Legal Occupation Collection

Vanity Fair Print - Thomas Erskine May 1st Baron Farnborough
Victorian caricature of Thomas Erskine May, 1st Baron Farnborough. By Ape (Carlo Pellegrini). Vanity Fair 1871

The Bench, Judges hearing a case in court, by William Hogarth
Vintage engraving of The Bench, by William Hogarth. 1758, depicts four judges listening to a case in the Court of Common Pleas

Victorian satirical cartoon on the Bar of Justice
Vintage engraving of a Victorian satirical cartoon on the Bar of Justice

Victorian satirical cartoon, on toiling and working
Vintage engraving of a Victorian satirical cartoon, on toiling and working, 19th Century. Toiling, moiling, early and late; We learn to labour, but not to wait

Victorian satirical cartoon - Law Suit as a boxing match
Vintage engraving of a victorian satirical cartoon. A Law Suit as a boxing match

Willibald Pirckheimer
Vintage engraving by Albrech Durer, showing Willibald Pirckheimer, 1524. A German Renaissance lawyer, author and Renaissance humanist, a wealthy and prominent figure in Nuremberg in the 16th century

Vanity Fair Print of Sir Fitzroy Edward Kelly
Victorian caricature of Sir Fitzroy Edward Kelly, was an English commercial lawyer, Tory politician and judge. By James Tissot. Vanity Fair 1871

Vanity Fair Print of Sir John Shaw-Lefevre
Victorian caricature of Sir John Shaw-Lefevre, a British barrister, Whig politician and civil servant. By Ape (Carlo Pellegrini). Vanity Fair 1871

Altar of Vicomagistri, depicting sacrifice scene with four magistrates, height 105 cm
Roman civilization, 1st century b.C.-1st century A.D. Altar of the Vicomagistri, four magistrates responsible for the streets of the Viculus Aesculetus. Sacrifice scene, 4 b.C.-2 A.D. height 105 cm

Netherlands, painting of The Curia Lawyers office
Paul Vos (ca. 1591-1678), The Curia Lawyers Office

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"Unveiling the Veil: A Glimpse into the World of Legal Occupation" Step into a time capsule as we explore the fascinating realm through various historical hints. From the pages of Vanity Fair to the strokes of William Hogarth's brush, these snapshots offer us a glimpse into this esteemed profession. In Thomas Erskine May 1st Baron Farnborough's portrait in Vanity Fair Print, we witness a distinguished figure whose expertise shaped legal systems. His presence reminds us of the intellectual prowess required for success in this field. Moving on to "The Bench, " Judges hearing a case in court by William Hogarth, we are transported to an era where justice was dispensed with solemnity and deliberation. The gravity etched on their faces serves as a reminder that legal professionals hold immense responsibility in upholding fairness and equity. Venturing further into Victorian satirical cartoons, we encounter biting social commentary on both sides of the spectrum. One cartoon depicts lawyers at work, tirelessly navigating complex cases while another portrays law suits as boxing matches – highlighting both dedication and contention within this occupation. Willibald Pirckheimer's depiction adds historical depth, showcasing how legal occupations have transcended borders and cultures throughout centuries. These glimpses remind us that law has always been an integral part of society's fabric. Meanwhile, Vanity Fair Prints featuring Sir Fitzroy Edward Kelly and Sir John Shaw-Lefevre showcase individuals who rose to prominence within their respective legal careers. Their portraits embody ambition, intellect, and perseverance - qualities often associated with those pursuing this honorable path. William Hogarth’s works also shed light on societal aspects intertwined with legal professions; from his portrayal of industry versus idleness among prentices to his infamous series "A Harlot’s Progress, " which explores moral dilemmas faced by those involved in such occupations.