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Leighton Collection (page 3)

"Exploring the Artistic World of Leighton: From Wrestling with Pythons to Captivating Nymphs" Step into the captivating world of Leighton

Background imageLeighton Collection: Study for Rizpah, c1870, (1897). Artist: Frederic Leighton

Study for Rizpah, c1870, (1897). Artist: Frederic Leighton
Study for Rizpah, c1870, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Background imageLeighton Collection: Studies for Wedded, 1882, (1897). Artist: Frederic Leighton

Studies for Wedded, 1882, (1897). Artist: Frederic Leighton
Studies for Wedded, 1882, (1897). From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Background imageLeighton Collection: Study for The Arts of Industry as Applied to War, c1870, (1897). Artist: Frederic Leighton

Study for The Arts of Industry as Applied to War, c1870, (1897). Artist: Frederic Leighton
Study for The Arts of Industry as Applied to War, c1870, (1897). A study for the fresco, The Arts of Industry as Applied to War. From The Studio Volume 9. [London Offices of the Studio, London, 1897]

Background imageLeighton Collection: A Bookplate, 1894, (1894). Artist: Robert Anning Bell

A Bookplate, 1894, (1894). Artist: Robert Anning Bell
A Bookplate, 1894, (1894). A bookplate designed for Frederic Leighton (1830-1896). From The Studio Volume 3. [London Offices of the Studio, London, 1894]

Background imageLeighton Collection: Perseus and Andromeda, 1891, (1918). Artist: Frederic Leighton

Perseus and Andromeda, 1891, (1918). Artist: Frederic Leighton
Perseus and Andromeda, 1891, (1918). Painting held at the Walker Art Gallery, Liverpool. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Background imageLeighton Collection: Tobit and the Angel, c1886. Artist: Frederic Leighton

Tobit and the Angel, c1886. Artist: Frederic Leighton
Tobit and the Angel, c1886. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Background imageLeighton Collection: The Hall, c1880-1882

The Hall, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageLeighton Collection: The Arab Hall, c1880-1882. Artist: Frederic Leighton

The Arab Hall, c1880-1882. Artist: Frederic Leighton
The Arab Hall, c1880-1882. The Arab Hall was the centrepiece of the home of the artist Sir Frederic Leighton in Holland Park, London

Background imageLeighton Collection: Studies for The Arts of Peace, c1880-1882. Artist: Frederic Leighton

Studies for The Arts of Peace, c1880-1882. Artist: Frederic Leighton
Studies for The Arts of Peace, c1880-1882. Facsimile of the original drawing by Sir Frederick Leighton. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co

Background imageLeighton Collection: Study of Daphnephoria, c1880-1882. Artist: Frederic Leighton

Study of Daphnephoria, c1880-1882. Artist: Frederic Leighton
Study of Daphnephoria, c1880-1882. Facsimile of the original drawing by Sir Frederick Leighton. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London

Background imageLeighton Collection: Study by Sir Frederic Leighton, c1880-1882. Artist: Frederic Leighton

Study by Sir Frederic Leighton, c1880-1882. Artist: Frederic Leighton
Study by Sir Frederic Leighton, c1880-1882. Facsimile of the original drawing by Sir Frederick Leighton. A print from Modern Artists, prepared under the direction of F G Dumas, Js Virtue and Co

Background imageLeighton Collection: The studio of Sir Frederic Leighton, c1880-1882

The studio of Sir Frederic Leighton, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageLeighton Collection: Captain Richard Burton, British explorer, c1880-1882. Artist: Charles Waltner

Captain Richard Burton, British explorer, c1880-1882. Artist: Charles Waltner
Captain Richard Burton, British explorer, c1880-1882. After the portrait by Sir Frederic Leighton. Richard Francis Burtons (1821-1890) extensive travels included a journey to Mecca

Background imageLeighton Collection: Study for Cimabues Madonna, 1899

Study for Cimabues Madonna, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Background imageLeighton Collection: Study of a lemon tree, 1899

Study of a lemon tree, 1899. By Lord Leighton PRA, from The life of Lord Leighton. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Background imageLeighton Collection: Tomb of Elizabeth Browning, Florence, design by Lord Leighton, 1923. Artist: Rischgitz Collection

Tomb of Elizabeth Browning, Florence, design by Lord Leighton, 1923. Artist: Rischgitz Collection
Tomb of Elizabeth Browning, Florence, design by Lord Leighton, 1923. Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageLeighton Collection: The Condottiere, 1902-1903. Artist: Frederic Leighton

The Condottiere, 1902-1903. Artist: Frederic Leighton
The Condottiere, 1902-1903. From Penroses Pictorial Annual 1902-1903, An Illustrated Review of the Graphic Arts, volume 8, edited by William Gamble and published by AW Penrose (London, 1902-1903)

Background imageLeighton Collection: Frederic Leighton, (1830-1896), 1st Baron Leighton, famous painter, 1894-1907

Frederic Leighton, (1830-1896), 1st Baron Leighton, famous painter, 1894-1907. Leighton was an English painter and sculptor whose works depicted historical, biblical and classical subject matters

Background imageLeighton Collection: Study for the Daphnephoria, c1874-1876 (c1880-1882)

Study for the Daphnephoria, c1874-1876 (c1880-1882). A print from Modern Artists, prepared under the direction of F G Dumas, Js Virtue and Co, London, c1880-1882

Background imageLeighton Collection: The Vestibule, c1880-1882

The Vestibule, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageLeighton Collection: Detail from The Arts of Industry as Applied to War, 1870-1872 (c1880-1882). Artist: A Gilbert

Detail from The Arts of Industry as Applied to War, 1870-1872 (c1880-1882). Artist: A Gilbert
Detail from The Arts of Industry as Applied to War, 1870-1872 (c1880-1882). A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageLeighton Collection: Sir Frederic Leighton, British artist, c1880-1882 Artist: Paul Adolphe Rajon

Sir Frederic Leighton, British artist, c1880-1882 Artist: Paul Adolphe Rajon
Sir Frederic Leighton, British artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Background imageLeighton Collection: And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). Artist: Frederic Leighton

And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). Artist: Frederic Leighton
And the Sea Gave Up the Dead Which Were in It, exhibited 1892, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York)

Background imageLeighton Collection: Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield

Edward John Poynter, President of the Royal Academy, 1880. Artist: Lock & Whitfield
Edward John Poynter, President of the Royal Academy, 1880. During a visit to Rome in 1853 he made the acquaintance of Lord Leighton, who encouraged him to study art futher

Background imageLeighton Collection: Frederick Leighton, British artist and Royal Academician, 1877. Artist: Lock & Whitfield

Frederick Leighton, British artist and Royal Academician, 1877. Artist: Lock & Whitfield
Frederick Leighton, British artist and Royal Academician, 1877. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church, in science, literature and art

Background imageLeighton Collection: Robert Leighton, Scottish prelate, (1870). Artist:s Freeman

Robert Leighton, Scottish prelate, (1870). Artist:s Freeman
Robert Leighton, Scottish prelate, (1870). Leighton (1611-1684) became Bishop of Dunblane in 1661. An engraving from Robert Chambers A Biographical Dictionary of Eminent Scotsmen, Blackie and Son

Background imageLeighton Collection: Trees at Cliveden. Artist: Leighton, Frederic, 1st Baron Leighton (1830-1896)

Trees at Cliveden. Artist: Leighton, Frederic, 1st Baron Leighton (1830-1896)
Trees at Cliveden. Found in the collection of the National Gallery, London

Background imageLeighton Collection: The Villa Malta, Rome, 1860s. Artist: Leighton, Frederic, 1st Baron Leighton (1830-1896)

The Villa Malta, Rome, 1860s. Artist: Leighton, Frederic, 1st Baron Leighton (1830-1896)
The Villa Malta, Rome, 1860s. Found in the collection of the National Gallery, London

Background imageLeighton Collection: Duty, 1883. Artist: Edmund Blair Leighton

Duty, 1883. Artist: Edmund Blair Leighton
Duty, 1883. From a private collection

Background imageLeighton Collection: Alain Chartier, 1903. Artist: Edmund Blair Leighton

Alain Chartier, 1903. Artist: Edmund Blair Leighton
Alain Chartier, 1903. Chartier (c1392-1430) was a French poet and political writer. The painting depicts the mythical kiss on the lips given to him by Margaret of Scotland

Background imageLeighton Collection: Cimabues Celebrated Madonna is carried in Procession through the Streets of Florence, 1853-1855

Cimabues Celebrated Madonna is carried in Procession through the Streets of Florence, 1853-1855. Found in the Royal Collection, London

Background imageLeighton Collection: Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). Artist: W Roffe

Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). Artist: W Roffe
Frederic Leighton, 1st Baron Leighton, English painter and sculptor, (1899). An engraving of Leighton (1830-1896) from James Taylors The Victorian Empire, William Mackenzie, (London, 1899)

Background imageLeighton Collection: The Wedding at Cana, 1870

The Wedding at Cana, 1870. Jesus turning water into wine. From the Bible (John 2:7)

Background imageLeighton Collection: Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Artist: Frederic Leighton

Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Artist: Frederic Leighton
Fra Girolamo commanding Romola not to leave Florence, 1862-1863. Illustration from George Eliots Romola, published in monthly parts in The Cornhill Magazine, London, 1862-1863

Background imageLeighton Collection: Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton

Pan playing his pipes, Wood engraving, London, 1862. Artist: Frederic Leighton
Pan playing his pipes, Wood engraving, London, 1862. Illustration by Lord Leighton (1830-96) for Elizabeth Barrett Brownings poem A Musical Instrument What is he doing

Background imageLeighton Collection: Olivia, by Edmund Blair Leighton

Olivia, by Edmund Blair Leighton (from Twelfth Night). 1888

Background imageLeighton Collection: Clare Leighton

Clare Leighton
CLARE LEIGHTON British/American writer and artist, who in her long lifetime wrote 15 books and illustrated over 40 others. Date: 1899 - 1989

Background imageLeighton Collection: A Florentine Joke. A Comic 19Th Century Drawing By Lord Frederic Leighton

A Florentine Joke. A Comic 19Th Century Drawing By Lord Frederic Leighton, Used To Illustrate The George Elliot Novel Romola. From The Strand Magazine Published 1897

Background imageLeighton Collection: Charles Dickens 1812 To 1870 English Author Giving A Reading Drawing By George C Leighton In

Charles Dickens 1812 To 1870 English Author Giving A Reading Drawing By George C Leighton In Illustrated London News 1870AśS

Background imageLeighton Collection: Leightons Woodlands Lake restaurants, New York, USA

Leightons Woodlands Lake restaurants, New York, USA
Leightons Woodlands Lake restaurants, Saw Mill River Parkway, Ardsley, New York, USA. Date: circa 1940

Background imageLeighton Collection: At the Play, Henry Irving at The Lyceum, London

At the Play, Henry Irving at The Lyceum, London
Illustration, At the Play. On the stage of the Lyceum Theatre, London, is Henry Irving, probably in the role of Hamlet. Audience members include the Prince and Princess of Wales, Benjamin Disraeli

Background imageLeighton Collection: WINTER ROAD, c1881. The Fiend of the Road. Engraving by Scott Leighton for Currier & Ives

WINTER ROAD, c1881. The Fiend of the Road. Engraving by Scott Leighton for Currier & Ives, c1881

Background imageLeighton Collection: Menu card for send off supper for Cape Squadron, Boer War

Menu card for send off supper for Cape Squadron, Boer War
A menu card designed by Mr Leighton Ward for a menu for a send-off supper to the Cape Squadron of the Royal Horse Guards given at Hyde Park Barracks on 27 November 1899 before their departure for

Background imageLeighton Collection: At the Play, Henry Irving at The Lyceum, London (key)

At the Play, Henry Irving at The Lyceum, London (key)
Illustration, At the Play (key). On the stage of the Lyceum Theatre, London, is Henry Irving, probably in the role of Hamlet

Background imageLeighton Collection: Queenie Leighton 1905

Queenie Leighton 1905
Queenie Leighton, (1874 1943), Actress Date: early 20th century

Background imageLeighton Collection: Leighton / Mayall Photo

Leighton / Mayall Photo
FREDERICK, LORD LEIGHTON English artist relaxing in his studio, surrounded by a number of his paintings Date: 1830 - 1896



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"Exploring the Artistic World of Leighton: From Wrestling with Pythons to Captivating Nymphs" Step into the captivating world of Leighton, a renowned artist whose works spanned across various genres and time periods. In "The Athlete Wrestling with a Python, " created between 1880-1882 by A Gilbert, we witness the raw strength and determination of an athlete facing a formidable opponent. Moving on to "Crenaia, the nymph of the Dargle, " we are transported to a mythical realm where beauty and nature intertwine in perfect harmony. Painted by Leighton himself, this piece showcases his ability to capture ethereal beings in their most enchanting form. In "God Speed" from 1900 by Edmund Blair Leighton, we are swept away into medieval times as we witness a knight bidding farewell to his beloved before embarking on a perilous journey. The attention to detail in this painting is simply breathtaking. Shifting gears, let's delve into fashion history with an exploration of 1960s tennis fashion. This era brought about bold colors and daring designs that revolutionized sports attire. It's fascinating how even sports became intertwined with style during this period. Returning to Leighton's own creations, "Wedded" depicts love and unity through the union of two souls in holy matrimony. Created in 1882 by Frederic Leighton himself (1st Baron Leighton), this painting exudes elegance and grace. Next up is "Captive Andromache, " painted around 1886 by Frederic Leighton once again. Here, he captures both vulnerability and strength as Andromache mourns her fallen city while being held captive. It serves as a poignant reminder of human resilience amidst adversity. On another note entirely, let's take a look at the Ruthven Twins featured on the cover of Bystander magazine in 1929.