Lion And Unicorn Collection

The New Indian Council Chamber, 1858. Creator: Unknown
The New Indian Council Chamber, 1858. Meeting room in India House, London. View of...the chamber in which the new Council of India now holds its deliberations

Trophy erected by the English Residents at Dinan in Honour of the Visit of the Emperor and... 1858. Creator: Unknown
Trophy erected by the English Residents at Dinan in Honour of the Visit of the Emperor and Empress of the French, 1858. Their Imperial Majesties the Emperor

Heraldic crests, 1858. Creator: Unknown
Heraldic crests, 1858. 1. Great Britain; 2. Belgium; 3. Portugal; 4. Sardinia; 5. Holland; 6. Prince of Wales; 7. Prince Albert; 8. Hanover; 9. Spain; 10. Denmark; 11. Turkey; 12. France; 13

The Throne Room, Palace of Holyrood, and the Ancient Regalia of Scotland, 1842. Scots in traditional tartan, and exterior view of Holyroodhouse in EdinburghFrom " Illustrated London News"

Nouveau Theatre de la Grande Bretagne: Ou Description Exacte des Palais de La Reine, et de... 1708
Nouveau Theatre de la Grande Bretagne: Ou Description Exacte des Palais de La Reine, et des Maisons les plus considerables...de la Grande Bretagne, 1708

Virgo in Fide Fundata Sum, 16th century. 16th century. Creator: Anon
Virgo in Fide Fundata Sum, 16th century

Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750-1795), ca. 17... ca. 1795-1804. Creator: Anon
Trade Card Bearing the Name of the Late Gunmaker John Knubley (1750-1795), ca. 1795-1804

Trade Card of the Gunmaker Samuel Brunn (active 1795-1820), 1797-1803. 1797-1803. Creator: Anon
Trade Card of the Gunmaker Samuel Brunn (active 1795-1820), 1797-1803

Trade Card for George Fell, Stationer, Bookseller, Engraver and Printer, 19th century. 19th century Creator: Anon
Trade Card for George Fell, Stationer, Bookseller, Engraver and Printer, 19th century

Trade Card for W. Percival, General Engraver & Ornamental Printer, 19th century. 19th century. Creator: Anon
Trade Card for W. Percival, General Engraver & Ornamental Printer, 19th century

Royal Licence and Copyright for Encyclopaedia Londinesis, 19th century. 19th century. Creator: Anon
Royal Licence and Copyright for Encyclopaedia Londinesis, 19th century

Wine Bottle Cooler Stand, London, 1845 / 46. Creator: Robert Garrard II
Wine Bottle Cooler Stand, London, 1845/46

Palace of Holyrood, with the Ancient Regalia of Scotland, 1842. Creator: Stephen Sly
Palace of Holyrood, with the Ancient Regalia of Scotland, 1842. Holyroodhouse in Edinburgh, with royal crest. From " Illustrated London News", 1844, Vol I

Slipware Dish by Thomas Toft, c1675, (1944). Creator: Unknown
Slipware Dish by Thomas Toft, c1675, (1944). The design shows, though incorrectly, the Royal Arms of England. The initials C.R. stand for Charles II

King George V at the Cup Final, Wembley, April 23rd, 1927, (c1935)

Entrance to Hampton Court Palace, 1880. Artist: Robert Taylor Pritchett
Entrance to Hampton Court Palace, 1880. The palace, once the home of King Henry VIII, is a famous tourist attraction now in Greater London

The English Royal Coat Of Arms As Used From 1603 - 1707, With The Addition Of The Letters C And R: Referring To Charles I. From Memoirs Of The Martyr King By Allan Fea Published 1905

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"The Lion and Unicorn: A Majestic Encounter in the Throne Room of the Palace of Holyrood, 1842" Step into the grandeur of the Throne Room at the Palace of Holyrood, where history comes alive with every step. In this magnificent setting adorned with opulent tapestries and intricate carvings, one cannot help but be captivated by a remarkable sight - the ancient regalia of Scotland. Dating back to 1842, this iconic image captured by Stephen Sly transports us to a time when power and symbolism intertwined. The lion and unicorn stand proudly as guardians of tradition, their presence evoking a sense of awe and reverence. These mythical creatures have long been associated with royalty, representing strength and nobility. Johannes Kip's exquisite depiction from "Nouveau Theatre de la Grande Bretagne" takes us on a visual journey through time. It showcases not only the magnificence of the palace but also its significance as a symbol of Scottish heritage. As we delve deeper into history's treasure trove, we encounter an enchanting Virgo in Fide Fundata Sum from the 16th century. This anonymous masterpiece captures our imagination with its intricate details and mysterious allure. Trade cards bearing names like John Knubley and Samuel Brunn transport us to bustling streets filled with skilled craftsmen who shaped London's rich history during their active years between 1750-1820. These cards serve as reminders that artistry knows no bounds or limitations. The trade card for George Fell reveals his multifaceted talents as a stationer, bookseller, engraver, and printer in the vibrant world of 19th-century commerce. Similarly, W. Percival's general engraving skills showcase his versatility in creating ornamental masterpieces that delighted patrons throughout that era. Intriguingly enough, even royal licenses played their part in shaping knowledge dissemination during this period.