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Letteratura Collection

"Letteratura: A Journey Through the Divine and Historical Realms" In the celestial realm of Paradiso, Canto 31, a saintly throng forms a magnificent rose in the empyrean

Background imageLetteratura Collection: Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)

Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste)
GIA745614 Paradiso, Canto 31 : The saintly throng form a rose in the empyrean (rose celeste), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy

Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy
GIA745722 Inferno, Canto 2 : Beatrice and Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Dante reading his works (fresco)

Dante reading his works (fresco)
6262792 Dante reading his works (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Background imageLetteratura Collection: Inferno, Canto 4 : Homer, the poets, and heroes in Limbo

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle

Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle
GIA745663 Purgatorio, Canto 9 : Dante, in a dream, is carried off by an eagle, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx

Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx
GIA745738 Inferno, Canto 7 : Virgil shows Dante the souls of the wrathful in the Styx, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia

Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia
GIA745712 Inferno, Canto 22 : Ciampolo escapes the demon Alichino in the fifth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 13 : The suicides flee the forest, illustration from

Inferno, Canto 13 : The suicides flee the forest, illustration from
GIA745701 Inferno, Canto 13 : The suicides flee the forest, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 17 : The descent into the abyss on Geryons back

Inferno, Canto 17 : The descent into the abyss on Geryons back
GIA745705 Inferno, Canto 17 : The descent into the abyss on Geryons back, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 21 : The demons threaten Virgil, illustration from

Inferno, Canto 21 : The demons threaten Virgil, illustration from
GIA745711 Inferno, Canto 21 : The demons threaten Virgil, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)

Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede)
GIA745695 Inferno, Canto 26 : The flaming spirits of Ulysses and Diomedes (Diomede), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante

Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante
GIA745673 Inferno, Canto 31 : The giant Antaeus (Antee) lowers Dante and Virgil into the last circle, illustration from The Divine Comedy by Dante Alighieri

Background imageLetteratura Collection: Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from

Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from
GIA745655 Purgatorio, Canto 12 : Dante views the soul of Arachne, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Background imageLetteratura Collection: Unidentified figure (fresco)

Unidentified figure (fresco)
6336454 Unidentified figure (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

Background imageLetteratura Collection: Napoleon Bonaparte at the Battle of Jena, October 14, 1806

Napoleon Bonaparte at the Battle of Jena, October 14, 1806
6203460 Napoleon Bonaparte at the Battle of Jena, October 14, 1806 by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (August 15, 1769, May 5, 1821) at the Battle of Jena

Background imageLetteratura Collection: Napoleon Bonaparte in Russia finds losses on Eylaus field, after the bloody battle that took place

Napoleon Bonaparte in Russia finds losses on Eylaus field, after the bloody battle that took place on November 8, 1807
6203458 Napoleon Bonaparte in Russia finds losses on Eylaus field, after the bloody battle that took place on November 8, 1807 by Bonamore

Background imageLetteratura Collection: Napoleon Bonaparte in 1799 in Paris

Napoleon Bonaparte in 1799 in Paris
6203457 Napoleon Bonaparte in 1799 in Paris by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (15 August 1769 - 5 May 1821) in 1799 in Paris

Background imageLetteratura Collection: Napoleon Bonaparte in Egypt: in the battle of Chebreiss, fought on 13 July 1798

Napoleon Bonaparte in Egypt: in the battle of Chebreiss, fought on 13 July 1798
6203440 Napoleon Bonaparte in Egypt: in the battle of Chebreiss, fought on 13 July 1798 by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (15 August 1769 - 5 May 1821) in Egypt

Background imageLetteratura Collection: Portraits of Homer and Virgil, 1501-03 (monochrome fresco)

Portraits of Homer and Virgil, 1501-03 (monochrome fresco)
6262969 Portraits of Homer and Virgil, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageLetteratura Collection: Portrait of Homer, 1501-03 (monochrome fresco)

Portrait of Homer, 1501-03 (monochrome fresco)
6262978 Portrait of Homer, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Alberi Library)

Background imageLetteratura Collection: Portrait of Ovid, 1501-03 (monochrome fresco)

Portrait of Ovid, 1501-03 (monochrome fresco)
6262975 Portrait of Ovid, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Alberi Library)

Background imageLetteratura Collection: Ovid (fresco)

Ovid (fresco)
6262797 Ovid (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Background imageLetteratura Collection: Napoleon Bonaparte in October 1806 in Potsdam

Napoleon Bonaparte in October 1806 in Potsdam
6203447 Napoleon Bonaparte in October 1806 in Potsdam by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (15 August 1769 5 May 1821)

Background imageLetteratura Collection: Napoleon Bonaparte in Russia, meets Tsar Alexander I in Tilsit

Napoleon Bonaparte in Russia, meets Tsar Alexander I in Tilsit, on a floating pontoon set up on the Niemen River
6203445 Napoleon Bonaparte in Russia, meets Tsar Alexander I in Tilsit, on a floating pontoon set up on the Niemen River, which at the time marked the limit of the two territories by Bonamore

Background imageLetteratura Collection: Napoleon Bonaparte entered Berlin victorious after the Battle of Jena (1806)

Napoleon Bonaparte entered Berlin victorious after the Battle of Jena (1806)
6203444 Napoleon Bonaparte entered Berlin victorious after the Battle of Jena (1806) by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (August 15, 1769 - May 5)

Background imageLetteratura Collection: Napoleon Bonapartearringa the soldiers before they set sail for the expedition to Egypt (1798)

Napoleon Bonapartearringa the soldiers before they set sail for the expedition to Egypt (1798)
6203441 Napoleon Bonapartearringa the soldiers before they set sail for the expedition to Egypt (1798) by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (August 15, 1769, May 5)

Background imageLetteratura Collection: Portrait of Dante Alighieri (fresco)

Portrait of Dante Alighieri (fresco)
6336447 Portrait of Dante Alighieri (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

Background imageLetteratura Collection: Portrait of Virgil, 1501-03 (monochrome fresco)

Portrait of Virgil, 1501-03 (monochrome fresco)
6262980 Portrait of Virgil, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Alberi Library)

Background imageLetteratura Collection: Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco)

Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco)
6262971 Portraits of Ovid and Juvenal, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria

Background imageLetteratura Collection: Napoleon Bonaparte in Italy, enters Milan among the crowd that acclaims him

Napoleon Bonaparte in Italy, enters Milan among the crowd that acclaims him
6203449 Napoleon Bonaparte in Italy, enters Milan among the crowd that acclaims him by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (August 15, 1769, May 5, 1821) in Italy

Background imageLetteratura Collection: Napoleon Bonaparte in Italy leads the troops to the attack by waving the tricolor on the bridge of

Napoleon Bonaparte in Italy leads the troops to the attack by waving the tricolor on the bridge of Arcole (Verona)
6203448 Napoleon Bonaparte in Italy leads the troops to the attack by waving the tricolor on the bridge of Arcole (Verona), the scene in the following days of the French victory over the Austrians

Background imageLetteratura Collection: Napoleon Bonaparte, victorious at the Battle of Ulm, on October 20, 1805

Napoleon Bonaparte, victorious at the Battle of Ulm, on October 20, 1805, accepted from the Austrian general Karl Mack
6203446 Napoleon Bonaparte, victorious at the Battle of Ulm, on October 20, 1805, accepted from the Austrian general Karl Mack (25 August 1752, 22 December 1828) Baron of Leiberich

Background imageLetteratura Collection: Napoleon Bonaparte in Italy, visits the Marengo battlefield

Napoleon Bonaparte in Italy, visits the Marengo battlefield
6203439 Napoleon Bonaparte in Italy, visits the Marengo battlefield by Bonamore, Antonio (1845-1907); (add.info.: Napoleon BONAPARTE (15 August 1769 - 5 May 1821) in Italy

Background imageLetteratura Collection: Deucalion and Pyrrha throwing stones, 1517-18 (fresco) (detail of 2646084)

Deucalion and Pyrrha throwing stones, 1517-18 (fresco) (detail of 2646084)
2646085 Deucalion and Pyrrha throwing stones, 1517-18 (fresco) (detail of 2646084) by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageLetteratura Collection: Deucalion and Pyrrha throwing stones, detail

Deucalion and Pyrrha throwing stones, detail
2646084 Deucalion and Pyrrha throwing stones, detail by Peruzzi, Baldassarre (1481-1536); Villa Farnesina, Rome, Italy; (add.info.: Rome, Villa Farnesina)

Background imageLetteratura Collection: Portrait of Giovanni Boccaccio (fresco)

Portrait of Giovanni Boccaccio (fresco)
6336449 Portrait of Giovanni Boccaccio (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imageLetteratura Collection: Lunette of the Poets', with portraits of Dante Alighieri and Boccaccio (fresco)

Lunette of the Poets", with portraits of Dante Alighieri and Boccaccio (fresco)
6336438 Lunette of the Poets", with portraits of Dante Alighieri and Boccaccio (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imageLetteratura Collection: 6366090

6366090

Background imageLetteratura Collection: Portrait of Ovid, 1501-03 (monochrome fresco)

Portrait of Ovid, 1501-03 (monochrome fresco)
6262973 Portrait of Ovid, 1501-03 (monochrome fresco) by Signorelli, Luca (c.1450-1523) (workshop of); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Alberi Library)

Background imageLetteratura Collection: Napoleon Bonaparte in the years when he was charged by the government to keep public order

Napoleon Bonaparte in the years when he was charged by the government to keep public order
6203450 Napoleon Bonaparte in the years when he was charged by the government to keep public order by Bonamore, Antonio (1845-1907); (add.info)

Background imageLetteratura Collection: Napoleon Bonaparte elected First Consul of the French Republic in 1799

Napoleon Bonaparte elected First Consul of the French Republic in 1799
6203442 Napoleon Bonaparte elected First Consul of the French Republic in 1799 by Bonamore, Antonio (1845-1907); (add.info)

Background imageLetteratura Collection: Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)

Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco)
6336455 Allegory of Rhetoric, below his ideal representative, probably Isocrates or Demosthenes (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence

Background imageLetteratura Collection: Five unidentified figures (fresco)

Five unidentified figures (fresco)
6336450 Five unidentified figures (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

Background imageLetteratura Collection: Allegory of Rhetoric (fresco)

Allegory of Rhetoric (fresco)
6336433 Allegory of Rhetoric (fresco) by Jacopo di Cione, (fl.1368-94); Palazzo dei Giudici e dei Notai, Florence, Italy; (add.info)

Background imageLetteratura Collection: Tibullus (fresco)

Tibullus (fresco)
6262804 Tibullus (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)



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"Letteratura: A Journey Through the Divine and Historical Realms" In the celestial realm of Paradiso, Canto 31, a saintly throng forms a magnificent rose in the empyrean. Dante Alighieri himself stands witness to this awe-inspiring sight as he reads his works in a vibrant fresco. Descending into the depths of Inferno, Canto 4 reveals an ethereal scene where Homer, poets, and heroes reside in Limbo. Their immortal souls forever trapped but revered for their literary contributions. Moving further into Inferno's treacherous circles, Canto 19 sees Dante fearlessly rebuking Pope Nicholas III within the fourth bolgia. The poet's words echo with truth and condemnation amidst the fiery abyss. Within Inferno's fifth bolgia in Canto 22, Ciampolo cunningly escapes from the clutches of demon Alichino. His daring escape showcases both wit and resilience against infernal forces. The violent tormented souls endure eternal suffering under a rain of fire depicted vividly in Inferno, Canto 14. This haunting illustration from The Divine Comedy captures their anguish amidst Dante's poetic narrative. Inferno's harrowing journey continues in Canto 28 as Bertran de Born's severed head speaks to Dante. This digitally colored engraving brings forth both fascination and dread at this macabre encounter. Amidst these divine and infernal realms lies an unidentified figure portrayed through ancient frescoes—a mysterious presence that adds intrigue to Letteratura’s rich tapestry. Shifting gears to historical events intertwined with literature, we delve into Napoleon Bonaparte’s conquests. At the Battle of Jena on October 14th, 1806—depicted here—we witness his military prowess shaping history itself. Napoleon’s victories are juxtaposed with losses on Eylau’s field after a bloody battle fought on November 8th, 1807.