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Latin Script Collection (page 8)

"Exploring the Rich Heritage of Latin Script

Background imageLatin Script Collection: The Severe Father, 1553. Creator: Heinrich Aldegrever

The Severe Father, 1553. Creator: Heinrich Aldegrever
The Severe Father, 1553

Background imageLatin Script Collection: Self-Portrait, 1537. Creator: Heinrich Aldegrever

Self-Portrait, 1537. Creator: Heinrich Aldegrever
Self-Portrait, 1537

Background imageLatin Script Collection: Diligence, 1552. Creator: Heinrich Aldegrever

Diligence, 1552. Creator: Heinrich Aldegrever
Diligence, 1552

Background imageLatin Script Collection: Hercules as a Child, 1550. Creator: Heinrich Aldegrever

Hercules as a Child, 1550. Creator: Heinrich Aldegrever
Hercules as a Child, 1550

Background imageLatin Script Collection: Hercules Killing Nessus, 1550. Creator: Heinrich Aldegrever

Hercules Killing Nessus, 1550. Creator: Heinrich Aldegrever
Hercules Killing Nessus, 1550

Background imageLatin Script Collection: Hercules Slaying the Lion of Nemea, 1550. Creator: Heinrich Aldegrever

Hercules Slaying the Lion of Nemea, 1550. Creator: Heinrich Aldegrever
Hercules Slaying the Lion of Nemea, 1550

Background imageLatin Script Collection: Hercules and Atlas, 1550. Creator: Heinrich Aldegrever

Hercules and Atlas, 1550. Creator: Heinrich Aldegrever
Hercules and Atlas, 1550

Background imageLatin Script Collection: Patience, 1552. Creator: Heinrich Aldegrever

Patience, 1552. Creator: Heinrich Aldegrever
Patience, 1552

Background imageLatin Script Collection: Christ on the Cross, 1553. Creator: Heinrich Aldegrever

Christ on the Cross, 1553. Creator: Heinrich Aldegrever
Christ on the Cross, 1553

Background imageLatin Script Collection: Chastity, 1552. Creator: Heinrich Aldegrever

Chastity, 1552. Creator: Heinrich Aldegrever
Chastity, 1552

Background imageLatin Script Collection: Frontispiece, published 1812. Creator: JMW Turner

Frontispiece, published 1812. Creator: JMW Turner
Frontispiece, published 1812

Background imageLatin Script Collection: Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist

Leonora, Wife of Giovanni Battista Cambi, called Bombarda, the Medallist, late 16th century

Background imageLatin Script Collection: The Porta Pia [reverse], 1561. Creator: Gian Federigo Bonzagna

The Porta Pia [reverse], 1561. Creator: Gian Federigo Bonzagna
The Porta Pia [reverse], 1561

Background imageLatin Script Collection: Pius IV (Giovanni Angelo de Medici, 1499-1565), Pope 1559 [obverse], 1561

Pius IV (Giovanni Angelo de Medici, 1499-1565), Pope 1559 [obverse], 1561

Background imageLatin Script Collection: Facade of Santa Caterina dei Funari, Rome [reverse], 1561

Facade of Santa Caterina dei Funari, Rome [reverse], 1561

Background imageLatin Script Collection: Ippolito II d Este, 1509-1572, Son of Alfonso I d Este, Cardinal 1538, 1547 / 1575

Ippolito II d Este, 1509-1572, Son of Alfonso I d Este, Cardinal 1538, 1547 / 1575
Ippolito II d Este, 1509-1572, Son of Alfonso I d Este, Cardinal 1538, 1547/1575

Background imageLatin Script Collection: Self-Portrait [obverse], 1458. Creator: Giovanni Boldu

Self-Portrait [obverse], 1458. Creator: Giovanni Boldu
Self-Portrait [obverse], 1458

Background imageLatin Script Collection: Arion Riding on a Dolphin [reverse], 1457. Creator: Giovanni Boldu

Arion Riding on a Dolphin [reverse], 1457. Creator: Giovanni Boldu
Arion Riding on a Dolphin [reverse], 1457

Background imageLatin Script Collection: Apollo with Lyre and Long Scroll [reverse], 1457. Creator: Giovanni Boldu

Apollo with Lyre and Long Scroll [reverse], 1457. Creator: Giovanni Boldu
Apollo with Lyre and Long Scroll [reverse], 1457

Background imageLatin Script Collection: Filippo de Medici, Archbishop of Pisa, 1462-1474 [obverse]

Filippo de Medici, Archbishop of Pisa, 1462-1474 [obverse]

Background imageLatin Script Collection: Felicitas Seated, Holding Ears of Corn and Waving Cornucopiae [reverse], 1494 or before

Felicitas Seated, Holding Ears of Corn and Waving Cornucopiae [reverse], 1494 or before

Background imageLatin Script Collection: Figure in Antique Armor [reverse]. Creator: Bertoldo di Giovanni

Figure in Antique Armor [reverse]. Creator: Bertoldo di Giovanni
Figure in Antique Armor [reverse]

Background imageLatin Script Collection: Rome and surroundings

Rome and surroundings
Antique illustration of Rome and surroundings

Background imageLatin Script Collection: Ancient Rome

Ancient Rome
Antique illustration Map of Ancient Rome from 1898

Background imageLatin Script Collection: Antique Map of Alexander the Greats Empire

Antique Map of Alexander the Greats Empire
Antique Map from 1862 of the kingdoms of the successors of Alexander the Great. Maps text is written in Latin. [b]View More:[/b] [url=http://www.istockphoto.com/file_search.php

Background imageLatin Script Collection: Antique Map of the Persian Empire

Antique Map of the Persian Empire
Antique Map from 1862 of the Persian Empire, the time of Alexander the Great. Maps text is written in Latin

Background imageLatin Script Collection: Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse], c. 1441

Francesco I Sforza, 1401-1466, 4th Duke of Milan 1450 [obverse], c. 1441

Background imageLatin Script Collection: Charger, Books, and Sword [reverse], c. 1441. Creator: Pisanello

Charger, Books, and Sword [reverse], c. 1441. Creator: Pisanello
Charger, Books, and Sword [reverse], c. 1441

Background imageLatin Script Collection: Don Inigo d Avalos, d. 1484, Grand Chamberlain of Naples 1449 [obverse], c

Don Inigo d Avalos, d. 1484, Grand Chamberlain of Naples 1449 [obverse], c. 1448/1449

Background imageLatin Script Collection: Angel in a Car Drawn by Horses [reverse], c. 1449. Creator: Pisanello

Angel in a Car Drawn by Horses [reverse], c. 1449. Creator: Pisanello
Angel in a Car Drawn by Horses [reverse], c. 1449

Background imageLatin Script Collection: Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse], 1449

Alfonso V of Aragon, 1394-1458, King of Naples and Sicily 1443 [obverse], 1449

Background imageLatin Script Collection: Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse], c. 1445

Sigismondo Pandolfo Malatesta, 1417-1468, Lord of Rimini and Fano [obverse], c. 1445

Background imageLatin Script Collection: Bartholomeus Spranger, ca. 1618. Creators: Jan Muller, Hans von Aachen

Bartholomeus Spranger, ca. 1618. Creators: Jan Muller, Hans von Aachen
Bartholomeus Spranger, ca. 1618

Background imageLatin Script Collection: Portrait of Bartholomeus Spranger, ca. 1616. Creator: Jan Muller

Portrait of Bartholomeus Spranger, ca. 1616. Creator: Jan Muller
Portrait of Bartholomeus Spranger, ca. 1616

Background imageLatin Script Collection: Man holding a scroll in front of his face, from the series of Small Heads in Ori... ca

Man holding a scroll in front of his face, from the series of Small Heads in Ori... ca
Man holding a scroll in front of his face, from the series of Small Heads in Oriental Headdress, ca. 1645-1650

Background imageLatin Script Collection: The wise and the foolish Virgins, 1728. Creator: Francesco Zuccarelli

The wise and the foolish Virgins, 1728. Creator: Francesco Zuccarelli
The wise and the foolish Virgins, 1728

Background imageLatin Script Collection: Portrait of G. B. Piranesi in imitation of an antique bust

Portrait of G. B. Piranesi in imitation of an antique bust
Portrait of G.B. Piranesi in imitation of an antique bust, from Opere varie di Architettura, prospetive, grotteschi, antichita; inventate

Background imageLatin Script Collection: Two Angels Seated on Clouds. Creator: Claude Mellan

Two Angels Seated on Clouds. Creator: Claude Mellan
Two Angels Seated on Clouds

Background imageLatin Script Collection: Joseph Trullier, 1626. Creator: Claude Mellan

Joseph Trullier, 1626. Creator: Claude Mellan
Joseph Trullier, 1626

Background imageLatin Script Collection: Christ on the Cross, before 1586. Creator: Antonius Wierix

Christ on the Cross, before 1586. Creator: Antonius Wierix
Christ on the Cross, before 1586

Background imageLatin Script Collection: Title plate for the series The Labors of Hercules with the arms of Cardinal Francesco

Title plate for the series The Labors of Hercules with the arms of Cardinal Francesco Maria de Monte, 1608

Background imageLatin Script Collection: Medal of Maximillian I as Archduke Of Austria and Maria of Burgundy, 1479 (

Medal of Maximillian I as Archduke Of Austria and Maria of Burgundy, 1479 (?), European, early 16th century

Background imageLatin Script Collection: Plaque with the Lion of Saint Mark, Catalan, 14th century. Creator: Unknown

Plaque with the Lion of Saint Mark, Catalan, 14th century. Creator: Unknown
Plaque with the Lion of Saint Mark, Catalan, 14th century

Background imageLatin Script Collection: Chalice, Hungarian, ca. 1460-80. Creator: Unknown

Chalice, Hungarian, ca. 1460-80. Creator: Unknown
Chalice, Hungarian, ca. 1460-80

Background imageLatin Script Collection: Manuscript Leaf with the Last Judgment, from a Book of Hours, French, ca. 1400

Manuscript Leaf with the Last Judgment, from a Book of Hours, French, ca. 1400

Background imageLatin Script Collection: Medal Louis XII, King of France (r. 1498-15155), and Anne of Brittany (1476-1514), French

Medal Louis XII, King of France (r. 1498-15155), and Anne of Brittany (1476-1514), French, ca. 1499



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"Exploring the Rich Heritage of Latin Script: From Medieval Manuscripts to Modern Coats of Arms" Step back in time and immerse yourself in the captivating world of Latin script. This ancient writing system has left an indelible mark on history, as evidenced by a plethora of remarkable artifacts. Take, for instance, the Coat of Arms Hewitt Lord Lifford from the 18th century. Adorned with intricate designs and symbols, it reflects the noble lineage and heraldic traditions of its time. Similarly, the Coat of Arms Calvert Lord Baltimore transports us to another era, showcasing opulence and prestige. Delve into medieval manuscripts like the Manuscript Leaf with Opening of The Book of Nehemias from France circa 1280-1300. Its delicate calligraphy and vibrant illuminations offer a glimpse into religious devotion during that period. From coats-of-arms such as Cole, Lord Mount Florence or Viscount Conyngham Cunningham to those belonging to Lord Southwell or Mackenzie Viscount Fortrose - each tells a unique story through its meticulously crafted emblems and colors. Traveling beyond Europe's borders brings us to iconic landmarks like The Pantheon in Rome. This architectural marvel stands as a testament to Roman ingenuity while highlighting Latin script's influence on inscriptions adorning its grand facade. Latin script extends beyond traditional art forms too; it finds expression even in botanical illustrations like Verbena or Vervain from 1947. Leonardo da Vinci himself contributed to this legacy with his artistic rendition showcased in First Page of The Armenian Letters dating back to 1928. The diversity continues with unexpected discoveries such as a Maxilla bone adorned with teeth - an intriguing example where scientific exploration intersects with Latin script's role in anatomical classification. Even cities pay homage through their Armorial City representations; London's emblem from the 19th century proudly displays its historical ties using this timeless script style.