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Loved Collection (page 2)

"Loved: A Tapestry of Emotions and Connections" In the enchanting Astleys Amphitheatre

Background imageLoved Collection: Lunch by the River, (black and brown ink and watercolour)

Lunch by the River, (black and brown ink and watercolour)
659702 Lunch by the River, (black and brown ink and watercolour) by Grunwald, Isaac (1889-1946); 32.4x33 cm; Private Collection; (add.info.: Lunch by the River. Isaac Grunewald (1889-1946)

Background imageLoved Collection: Dancing figures on a terrace, 1911 (oil on canvas)

Dancing figures on a terrace, 1911 (oil on canvas)
1194924 Dancing figures on a terrace, 1911 (oil on canvas) by Barbier, Georges (1882-1932); 36x23 cm; Private Collection; Photo © Christies Images

Background imageLoved Collection: An early hand-made puzzle purse Valentine, c. 1790

An early hand-made puzzle purse Valentine, c. 1790
1765072 An early hand-made puzzle purse Valentine, c.1790 by English School, (18th century); Private Collection; (add.info.: An early hand-made puzzle purse Valentine)

Background imageLoved Collection: A pop-up card a winged cherub playing a flute under a heart shaped arch of forget-me-nots

A pop-up card a winged cherub playing a flute under a heart shaped arch of forget-me-nots
1765070 A pop-up card a winged cherub playing a flute under a heart shaped arch of forget-me-nots (chromolithograph on card) by English School

Background imageLoved Collection: The Contented Mother, 1872 (oil on canvas)

The Contented Mother, 1872 (oil on canvas)
1197536 The Contented Mother, 1872 (oil on canvas) by Stevens, Alfred Emile (1823-1906); 65x40 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageLoved Collection: Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)

Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board)
1768005 Abandonment (The Two Friends); L abandon (Les deux amies), 1895 (oil on board) by Toulouse-Lautrec, Henri de (1864-1901); 45.7x67.7 cm; Private Collection; (add.info)

Background imageLoved Collection: Welcomed Attention (oil on canvas)

Welcomed Attention (oil on canvas)
1769865 Welcomed Attention (oil on canvas) by Andreotti, Federigo (1847-1930); 154.9x110.5 cm; Private Collection; (add.info.: Welcomed Attention. Frederico Andreotti (1847-1930). Oil on canvas

Background imageLoved Collection: The Declaration, 1885 (oil on canvas)

The Declaration, 1885 (oil on canvas)
1195558 The Declaration, 1885 (oil on canvas) by Makovsky, Alexander Vladimirovich (1869-1924); 24x17.5 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageLoved Collection: Idyll, 1851-52 (oil on canvas)

Idyll, 1851-52 (oil on canvas)
989561 Idyll, 1851-52 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 84.5x63.5 cm; Private Collection; (add.info.: Idyll; Idylle. William Adolphe Bouguereau (1825-1905). Oil on canvas

Background imageLoved Collection: I greet thee Maria, c. 1894 (watercolour and brown chalk over brush and black ink on paper

I greet thee Maria, c. 1894 (watercolour and brown chalk over brush and black ink on paper
988889 I greet thee Maria, c.1894 (watercolour and brown chalk over brush and black ink on paper) by Gauguin, Paul (1848-1903); 25.6x18 and 31.5x24.6 cm; Private Collection; (add.info)

Background imageLoved Collection: The Marriage of King David (oil on canvas)

The Marriage of King David (oil on canvas)
988083 The Marriage of King David (oil on canvas) by Flores, Leonardo (1650-1710); 77.5x113.5 cm; Private Collection; (add.info.: The Marriage of King David; El Matrimonio del Rey David)

Background imageLoved Collection: The Picnic, 1861 (oil on board)

The Picnic, 1861 (oil on board)
650784 The Picnic, 1861 (oil on board) by Brown, John George (1831-1913); 36x30.8 cm; Private Collection; (add.info.: The Picnic. John George Brown (1831-1913). Oil on canvas, 1861

Background imageLoved Collection: Roger et Angelique, (pencil on calque laid down on wove paper)

Roger et Angelique, (pencil on calque laid down on wove paper)
990004 Roger et Angelique, (pencil on calque laid down on wove paper) by Ingres, Jean Auguste Dominique (1780-1867); 47x37.2 cm; Private Collection; (add.info.: Roger et Angelique)

Background imageLoved Collection: The Parting of Lord William and Lady Rachel Russell in 1683

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

Background imageLoved Collection: Flirtation, (oil on canvas)

Flirtation, (oil on canvas)
989904 Flirtation, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 71.8x52.7 cm; Private Collection; (add.info.: Flirtation. Joseph Frederic Charles Soulacroix (1825-1879)

Background imageLoved Collection: The Forbidden Kiss, (oil on canvas)

The Forbidden Kiss, (oil on canvas)
985475 The Forbidden Kiss, (oil on canvas) by Jones, Francis Coates (1857-1932); 61x92 cm; Private Collection; (add.info.: The Forbidden Kiss. Francis Coates Jones (1857-1932). Oil on canvas

Background imageLoved Collection: The Fountain of Love, 1780s (oil on canvas)

The Fountain of Love, 1780s (oil on canvas)
990396 The Fountain of Love, 1780s (oil on canvas) by Fragonard, Jean-Honore (1732-1806); 62.2x51.4 cm; Private Collection; (add.info.: The Fountain of Love. Jean-Honore Fragonard (1732-1806)

Background imageLoved Collection: Couple at a Table (Self Portrait with Maschka - Absinthe Drinker)

Couple at a Table (Self Portrait with Maschka - Absinthe Drinker)
826129 Couple at a Table (Self Portrait with Maschka - Absinthe Drinker); Paar am Tisch (Selbstbildnis mit Maschka; Absinthtrinkerin) (Karsch 155 III)

Background imageLoved Collection: A Study for - The Birth of Love, (red chalk)

A Study for - The Birth of Love, (red chalk)
659766 A Study for - The Birth of Love, (red chalk) by Solomon, Solomon Joseph (1860-1927); 45.5x26.3 cm; Private Collection; (add.info.: A Study for - The Birth of Love)

Background imageLoved Collection: The Meeting of Dante and Beatrice, 1889 (oil on canvas)

The Meeting of Dante and Beatrice, 1889 (oil on canvas)
658945 The Meeting of Dante and Beatrice, 1889 (oil on canvas) by Valles, Lorenzo (1831-1910); 169x107 cm; Private Collection; (add.info.: The Meeting of Dante and Beatrice)

Background imageLoved Collection: Careful not to wake him; Cuidado, No le Despiertes, (pencil and watercolour)

Careful not to wake him; Cuidado, No le Despiertes, (pencil and watercolour)
658462 Careful not to wake him; Cuidado, No le Despiertes, (pencil and watercolour) by Sorolla y Bastida, Joaquin (1863-1923); 57.8x79 cm; Private Collection; (add.info)

Background imageLoved Collection: The Harvesters Family, 1855 (oil on panel)

The Harvesters Family, 1855 (oil on panel)
659067 The Harvesters Family, 1855 (oil on panel) by Verheyden, Francois (1806-c.1890); 70.5x52.6 cm; Private Collection; (add.info.: The Harvesters Family. Francois Verheyden (1806-ca.1890)

Background imageLoved Collection: Loves Whisper, (oil on canvas)

Loves Whisper, (oil on canvas)
827466 Loves Whisper, (oil on canvas) by Seignac, Guillaume (1870-1924); 81.3x100.3 cm; Private Collection; (add.info.: Loves Whisper. Guillaume Seignac (1870-1924). Oil on canvas

Background imageLoved Collection: Afternoon Pastimes, (oil on canvas)

Afternoon Pastimes, (oil on canvas)
827363 Afternoon Pastimes, (oil on canvas) by King, Edward R. (active 1883-1924); 50.8x76.2 cm; Private Collection; (add.info.: Afternoon Pastimes. Edward R. King (active 1883-1924). Oil on canvas

Background imageLoved Collection: Reading the News, (oil on canvas)

Reading the News, (oil on canvas)
827338 Reading the News, (oil on canvas) by Zampighi, Eugenio (1859-1944); 55.8x76.8 cm; Private Collection; (add.info.: Reading the News. Eugenio Zampighi (1859-1944). Oil on canvas

Background imageLoved Collection: 'He loved to linger on that leaf'(engraving)

"He loved to linger on that leaf"(engraving)
6008117 " He loved to linger on that leaf" (engraving) by Gilbert, John (1817-97); Private Collection; (add.info)

Background imageLoved Collection: Avro Vulcan B. 2

Avro Vulcan B. 2
Royal Air Force - Avro Vulcan B.2, at an airshow, displaying the howl generators! (Resonance in the intakes, in certain conditions, generates a very loud howl)

Background imageLoved Collection: WW2 era - Comic Postcard - Whether you ve gone

WW2 era - Comic Postcard - Whether you ve gone
Comic cards were much brighter at this stage of the war when the end seemed to be in sight. The little girl is anticipating the return of her loved one whether you ve gone for a year or a day

Background imageLoved Collection: A Hindu love story of Manshar and Madh, c. 1730 (Gouache)

A Hindu love story of Manshar and Madh, c. 1730 (Gouache)
1766459 A Hindu love story of Manshar and Madh, c.1730 (Gouache) by Deccani School, (18th Century); 21.6x14.6 cm; Private Collection; (add.info.: A Hindu love story of Manshar and Madh)

Background imageLoved Collection: Erato, the Muse of Love Poetry (oil on canvas)

Erato, the Muse of Love Poetry (oil on canvas)
1764976 Erato, the Muse of Love Poetry (oil on canvas) by Boucher, Francois (1703-70); 81.5x127.9 cm; Private Collection; (add.info.: Erato, the Muse of Love Poetry)

Background imageLoved Collection: A Summer Evening, 1897 (oil on canvas)

A Summer Evening, 1897 (oil on canvas)
987312 A Summer Evening, 1897 (oil on canvas) by Knight, Daniel Ridgway (1839-1924); 180x144 cm; Private Collection; (add.info.: A Summer Evening. Daniel Ridgway Knight (1839-1924). Oil on canvas

Background imageLoved Collection: Illuminated frontispiece with title and a painted portrait of Robert Browning

Illuminated frontispiece with title and a painted portrait of Robert Browning
985870 Illuminated frontispiece with title and a painted portrait of Robert Browning, 1912 (illuminated manuscript on vellum, gold and colours) by Sangorski

Background imageLoved Collection: A stained glass panel depicting stylised roses (leaded stained glass, wooden frame)

A stained glass panel depicting stylised roses (leaded stained glass, wooden frame)
985621 A stained glass panel depicting stylised roses (leaded stained glass, wooden frame) by Walton, George (1867-1933); 133.6x91.4 cm; Private Collection; (add.info)

Background imageLoved Collection: Spring Love; Liebesfrshling, 1917 (oil on canvas)

Spring Love; Liebesfrshling, 1917 (oil on canvas)
1197544 Spring Love; Liebesfrshling, 1917 (oil on canvas) by Stuck, Franz von (1863-1928); 106.3x116.3 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageLoved Collection: Polychrome lacquer binding with flap, for Amir Ali Shir Nawa i

Polychrome lacquer binding with flap, for Amir Ali Shir Nawa i
1196851 Polychrome lacquer binding with flap, for Amir Ali Shir Nawa is (1441-1501) Diwan (love poetry), painted with a forest scene

Background imageLoved Collection: Mother Love, (oil on canvas)

Mother Love, (oil on canvas)
657721 Mother Love, (oil on canvas) by Langley, Walter (1852-1922); Private Collection; (add.info.: Mother Love. Walter Langley (1852-1922). Oil on canvas

Background imageLoved Collection: Penelope, (oil on canvas)

Penelope, (oil on canvas)
657247 Penelope, (oil on canvas) by Philpot, Glyn Warren (1884-1937); 136x91.8 cm; Private Collection; (add.info.: Penelope. Glyn Warren Philpot (1884-1937). Oil on canvas. 136 x 91.8cm

Background imageLoved Collection: Mother and Child in a Landscape; Mere et Enfant dans un Paysage, 1900 (oil on canvas)

Mother and Child in a Landscape; Mere et Enfant dans un Paysage, 1900 (oil on canvas)
824324 Mother and Child in a Landscape; Mere et Enfant dans un Paysage, 1900 (oil on canvas) by Lebasque, Henri (1865-1937); 116.2x88.9 cm; Private Collection; (add.info)

Background imageLoved Collection: Loves Melancholy, 1866 (oil on canvas)

Loves Melancholy, 1866 (oil on canvas)
989405 Loves Melancholy, 1866 (oil on canvas) by Mayer, Constant (1832-1911); 145.1x101.8 cm; Private Collection; (add.info.: Loves Melancholy. Constant Mayer (1832-1911). Oil on canvas

Background imageLoved Collection: Romeo and Juliet (marble on a green marble base)

Romeo and Juliet (marble on a green marble base)
989362 Romeo and Juliet (marble on a green marble base) by Vichi, Ferdinando (fl.19th century); 116.8x45.7x48.3 cm; Private Collection; (add.info.: Romeo and Juliet. Ferdinando Vichi (19th century)

Background imageLoved Collection: Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas)

Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas)
1769786 Three Young Girls from the Chateaubourg Family, 1850 (oil on canvas) by Winterhalter, Hermann (1808-91); 102.2x81.3 cm; Private Collection; (add.info)

Background imageLoved Collection: The little boy he had loved (colour litho)

The little boy he had loved (colour litho)
5223966 The little boy he had loved (colour litho) by Robinson, Charles (1870-1937); Private Collection; (add.info.: The little boy he had loved)

Background imageLoved Collection: The Visitor, 1881 (oil on canvas)

The Visitor, 1881 (oil on canvas)
827116 The Visitor, 1881 (oil on canvas) by Caraud, Joseph (1821-1905); 73.3x90.8 cm; Private Collection; (add.info.: The Visitor. Joseph Caraud (1821-1905). Oil on canvas. Painted in 1881

Background imageLoved Collection: Seated Couple; Sitzendes Paar, c. 1920 (distemper; leimfarbe on burlap)

Seated Couple; Sitzendes Paar, c. 1920 (distemper; leimfarbe on burlap)
825303 Seated Couple; Sitzendes Paar, c.1920 (distemper; leimfarbe on burlap) by Veit, Philipp (1793-1877); 100x83 cm; Private Collection; (add.info.: Seated Couple; Sitzendes Paar)

Background imageLoved Collection: Admiring the Baby, (oil on canvas)

Admiring the Baby, (oil on canvas)
827361 Admiring the Baby, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 127x91.5 cm; Private Collection; (add.info.: Admiring the Baby. George Goodwin Kilburne (1839-1924). Oil on canvas

Background imageLoved Collection: La Repudiee, 1882 (oil on canvas)

La Repudiee, 1882 (oil on canvas)
1197549 La Repudiee, 1882 (oil on canvas) by Maignan, Albert Pierre Rene (1845-1908); 142x125 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageLoved Collection: The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love

The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love
658485 The Awakening of Love - Words of Another to Music Set / Do Help True Love to Love Beget, 1894 (oil on canvas) by Schmalz

Background imageLoved Collection: Daphnis and Chloe, (oil on canvas)

Daphnis and Chloe, (oil on canvas)
651201 Daphnis and Chloe, (oil on canvas) by Courtois, Gustave (1852-1924); 115.3x114.4 cm; Private Collection; (add.info.: Daphnis and Chloe. Gustave Courtois (1852-1923). Oil on canvas



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"Loved: A Tapestry of Emotions and Connections" In the enchanting Astleys Amphitheatre, love took center stage as hearts swayed to "The Tune That He Loved Best" by David Wright. The melodies echoed through the air, captivating all who listened. St. John Chrysostom once said, "Butle is loved not because it is good but because it is loved. " This profound statement reminds us that love has a mysterious power to transform even the ordinary into something extraordinary. Just like the adorable hedgehog depicted in Bewick's masterpiece, love can be found in unexpected places. Its gentle touch brings warmth and joy to our lives, reminding us of the beauty hidden within every creature. Like a Lotus Esprit S3 Britain racing down an open road, love accelerates our hearts and fills us with exhilaration. It symbolizes freedom and adventure, propelling us forward on a journey where passion knows no bounds. As Fortunino Matania captured the emotional moment of soldiers reuniting with their loved ones upon arrival of a troop train during WW2, we witness how love transcends distance and time. It binds souls together despite separation or adversity. Gazing at Paolo and Francesca da Rimini locked in an eternal embrace on canvas evokes deep emotions within us. Their tragic tale reminds us that true love can withstand any obstacle thrown its way – even if it leads to heartbreak. Similarly, Naomi and Ruth's bond immortalized in oil on canvas speaks volumes about loyalty and devotion between two individuals. Love becomes an unbreakable thread connecting souls across generations. "The loved one far away" tugs at our heartstrings as we yearn for those dear to us who are physically distant but forever present in our thoughts. Love bridges gaps both near and far when nurtured by affectionate gestures from afar. Finally arriving home after a long journey feels like stepping into warm sunlight after days of rain.