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Lettering Collection (page 6)

"Lettering

Background imageLettering Collection: Poster for the Second Exhibition of Lithography Painters, Salle du Figaro

Poster for the Second Exhibition of Lithography Painters, Salle du Figaro
1195083 Poster for the Second Exhibition of Lithography Painters, Salle du Figaro, Paris, 1898 (colour lithograph) by Gottlob

Background imageLettering Collection: Many Heads Beat One; a 1929 work incentive poster, 1929 (colour lithograph)

Many Heads Beat One; a 1929 work incentive poster, 1929 (colour lithograph)
1198098 Many Heads Beat One; a 1929 work incentive poster, 1929 (colour lithograph) by American School, (20th century); 110x91 cm; Private Collection; Photo eChristies Images; American

Background imageLettering Collection: Guinness Time, c. 1940 (lithograph in colours)

Guinness Time, c. 1940 (lithograph in colours)
1194965 Guinness Time, c.1940 (lithograph in colours) by English School, (20th century); 152x102 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLettering Collection: Encore! (Girl, bottle and harp), c. 1938 (lithograph in colours)

Encore! (Girl, bottle and harp), c. 1938 (lithograph in colours)
1194964 Encore! (Girl, bottle and harp), c.1938 (lithograph in colours) by English School, (20th century); 76x51 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLettering Collection: What the situation demands (wheel and mask), 1942 (lithograph in colours)

What the situation demands (wheel and mask), 1942 (lithograph in colours)
1194959 What the situation demands (wheel and mask), 1942 (lithograph in colours) by Harrison, F.C. (fl.1920s); 152x102 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageLettering Collection: A lampbase modelled as a toucan beside a pint glass, (carltonware painted in colours)

A lampbase modelled as a toucan beside a pint glass, (carltonware painted in colours)
1194956 A lampbase modelled as a toucan beside a pint glass, (carltonware painted in colours) by English School, (20th century); 23 high cm; Private Collection; Photo eChristies Images; English

Background imageLettering Collection: Rustem Slays the Dragon, c. 1500-1540s (gouache and gold paint on buff paper)

Rustem Slays the Dragon, c. 1500-1540s (gouache and gold paint on buff paper)
1196979 Rustem Slays the Dragon, c.1500-1540s (gouache and gold paint on buff paper) by Persian School, (16th century); 26.5x17; 47x31.7 cm; Private Collection; Photo eChristies Images; Persian

Background imageLettering Collection: Pastoral Scene, c. 1550-1560 (gouache heightened with gold, on paper)

Pastoral Scene, c. 1550-1560 (gouache heightened with gold, on paper)
1196875 Pastoral Scene, c. 1550-1560 (gouache heightened with gold, on paper) by Persian School, (16th century); 19x10 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Background imageLettering Collection: King Solomon and a Peri, c. 1570 (gouache with gold paint on paper)

King Solomon and a Peri, c. 1570 (gouache with gold paint on paper)
1196793 King Solomon and a Peri, c. 1570 (gouache with gold paint on paper) by Persian School, (16th century); 12x12 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Background imageLettering Collection: An illustration to Rasikapriya of Keshav Das, early 17th century (gouache on paper)

An illustration to Rasikapriya of Keshav Das, early 17th century (gouache on paper)
1196787 An illustration to Rasikapriya of Keshav Das, early 17th century (gouache on paper) by Indian School, (17th century); 22x16.5 cm; Private Collection; Photo eChristies Images; Indian

Background imageLettering Collection: Plan and view of Seville, 1579-1590 (hand-coloured engraving)

Plan and view of Seville, 1579-1590 (hand-coloured engraving)
986452 Plan and view of Seville, 1579-1590 (hand-coloured engraving) by Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90); 41x30 cm; Private Collection; (add.info.: Plan and view of Seville)

Background imageLettering Collection: The New Testament (chapter headings), 1535-1536 (woodcut print)

The New Testament (chapter headings), 1535-1536 (woodcut print)
986387 The New Testament (chapter headings), 1535-1536 (woodcut print) by English School, (16th century); 31.5x19.5 cm; Private Collection; (add.info.: The New Testament (chapter headings)

Background imageLettering Collection: A Double-Page Map of North America, c. 1708-20 (hand-coloured engraving)

A Double-Page Map of North America, c. 1708-20 (hand-coloured engraving)
986383 A Double-Page Map of North America, c.1708-20 (hand-coloured engraving) by English School, (18th century); 66x54 cm; Private Collection; (add.info.: A Double-Page Map of North America)

Background imageLettering Collection: Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed

Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed
986379 Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed plate) by Blake, William (1757-1827); 19x13.5 cm; Private Collection; (add.info.: Title page)

Background imageLettering Collection: Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard

Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard
986341 Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard and Her Dog, 1806 (hand-coloured engravin) by Martin

Background imageLettering Collection: Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)

Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)
986340 Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum) by German School, (16th century); 15.2x10.2 (approx.) cm; Private Collection; (add.info.: Folio 55)

Background imageLettering Collection: Le Paradis Rouge, 1802 (colour engraving)

Le Paradis Rouge, 1802 (colour engraving)
986294 Le Paradis Rouge, 1802 (colour engraving) by Audebert, Jean Baptiste (1759-1800); Private Collection; (add.info.: Le Paradis Rouge)

Background imageLettering Collection: Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut)

Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut)
986285 Agrippina of Coellen (Cologne), 1499 (hand-coloured woodcut) by German School, (15th century); 30.4x20.5 cm; Private Collection; (add.info.: Agrippina of Coellen (Cologne)

Background imageLettering Collection: Presentation of Christ in the temple, c. 1340 (paint on vellum)

Presentation of Christ in the temple, c. 1340 (paint on vellum)
986265 Presentation of Christ in the temple, c.1340 (paint on vellum) by Italian School, (14th century); 11.2x10.2 cm; Private Collection; (add.info.: Presentation of Christ in the temple)

Background imageLettering Collection: A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)

A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)
986188 A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving) by Dutch School, (17th century); 23x36 cm; Private Collection; (add.info)

Background imageLettering Collection: Plate from Plan of the Cities of London and Westminster the Borough of Southwark

Plate from Plan of the Cities of London and Westminster the Borough of Southwark
986183 Plate from Plan of the Cities of London and Westminster the Borough of Southwark, and Parts Adjoining, c.1792-1799 (engraving) by Horwood

Background imageLettering Collection: A Staffordshire Portrait Group of the Death of Nelson, (ceramic)

A Staffordshire Portrait Group of the Death of Nelson, (ceramic)
986130 A Staffordshire Portrait Group of the Death of Nelson, (ceramic) by English School; Private Collection; (add.info.: A Staffordshire Portrait Group of the Death of Nelson. Made circa 1845)

Background imageLettering Collection: Christ at the gates of Hell bearing the banner of the resurrection

Christ at the gates of Hell bearing the banner of the resurrection
986128 Christ at the gates of Hell bearing the banner of the resurrection and reaching in to rescue souls, Adam and Eve behind, c.1550 (miniature in ink and wash on vellum) by Italian School

Background imageLettering Collection: Female Peony, c. 1700 (watercolour drawing, framed in black)

Female Peony, c. 1700 (watercolour drawing, framed in black)
986025 Female Peony, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Female Peony; Pivoine femelle)

Background imageLettering Collection: Double Poppy, c. 1700 (watercolour drawing, framed in black)

Double Poppy, c. 1700 (watercolour drawing, framed in black)
986018 Double Poppy, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Double Poppy; Pavot Double)

Background imageLettering Collection: A View of London, 1613 (engraving)

A View of London, 1613 (engraving)
985989 A View of London, 1613 (engraving) by Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90); Private Collection; (add.info.: A View of London)

Background imageLettering Collection: A large historiated initial P, depicting a Nativity scene, c

A large historiated initial P, depicting a Nativity scene, c
985974 A large historiated initial P, depicting a Nativity scene, c.1490 (tempera & gold on vellum) by Crema, Giovanni Pietro Medici Da (fl.c.1490); 18.5x18.2 cm; Private Collection; (add.info)

Background imageLettering Collection: The Duchess, c. 1865 (pen and brown ink)

The Duchess, c. 1865 (pen and brown ink)
985962 The Duchess, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 9.5x7.8 cm; Private Collection; (add.info.: The Duchess)

Background imageLettering Collection: Miniature illustrating the Judgement of the Mothers, the Arrival of the Queen of Sheba

Miniature illustrating the Judgement of the Mothers, the Arrival of the Queen of Sheba
985948 Miniature illustrating the Judgement of the Mothers, the Arrival of the Queen of Sheba, Solomon Teaching, and the Disputation of the Doctors

Background imageLettering Collection: A Map of Japan, 1769 (colour engraving)

A Map of Japan, 1769 (colour engraving)
985940 A Map of Japan, 1769 (colour engraving) by German School, (18th century); 42.5x29 cm; Private Collection; (add.info.: A Map of Japan)

Background imageLettering Collection: Title page illustrating a garden scene with figures, 1529

Title page illustrating a garden scene with figures, 1529
985884 Title page illustrating a garden scene with figures, 1529 (woodcut printed with red and black inks) by English School

Background imageLettering Collection: Descartes Composing His World System, c. 1786-1792 (colour aquatint)

Descartes Composing His World System, c. 1786-1792 (colour aquatint)
985865 Descartes Composing His World System, c.1786-1792 (colour aquatint) by Desfontaines, (fl.1800) (after); 32x22.5 cm; Private Collection; (add.info.: Descartes Composing His World System)

Background imageLettering Collection: A page from the book Small Voyages, in German, Part I: Pigafettas Congo

A page from the book Small Voyages, in German, Part I: Pigafettas Congo
985835 A page from the book Small Voyages, in German, Part I: Pigafettas Congo, 1597 (half-page coloured engraving, letterpress printing) by Flemish School

Background imageLettering Collection: Charles de Crequi is killed during the liberation of the town of Breme, c

Charles de Crequi is killed during the liberation of the town of Breme, c
985798 Charles de Crequi is killed during the liberation of the town of Breme, c.1786-1792 (colour aquatint engraving) by Sergent-Marceau

Background imageLettering Collection: Plan of New York Island with Part of Long Island, Staten Island and East New Jersey

Plan of New York Island with Part of Long Island, Staten Island and East New Jersey
985783 Plan of New York Island with Part of Long Island, Staten Island and East New Jersey and the Engagement on the Woody Heights of Long Island between the British Forces

Background imageLettering Collection: Job, 1896 (colour lithograph on poster paper, framed)

Job, 1896 (colour lithograph on poster paper, framed)
985556 Job, 1896 (colour lithograph on poster paper, framed) by Mucha, Alphonse Marie (1860-1939); 52.5x39.5 cm; Private Collection; (add.info.: Job. Alphonse Marie Mucha (1860-1939)

Background imageLettering Collection: April, Illustration from the fine art portofolio Le Mois

April, Illustration from the fine art portofolio Le Mois
985548 April, Illustration from the fine art portofolio Le Mois, 1896 (colour wood engraving) by Grasset, Eugene (1841-1917); 31.5x24 (approx) cm; Private Collection; (add.info.: April)

Background imageLettering Collection: Still-life with Blue Tobacco Box, 1878 (oil on canvas)

Still-life with Blue Tobacco Box, 1878 (oil on canvas)
985015 Still-life with Blue Tobacco Box, 1878 (oil on canvas) by Harnett, William Michael (1848-92); 35.4x46 cm; Private Collection; (add.info.: Still-life with Blue Tobacco Box)

Background imageLettering Collection: Carte Universelle (World Map), 1624 (ink and watercolour on vellum)

Carte Universelle (World Map), 1624 (ink and watercolour on vellum)
991249 Carte Universelle (World Map), 1624 (ink and watercolour on vellum) by French School, (17th century); 46.7x90.45 (approx.) cm; Private Collection; (add.info.: Carte Universelle (World Map)

Background imageLettering Collection: May, 1730 (hand-coloured engraving)

May, 1730 (hand-coloured engraving)
991242 May, 1730 (hand-coloured engraving) by English School, (18th century); Private Collection; (add.info.: May. From Twelve Months of Flowers, by Robert Furber (1674?-1756). Engraved by H

Background imageLettering Collection: A circular leaded glass window by Tiffany Studios (leaded glass)

A circular leaded glass window by Tiffany Studios (leaded glass)
991117 A circular leaded glass window by Tiffany Studios (leaded glass) by Tiffany Studios (1902-32); 96.5 (diam) cm; Private Collection; (add.info)

Background imageLettering Collection: Title page from The Masters of the Poster, Volumes I-V; Les Maitres de l Affiche

Title page from The Masters of the Poster, Volumes I-V; Les Maitres de l Affiche
659438 Title page from The Masters of the Poster, Volumes I-V; Les Maitres de l Affiche, Volumes I-V, 1896-1900 (lithograph) by Berthon

Background imageLettering Collection: Papaya, (pencil and watercolour)

Papaya, (pencil and watercolour)
824117 Papaya, (pencil and watercolour) by Ehret, Georg Dionysius (1710-70); 53.2x36.9 cm; Private Collection; (add.info.: Papaya. Georg Dionysius Ehret (1710-1770). Pencil and watercolour

Background imageLettering Collection: Right Angle Alphabet (litho)

Right Angle Alphabet (litho)
6002085 Right Angle Alphabet (litho) by English School, (19th century); Private Collection; (add.info.: Right Angle Alphabet)

Background imageLettering Collection: Stencil Letters, letters cut away (litho)

Stencil Letters, letters cut away (litho)
6002077 Stencil Letters, letters cut away (litho) by English School, (19th century); Private Collection; (add.info.: Stencil Letters, letters cut away)

Background imageLettering Collection: Abbreviations and Monograms (litho)

Abbreviations and Monograms (litho)
6002066 Abbreviations and Monograms (litho) by English School, (19th century); Private Collection; (add.info.: Abbreviations and Monograms)

Background imageLettering Collection: Black letter text (litho)

Black letter text (litho)
6002064 Black letter text (litho) by English School, (19th century); Private Collection; (add.info.: Black letter text. Illustration for Lettering for Schools and Colleges for the Office)

Background imageLettering Collection: Old English Capitals (litho)

Old English Capitals (litho)
6002055 Old English Capitals (litho) by English School, (19th century); Private Collection; (add.info.: Old English Capitals)



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"Lettering: A Timeless Art Form Uniting History and Expression" From the delicate strokes of William Blake's "The Lamb" to the intricate details of the Lindisfarne Gospels, it has long been a captivating art form. Dating back to as early as the 7th century, this ancient craft continues to inspire and amaze. Intriguingly, even political movements have embraced lettering as a means of spreading their message. The Suffragette W. S. P. U Badge and Ribbon proudly display powerful words that symbolize women's fight for equality. But it doesn't stop there – luxury department stores like Fortnum & Mason have utilized elegant lettering in their branding, creating an air of sophistication and timeless appeal. Historical phrases such as "When Adam delved and Eve span" remind us of our roots while Southern Railway's vibrant poster advertising Ramsgate transports us back to 1939 with its colorful lithograph design. Punk icon Malcolm McLaren left his mark on history through his shop "Sex on The Kings Road, " where bold lettering became synonymous with rebellion and self-expression in December 1976. Meanwhile, businesses like William Cutbush and Sons showcase how expertly crafted they are elevate a brand's identity, leaving a lasting impression on customers. Across continents, Indic scripts guide people along their way in Tamil Nadu, India – demonstrating how diverse cultures embrace unique forms of communication through beautifully designed letters. Even centuries-old maps like Matthew Paris's Map of Great Britain or Manuscript Leaf from a Bible evoke awe with their meticulously drawn letters that bring historical narratives to life. And let's not forget about leisure activities. Newmarket Race Course captures excitement through its dynamic typography that invites spectators into the thrilling world of horse racing during World War II in 1940.