Lear Collection (page 3)

BOOK OF NONSENSE, 1846. Limerick and drawing by Edward Lear from his Book of Nonsense, first published in 1846

Illustration for William Shakespeares play King Lear, Act I, Scene I. After an 18th century engraving by Richard Earlom from a work by Henry Fuseli

Sandy beach and turquoise water on Nusa Lembongan Island, Lesser Sunda Islands, Indonesia
View taken directly above of turquoise water and surf rolling in along a sandy beach on Nusa Lembongan Island just off the coast of Bali; Nusa Islands, Klungkung Regency, Lesser Sunda Islands

Batu Bolong Beach, Bali, Indonesia
View from directly above of boats moored in the water off Batu Bolong Beach in Komodo National Park; Canggu, Bali, Indonesia

Illustration For King Lear By William Shakespeare. From The Illustrated Library Shakspeare, Published London 1890

Illustration By Sir John Gilbert For King Lear By William Shakespeare. From The Illustrated Library Shakspeare, Published London 1890

From King Lear By William Shakespeare. Lear Believes Cordelia Does Not Love Him And Banishes Her. From The Illustrated Library Shakspeare, Published London 1890

Cordelia Speaks In King Lear, Act Iv, Scene Vii By William Shakeseare. Sir, Do You Know Me? Drawn And Etched By Robert Dudley. From The Illustrated Library Shakspeare, Published London 1890

King Lear, 1890 (litho)
KW428117 King Lear, 1890 (litho) by Gilbert, John (1817-97); Private Collection; (add.info.: King Lear by William Shakespeare (c.1564-1616); From The Illustrated Library Shakespeare

Mount Tomohrit, Albania, by Edward Lear (1812-1888)

King Lear and the Fool. Illustration by Felix O. C. Darley (1822-1888) to William Shakespeares King Lear
KING LEAR, 19th CENTURY. King Lear and the Fool. Illustration by Felix O.C. Darley (1822-1888) to William Shakespeares King Lear

Actor Hugh Griffith as King Lear
Hugh Emrys Griffith (19121980) - an Oscar-winning Welsh film, stage and television actor. Seen here in the role of King Lear. Date: circa 1960

1849 John Gould artist & ornithologist 1849 John Gould artist & ornithologist
John Gould (14 September 1804 - 3 February 1881). Engraving by T.H. Maguire 1849 as part of the friends of the Ipswich Museum series

Lear / Nonsense / Anerley
There was an Old Person of Anerley, whose conduct was strange and unmannerly; He rushed down the Strand, with a pig in each hand, but returned in the evening to Anerley

Book of Nonsense / Lear
There was a Young Girl of Majorca, whose aunt was a very fast walker; She walked 70 miles, & leaped 15 stiles, Which astonished that Girl of Majorca

King Lear - title page - Lear and Cordelia. 1862

White dove on an Italian greetings card
White dove with pink ribbon and flowers on an Italian greetings card (signed on the back by Edward Lear). (1 of 2) Date: circa 1880

Handwriting of Edward Lear on an Italian greetings card
Handwriting of Edward Lear on the back of an Italian greetings card -- a Christmas and New Year card to a Mr and Mrs Drummond, dated 20 December 1880. (2 of 2) Date: circa 1880

Psilopsiagon aymara, grey-hooded parakeet
Plate 32 from Edward Lears Illustrations of the Family of Psittacidae or Parrots (1832). Hand coloured lithograph. Date: 1832

Long-billed black cockatoo
Plate 6 from Edward Lears Illustrations of the Family of Psittacidae or Parrots (1832). Hand coloured lithograph. Date: 1832

Passenger pigeon, Ectopistes migratorius, extinct.. Handcolored engraving on steel by William Lizars from a drawing by Edward Lear from Sir William Jardines Naturalists Library: Ornithology, Pigeons

Drawings Prints, Print, King, Lear, Weeping, Body, Cordelia, Shakespeare, Lear, Act 5
Drawings and Prints, Print, King Lear Weeping Over the Body of Cordelia (Shakespeare, King Lear, Act 5, Scene 3), Boydell shakespeare Gallery, Engraver, Artist, Publisher, Subject, After

Drawings Prints, Print, Mr. Garrick, Character, King, Lear, Shakespeare, King, Act 3
Drawings and Prints, Print, Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1), Subject, Sitter, Artist, Engraver, After, William Shakespeare, David Garrick

Drawings Prints, Drawing, Pentedatelo, Calabria, Italy, Artist, Edward Lear, British
Drawings and Prints, Drawing, Pentedatelo, Calabria, Italy, Artist, Edward Lear, British, London 1812-1888 San Remo, Lear, Edward, British, 1812, 1888, 1847 (?)

Drawings Prints, Print, King Lear Cordelia, Shakespeare, Lear, Act 4, Scene 7, Publisher
Drawings and Prints, Print, King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7), Publisher, Engraver, Artist, Subject, ()

Eclectus Roratus Polychloros ca 1830-32 Watercolor
Artokoloro

Agia Paraskevi Epirus Greece April 13 1857 Graphite
Artokoloro

Malta (1866). Lear, Edward 1812 - 1888. Date: 1866

Corfu: The Citadel from near the Village of Ascension (1856). Lear, Edward 1812 - 1888. Date: 1856

The prototype LearAvia Lear Fan Model 2100, N626BL

KING LEAR

Edward Lear, British (1812-1888), Cervara, hand-colored lithograph

Thomas Butts, Jr. after William Blake, British (active c. 1806-1808), Lear and Cordelia, probably c. 1806-1808, engraving

William Home Lizars after Edward Lear (Scottish, 1788 - 1859), Turtur Risorius, hand-colored lithograph

Thomas Butts, Jr. after William Blake (British, active c. 1806 - 1808), Lear and Cordelia, probably c. 1806-1808, engraving

John Raphael Smith after Henry Fuseli (British, 1752 - 1812), Lear and Cordelia, 1784, mezzotint on laid paper

Edward Lear (British, 1812 - 1888), Sketches in Italy [recto], 1839-1845, black chalk and graphite with gray and white washes on light brown wove paper

King Lear, 1890 (litho)
KW428122 King Lear, 1890 (litho) by English School, (19th century); Private Collection; (add.info.: King Lear by William Shakespeare (c.1564-1616); From The Illustrated Library Shakespeare

Garrick as King Lear, Shakespeare, English Poet and Playwright, 1564-1616, Uk, 1893 Engraving

2654843; out of copyright

2654840; out of copyright

Mount Athos and the Monastery of Stavroniketes Signed in monogram in lower left: " EL", Edward Lear, 1812-1888, British

The Forest of Valdoniello, Corsica Monogrammed in lower right, Edward Lear, 1812-1888, British

Kinchinjunga, Edward Lear, 1812-1888, British

Temple of Venus and Rome, Rome, Edward Lear, 1812-1888, British

Kangchenjunga from Darjeeling Kinchinjunga from Darjeeling, India Signed and dated in monogram in lower left: " EL 1879", Edward Lear, 1812-1888, British

Corfu from Ascension signed, Edward Lear, 1812-1888, British

The Marble Rocks - Nerbudda Jubbolpore Signed and dated, lower right: [monogram]
The Marble Rocks - Nerbudda Jubbolpore Signed and dated, lower right: " [monogram] | 1882", Edward Lear, 1812-1888, British

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"Lear: A Journey through Nonsense, Nature, and Imagination" Step into the whimsical world of Lear, where owls and pussycats dance under a moonlit sky. Inspired by Edward Lear's timeless masterpiece "The Owl and The Pussycat, " this captivating illustration by Leslie Brook brings to life the enchanting characters that have charmed generations. Edward Lear, known for his nonsense songs, stories, botany, and alphabets, was a creative genius of the 19th century. His imaginative mind took flight as he penned delightful verses that tickled our funny bones while sparking our imagination. In another masterpiece titled "The Quangle-Wangle's Hat, " Lear takes us on yet another fantastical journey filled with peculiar creatures and nonsensical rhymes. His ability to transport readers to imaginary worlds is unmatched. But it wasn't just nonsense that occupied Lear's mind; he also had an eye for nature's wonders. From cockatiels like the Nymphicus hollandicus to majestic mountains like Mount Kanchenjunga in Darjeeling captured in his drawings, Lear celebrated the beauty of our natural world. Lear's love for nonsense extended beyond his own creations. In Tring, England lies a museum dedicated to him - a testament to how his work continues to inspire even today. His legacy lives on as people from all walks of life find solace in embracing their inner child through laughter-inducing tales. Even Shakespeare himself recognized Lear's brilliance when he immortalized King Lear in one of his plays. Alonzo Chappel beautifully captures this iconic scene between King Lear and the Fool in an illustration that showcases both tragedy and humor intertwined. As we delve into Edward Lear's universe filled with cedars reaching towards the heavens or Jumblies setting sail on adventures unknown, we are reminded of the power of imagination.