rubbed

Indian of the banks of the Oyapock, making fire, by means of a stem of reeds rubbed
LSE4332262 Indian of the banks of the Oyapock, making fire, by means of a stem of reeds rubbed vividly into a cavite dug into a rod of redneck (or rocouyer), engraving after a drawing by D.Maillart

Background imageLate Collection: Fire of Saint John in Sulzbach. Engraving by Lix to illustrate the story A travers l

Fire of Saint John in Sulzbach. Engraving by Lix to illustrate the story A travers l
LSE4334401 Fire of Saint John in Sulzbach. Engraving by Lix to illustrate the story A travers l Alsace et la Lorraine, by Charles Grad, German deputer, in 1885, in the tour du monde 1887

Background imageLate Collection: Still Life, c. 1890 (oil on canvas)

Still Life, c. 1890 (oil on canvas)
3745694 Still Life, c.1890 (oil on canvas) by Cezanne, Paul (1839-1906); 59.5x73 cm; Nasjonalgalleriet, Oslo, Norway; French, out of copyright

Background imageLate Collection: Decoration on a sarcophagus, image of a philosopher and muse (marble)

Decoration on a sarcophagus, image of a philosopher and muse (marble)
2632619 Decoration on a sarcophagus, image of a philosopher and muse (marble) by Roman, (3rd-4th century); Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageLate Collection: The Late Arrival, (oil on canvas)

The Late Arrival, (oil on canvas)
658730 The Late Arrival, (oil on canvas) by Enjolras, Delphin (1857-1945); 73.5x54.5 cm; Private Collection; (add.info.: The Late Arrival. Delphin Enjolras (1857-1945). Oil on canvas

Background imageLate Collection: Poster advertising La Framboisette (colour litho)

Poster advertising La Framboisette (colour litho)
PER205391 Poster advertising La Framboisette (colour litho) by Tamagno, Francisco (fl.1851-1910); Private Collection; French, out of copyright

Background imageLate Collection: Elijah is taken to heaven. (engraving, circa 1800)

Elijah is taken to heaven. (engraving, circa 1800)
5975528 Elijah is taken to heaven. (engraving, circa 1800) by French School, (18th century); Private Collection; (add.info.: Religion. Bible. Old Testament)

Background imageLate Collection: Cover of 'The Laughter', Satirical in Colours

Cover of "The Laughter", Satirical in Colours
ICA4861034 Cover of " The Laughter", Satirical in Colours, 1907_2_16: Ignis Ardens - Anticlericalism, Religion, Fire - Separation of Church and State - Jesus, Pius X

Background imageLate Collection: Houses in the antiquite: feast room in the residence of Harald I Harfager (850-933

Houses in the antiquite: feast room in the residence of Harald I Harfager (850-933
LSE4088572 Houses in the antiquite: feast room in the residence of Harald I Harfager (850-933) dit Belle Chevelure, king of Norway - Liebig chromolithography, 19th century by Unknown Artist

Background imageLate Collection: Fire and firefighters in New York

Fire and firefighters in New York
LSE4084630 Fire and firefighters in New York by Unknown Artist, (19th century); Private Collection; (add.info.: Fire and firefighters in New York); Photo eLeonard de Selva; out of copyright

Background imageLate Collection: A game of maps around a campfire in Queenslaw, Australia

A game of maps around a campfire in Queenslaw, Australia
LSE4085455 A game of maps around a campfire in Queenslaw, Australia. by Unknown Artist, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageLate Collection: White cliffs of Dover viewed from a Channel crossing

White cliffs of Dover viewed from a Channel crossing
3779502 White cliffs of Dover viewed from a Channel crossing by Crane, Thomas (1808-59); (add.info.: White cliffs of Dover viewed from a Channel crossing- illustration from the 1882)

Background imageLate Collection: Representation of Saint Dominica de Guzman (1170-1221), founder of the Dominican Order

Representation of Saint Dominica de Guzman (1170-1221), founder of the Dominican Order
JLJ4597111 Representation of Saint Dominica de Guzman (1170-1221), founder of the Dominican Order Painting by Pedro Berruguete (1450-1504) 15th century Sun

Background imageLate Collection: Allegory of music (Painting, 16th century)

Allegory of music (Painting, 16th century)
LRI4596903 Allegory of music (Painting, 16th century) by Dossi, Dosso (c.1479-1542); Museo Horne, Florence, Italy; (add.info.: Allegory of music Painting by Dosso Dossi (Giovanni Luteri)

Background imageLate Collection: The cook Woman plumbing ducks. Painting by Bernardo Strozzi (1581-1644

The cook Woman plumbing ducks. Painting by Bernardo Strozzi (1581-1644
LRI4611578 The cook Woman plumbing ducks. Painting by Bernardo Strozzi (1581-1644) 17th century Genes, Galleria di Palazzo Rosso by Strozzi, Bernardo (1581-1644); Palazzo Rosso, Genoa

Background imageLate Collection: Iliad of Homere: faience dish representing the fire of Troy. realized in Faenza

Iliad of Homere: faience dish representing the fire of Troy. realized in Faenza
JLJ4584503 Iliad of Homere: faience dish representing the fire of Troy. realized in Faenza. 1525-1530. Paris, Louvre Museum by Italian School, (16th century); Louvre, Paris

Background imageLate Collection: Fete de l unite on the Place de la Concorde (29 thermidor an I or 10 August 1793)

Fete de l unite on the Place de la Concorde (29 thermidor an I or 10 August 1793)
JLJ4586023 Fete de l unite on the Place de la Concorde (29 thermidor an I or 10 August 1793). Painting by Pierre Demachy (1723-1807), 18th century. Oil on canvas. Dim: 0.48 x 0.75m

Background imageLate Collection: Prehistory: caverns during the glacial period. From a painting by W. Kranz, 20th century

Prehistory: caverns during the glacial period. From a painting by W. Kranz, 20th century
JLJ4565318 Prehistory: caverns during the glacial period. From a painting by W. Kranz, 20th century by Kranz, Wilhelm (1853-1930); Private Collection; (add.info.: Prehistory)

Background imageLate Collection: Detail of 'Saint Dominique et les Albigeois'

Detail of "Saint Dominique et les Albigeois"
JLJ4582078 Detail of " Saint Dominique et les Albigeois" (Le Miracle des Fanjeaux): the saint gives the Albigeois the book refuting their heresie and the Albigeois try to burn it

Background imageLate Collection: Carved Ball, Late Neolithic, Scotland, c. 3750-2000 BC (stone)

Carved Ball, Late Neolithic, Scotland, c. 3750-2000 BC (stone)
944662 Carved Ball, Late Neolithic, Scotland, c.3750-2000 BC (stone) by Neolithic; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; out of copyright

Background imageLate Collection: A fire pump at the beginning of the 17th century, after Solomon de Caux (Solomon de Caus)

A fire pump at the beginning of the 17th century, after Solomon de Caux (Solomon de Caus)
XEE4192123 A fire pump at the beginning of the 17th century, after Solomon de Caux (Solomon de Caus), 1615. Engraving in " La Nature

Background imageLate Collection: The reckless little one. A child, having played with matches, has his clothes caught fire

The reckless little one. A child, having played with matches, has his clothes caught fire
DUV4198632 The reckless little one. A child, having played with matches, has his clothes caught fire. Little boys alphabet. Abecedary has moral value containing reading exercises

Background imageLate Collection: The ball of the ardents or ball of the savages: on the occasion of the wedding of a lady

The ball of the ardents or ball of the savages: on the occasion of the wedding of a lady
XEE4412559 The ball of the ardents or ball of the savages: on the occasion of the wedding of a lady of Isabeau (Isabella, Elizabeth) from Bavaria on 28 January 1393

Background imageLate Collection: The destruction of the temple and city of Jerusalem in 70 by Roman Emperor Titus (40-81)

The destruction of the temple and city of Jerusalem in 70 by Roman Emperor Titus (40-81)
XEE4415119 The destruction of the temple and city of Jerusalem in 70 by Roman Emperor Titus (40-81). Anonymous engraving from the middle of the 19th century

Background imageLate Collection: The goat kills the wolf in the chimney. Illustration of the tale 'Compere le Loup

The goat kills the wolf in the chimney. Illustration of the tale "Compere le Loup
XEE4404650 The goat kills the wolf in the chimney. Illustration of the tale " Compere le Loup, Maitre Renard, Comere la Chevre et ses petits biquets" after a fable by Jean de la Fontaine

Background imageLate Collection: Illustration of the tale 'The Devils Fork '

Illustration of the tale "The Devils Fork "
XEE4133045 Illustration of the tale " The Devils Fork " Wood engraving from Imaging Pellerin - Epinal, sd. Late 19th century

Background imageLate Collection: The new fire alarms in Paris in 1888. Cover of 'The Illustrous World'

The new fire alarms in Paris in 1888. Cover of "The Illustrous World"
XEE4132662 The new fire alarms in Paris in 1888. Cover of " The Illustrous World" of 1888. by French School, (19th century); Private Collection; (add.info)

Background imageLate Collection: Fire of the news shops of the 'Grand Conde'(Grand Conde), Paris, 1858

Fire of the news shops of the "Grand Conde"(Grand Conde), Paris, 1858
XEE4137747 Fire of the news shops of the " Grand Conde" (Grand Conde), Paris, 1858. Engraving in " Le Monde Illustre" nA'61 of 12 June 1858

Background imageLate Collection: Old customs: the cremation of 'Carnival'

Old customs: the cremation of "Carnival"
XEE4134009 Old customs: the cremation of " Carnival", on the evening of Mardi Gras (Mardi-Gras), represents the pleasures and good dearest abandoned at the threshold of Careme

Background imageLate Collection: The Rutlischwur (Rutlis oath) - legendary oath of the Old Swiss Confederacy - The

The Rutlischwur (Rutlis oath) - legendary oath of the Old Swiss Confederacy - The
XEE4143833 The Rutlischwur (Rutlis oath) - legendary oath of the Old Swiss Confederacy - The three Swiss confederates swearing allegiance to Ruetli - Le Oath du Grutli (Rutlischwur) (Patto del Grutli)

Background imageLate Collection: Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860

Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860
XEE4144846 Pemberton mill fire at Lawrence, Massassuchets, United States, January 10, 1860. Engraving in " Le Monde Illustre" nA'148 of 11 February 1860

Background imageLate Collection: Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859

Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859
XEE4144818 Fire of the chamber of the Senate, Palais du Luxembourg, Paris, October 27, 1859. From a sketch by Mr. Gutave Janet

Background imageLate Collection: Allegory of discord. Her hair is formed of vipers and her forehead is a bloody bandage

Allegory of discord. Her hair is formed of vipers and her forehead is a bloody bandage
XEE4135950 Allegory of discord. Her hair is formed of vipers and her forehead is a bloody bandage. A bellows in one hand and in the other a vase of fire

Background imageLate Collection: Allegory of slander holding a torch lights and ruthlessly dragging a naked teen who joins

Allegory of slander holding a torch lights and ruthlessly dragging a naked teen who joins
XEE4135797 Allegory of slander holding a torch lights and ruthlessly dragging a naked teen who joins hands and looks at the sky

Background imageLate Collection: Allegory of peace. She wears a wreath of olive trees and holds a club while she burns

Allegory of peace. She wears a wreath of olive trees and holds a club while she burns
XEE4135600 Allegory of peace. She wears a wreath of olive trees and holds a club while she burns with a torch a trophee of weapons

Background imageLate Collection: Allegory of pain. A monstrous snake surrounds him who, after having bound his feet

Allegory of pain. A monstrous snake surrounds him who, after having bound his feet
XEE4135577 Allegory of pain. A monstrous snake surrounds him who, after having bound his feet, gains his body and tries to bite his heart

Background imageLate Collection: Alsatian custom: the fire of Saint John (Saint John). A man

Alsatian custom: the fire of Saint John (Saint John). A man
XEE4167563 Alsatian custom: the fire of Saint John (Saint John). A man and a woman jumps over a wood fire. Engraving in " Le Magasin Picturesque", 1864



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"Late in the 19th century, on High Street in Southampton, Hampshire, England, a bustling scene unfolds. From Our Own Country published in 1898 captures the essence of this vibrant era. As the late afternoon sun casts its golden glow upon the streets, one can almost imagine encountering magnificent creatures from ancient times. In the depths of the ocean, a Mosasaurus marine reptile gracefully glides through the waves while nearby, a Spinosaurus dinosaur roams with majestic power. On land, a Therizinosaurus dinosaur stretches its long claws towards an unknown destination. Amidst this prehistoric wonderland stands a blacksmith's shop depicted in Imagier de l'enfance c. 1900 engraving. The rhythmic clang of metal against metal echoes through time as skilled hands shape iron into useful tools. Night and Morning come together in harmony within a colored etching by an unknown artist. The transition between darkness and light symbolizes hope and renewal that late hours often bring. However, not all moments are filled with joyous anticipation. In a 14th-century manuscript illustration, iconoclasts hurl miniature manuscripts into flames - their actions representing resistance to established norms and beliefs. Meanwhile, an Oviraptor dinosaur guards its nest diligently amidst changing landscapes. Its watchful eyes scanning for any signs of danger or opportunity that may arise during these twilight hours. Sir Lawrence Alma-Tadema's masterpiece "Phidias showing the Parthenon Frieze to his Friends" transports us back to ancient Greece where art flourished even during late periods of history. On Mansfield Mountain in 1858, Jerome Thompson immortalizes "The Belated Party. " Latecomers scramble up rocky paths under moonlit skies to join their friends who have already begun reveling - laughter fills the air as they finally catch up with merriment delayed but not forgotten. Finally, Middle Temple Hall emerges from the late 19th century in London, England.