Liber Studiorum Collection

Liber Studiorum Plate 32 Caernarvon Castle N
Liber Studiorum: Plate 32, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 28 Caernarvon Castle N
Liber Studiorum: Plate 28, Caernarvon Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

"Norham Castle", from the photographed edition of the "Liber Studiorum", by J. M. W. Turner, 1864. '...a photograph from any work of art...in which variety of colour is a

Liber Studiorum: Coast of Yorkshire, near Whitby, c. 1807-19 (etching & mezzotint)
491017 Liber Studiorum: Coast of Yorkshire, near Whitby, c.1807-19 (etching & mezzotint) by Turner, Joseph Mallord William (1775-1851); Cleveland Museum of Art, OH

Turners Liber Studiorum, a Sea Piece (engraving)
1105272 Turners Liber Studiorum, a Sea Piece (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Turners Liber Studiorum, a Sea Piece)

Turners Liber Studiorum, Hind Head Hill (engraving)
1105273 Turners Liber Studiorum, Hind Head Hill (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Turners Liber Studiorum, Hind Head Hill)

The Mildmay Sea-Piece, published 1812. Creator: JMW Turner
The Mildmay Sea-Piece, published 1812

Chain of Alps from Grenoble to Chamberi, published 1812. Creators: JMW Turner, William Say
Chain of Alps from Grenoble to Chamberi, published 1812

Coast of Yorkshire, published 1811. Creators: JMW Turner, William Say
Coast of Yorkshire, published 1811

Marine Dabblers, published 1811. Creators: JMW Turner, William Say
Marine Dabblers, published 1811

Turner Liber Studiorum Lake Thun Caroline Bertolacci
Turners Liber Studiorum. Lake of Thun; Caroline Bertolacci (British, born 1825, active 1860s - 1890); about 1863; Albumen silver print

Turner Liber Studiorum Flint Castle Caroline Bertolacci
Turners Liber Studiorum. Flint Castle; Caroline Bertolacci (British, born 1825, active 1860s - 1890); about 1863; Albumen silver print

Liber Studiorum Plate 23 Ruins Beeston Norfolk
Liber Studiorum: Plate 23, Ruins at Beeston, Norfolk: No. 3, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 21 View North Wales 1838
Liber Studiorum: Plate 21, View in North Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Series Sketches Studies 1838
Liber Studiorum; A Series of Sketches and Studies, 1838. John Sell Cotman (British, 1782-1842), Henry G. Bohn. One bound volume containing 48 plates; softground etchings

Liber Studiorum Plate 22 Whitby 1838 John Sell Cotman
Liber Studiorum: Plate 22, Whitby, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 48 Study 1838 John Sell Cotman
Liber Studiorum: Plate 48, A Study, 1838. John Sell Cotman (British, 1782-1842). Etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 24 Ragland Castle Monmouthshire
Liber Studiorum: Plate 24, Ragland Castle, Monmouthshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 25 Harlech Castle N Wales
Liber Studiorum: Plate 25, Harlech Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 46 Sketch Teniers 1838
Liber Studiorum: Plate 46, Sketch after Teniers, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 47 Study 1838 John Sell Cotman
Liber Studiorum: Plate 47, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 19 Postwick Grove Norfolk
Liber Studiorum: Plate 19, Postwick Grove, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 20 Felbrigg Heath Norfolk
Liber Studiorum: Plate 20, Felbrigg Heath, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 45 French Beggars 1838
Liber Studiorum: Plate 45, French Beggars, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 44 Sketch Rembrandt 1838
Liber Studiorum: Plate 44, Sketch after Rembrandt, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 42 Capel Carrig Caernarvonshire
Liber Studiorum: Plate 42, Capel Carrig, Caernarvonshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 40 Lakenham Norwich 1838
Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 13 Duncomb Park Yorkshire
Liber Studiorum: Plate 13, Duncomb Park, Yorkshire: No. 5, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 39 View Ashdted Surrey
Liber Studiorum: Plate 39, View at Ashdted, Surrey, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 41 House Bristol 1838 John Sell Cotman
Liber Studiorum: Plate 41, House at Bristol, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 15 Cader Iris North Wales
Liber Studiorum: Plate 15, Cader Iris, North Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 14 Tan-y-Bwlch Merionethshire
Liber Studiorum: Plate 14, Tan-y-Bwlch, Merionethshire, North Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 12 Dolbadern Castle Llanberris Lake
Liber Studiorum: Plate 12, Dolbadern Castle, Llanberris Lake, North Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 18 Trees Norwich Thorp
Liber Studiorum: Plate 18, Trees at Norwich Thorp, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 43 Norfolk Plough 1814
Liber Studiorum: Plate 43, A Norfolk Plough, 1814. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 17 Study 1838 John Sell Cotman
Liber Studiorum: Plate 17, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 16 Study 1838 John Sell Cotman
Liber Studiorum: Plate 16, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 40.7 x 32 cm (16 x 12 5/8 in.); platemark

Liber Studiorum Plate 6 Judgment Midas 1838 John Sell Cotman
Liber Studiorum: Plate 6, The Judgment of Midas, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 5 Walsingham Norfolk 1838
Liber Studiorum: Plate 5, Walsingham, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 4 View Yare Norfolk 1838
Liber Studiorum: Plate 4, View on the Yare, Norfolk, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 33 Conway Castle N Wales
Liber Studiorum: Plate 33, Conway Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 3 Trees Twickenham 1838
Liber Studiorum: Plate 3, Trees near Twickenham, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 11 Parsons Bridge Cardingshire
Liber Studiorum: Plate 11: Parsons Bridge, Cardingshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 10 Devils Bridge Cardinganshire
Liber Studiorum: Plate 10, The Devils Bridge, Cardinganshire, 1838. John Sell Cotman (British, 1782-1842). Softground etching

Liber Studiorum Plate 38 View Deptford 1838 John Sell Cotman
Liber Studiorum: Plate 38, View at Deptford, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 37 Study 1838 John Sell Cotman
Liber Studiorum: Plate 37, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.5 x 32 cm (19 1/2 x 12 5/8 in.); platemark

Liber Studiorum Plate 36 Church Durham 1838 John Sell Cotman
Liber Studiorum: Plate 36, Church near Durham, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet

Liber Studiorum Plate 9 Study 1838 John Sell Cotman
Liber Studiorum: Plate 9, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.5 cm (12 5/8 x 19 1/2 in.); platemark

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"Liber Studiorum: Exploring the Artistic Depths of J. M. W. Turner" Step into the captivating world of J. M. W. Turner's "Liber Studiorum, " a collection that showcases the artist's mastery of etching, mezzotint, and engraving techniques. This series offers a glimpse into Turner's diverse subjects, ranging from serene coastal landscapes to majestic mountain ranges. One such masterpiece is "Coast of Yorkshire, near Whitby. " Created between 1807-1819, this etching and mezzotint transports us to the rugged shores where crashing waves meet towering cliffs. The intricate details capture both the power and tranquility of nature. In another sea-inspired piece titled "Turner's Liber Studiorum: A Sea Piece, " we witness Turner's ability to evoke emotion through his engravings. The vastness of the ocean stretches before us as turbulent waters collide with dramatic skies, leaving viewers in awe of its raw beauty. Venturing inland, we encounter "Hind Head Hill" - an enchanting landscape engraved by Turner himself for his Liber Studiorum series. Here, he masterfully captures the play between light and shadow on rolling hillsides dotted with trees, inviting us to explore nature's hidden wonders. Turner collaborated with William Say on several pieces within this collection including "Chain of Alps from Grenoble to Chamberi. " Published in 1812, their combined talents bring forth a breathtaking panorama showcasing snow-capped peaks that seem almost touchable against a backdrop of swirling clouds. Continuing our journey along Britain's coastline is "Coast of Yorkshire. " Released in 1811 as part collaboration between Turner and Say once again reveals their ability to transport viewers straight into picturesque scenes filled with rocky cliffs meeting crashing waves. Delving deeper into marine life brings us face-to-face with playful creatures captured in "Marine Dabblers.