Loyal Collection (page 3)

Horse standing beside the body of its dead rider, Wallachia, World War I, 1916 (b / w photo)
6000134 Horse standing beside the body of its dead rider, Wallachia, World War I, 1916 (b/w photo) by German Photographer (20th Century); Private Collection; (add.info)

The Knave of Cups, facsimile of a tarot card from the Visconti deck
AGD336593 The Knave of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

A Scout is a Friend to Animals, 1929 (colour litho)
472976 A Scout is a Friend to Animals, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: 6th Scout Law)

A Child Saved, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)
3481296 A Child Saved, from A Hundred Anecdotes of Animals, pub. 1924 (engraving) by Billingshurst, Percy J. (1871-1933); The Stapleton Collection; out of copyright

Immovable Fidelity, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)
3481268 Immovable Fidelity, from A Hundred Anecdotes of Animals, pub. 1924 (engraving) by Billingshurst, Percy J. (1871-1933); The Stapleton Collection; out of copyright

Porus Saved by his Elephant, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)
3481231 Porus Saved by his Elephant, from A Hundred Anecdotes of Animals, pub. 1924 (engraving) by Billingshurst, Percy J. (1871-1933); The Stapleton Collection; out of copyright

Allegorical Female Figure (red chalk on paper)
2628754 Allegorical Female Figure (red chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 26.7x15.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Faith, c. 1675-1700 (oil on canvas)
1216667 Faith, c.1675-1700 (oil on canvas) by Franco-Flemish School, (17th century); 122.5x101 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous)

Harold swears fealty to Duke William
Allegedly after being shipwrecked on the French coast in 1064 (a date highly disputed amongst historians), The Bayeux Tapestry, and other Norman sources

Faithful Friend at Tea Time, (pencil and watercolour)
659869 Faithful Friend at Tea Time, (pencil and watercolour) by Kilburne, George Goodwin (1839-1924); 34.6x49.8 cm; Private Collection; (add.info.: Faithful Friend at Tea Time)

Jupiter and Mnemosyne, 1733 (pen & brown and black ink and brush and brown and gray wash
3576803 Jupiter and Mnemosyne, 1733 (pen & brown and black ink and brush and brown and gray wash, with watercolor, heightened with white gouache, over traces of graphite on ivory laid paper) by Wit

The Kings Coming (colour litho)
3642321 The Kings Coming (colour litho) by Marks, Henry Stacey (1829-98) (after); Private Collection; (add.info.: The Kings Coming)

Iwai Kumesaburo as Tomoe Gozen, 1797 (colour woodcut)
3597270 Iwai Kumesaburo as Tomoe Gozen, 1797 (colour woodcut) by Kunimasa, Utagawa (1773-1810); 38.4x25.6 cm; Rijksmuseum, Amsterdam

Hippolytus and Phaedra, detail of Hippolytus dog, House of Dionysos, Paphos
696763 Hippolytus and Phaedra, detail of Hippolytus dog, House of Dionysos, Paphos, Cyprus (mosaic) by Roman, (3rd century AD); House of Dionysus, Kato Paphos

Dorothy Huddelston (nee Dormer), 1594 (oil on canvas)
TRS231031 Dorothy Huddelston (nee Dormer), 1594 (oil on canvas) by Hilliard, Nicholas (1547-1619) (attr.to); Huddleston Collection, St

A Scout is Thrifty, 1929 (colour litho)
472980 A Scout is Thrifty, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: Ninth Scout Law)

A Scout Helps Others, 1929 (colour litho)
472973 A Scout Helps Others, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: 3rd Scout Law: A Scout is helpful to others)

The Arrival of Louis XVIII at Calais, 1792-1819 (oil on panel)
WAG13321 The Arrival of Louis XVIII at Calais, 1792-1819 (oil on panel) by Bird, Edward (1772-1819); 109.8 x 173.9 cm; Wolverhampton Art Gallery, West Midlands

Mutual Admiration, 1898 (oil on canvas)
2629042 Mutual Admiration, 1898 (oil on canvas) by Brown, John George (1831-1913); 63.5x50.8 cm; Private Collection; Photo eChristies Images; American, out of copyright

A Faithful Friend (coloured engraving)
979182 A Faithful Friend (coloured engraving) by German School, (19th century); Private Collection; (add.info.: A Faithful Friend.); © Look and Learn

Portrait of a Gentleman, Standing three-quarter length, wearing a black costume
990240 Portrait of a Gentleman, Standing three-quarter length, wearing a black costume and holding a book, (oil on canvas) by Campi

A Banner, Flowers in an Urn, a Relief, a Globe, a Print, a Compass, a Writing Set
827864 A Banner, Flowers in an Urn, a Relief, a Globe, a Print, a Compass, a Writing Set, Letters and Blaeus Atlas in a Niche (oil on canvas) by Jager

Greyfriars Bobby (engraving)
3626020 Greyfriars Bobby (engraving) by English School, (19th century); Private Collection; (add.info.: Greyfriars Bobby. Illustration for Chatterbox (1867)

Parody of Act VII of The Storehouse of Loyal Retainers (Chushingura), c
2969342 Parody of Act VII of The Storehouse of Loyal Retainers (Chushingura), c.1768-69 (colour woodblock print; hashira-e) by Harunobu, Suzuki (1725-70); 63.5x11.4 cm; The Art Institute of Chicago

German soldier with a dog, 1914-18 (photo)
DGC387484 German soldier with a dog, 1914-18 (photo) by German Photographer (20th Century); Private Collection; Prismatic Pictures; German, out of copyright

German soldier with his wife, son and family pet dog, 1914-18 (photo)
DGC387479 German soldier with his wife, son and family pet dog, 1914-18 (photo) by German Photographer (20th Century); Private Collection; Prismatic Pictures; German, out of copyright

Newman Noggs, from Nicholas Nickleby, by Charles Dickens, 1923 (colour litho)
KDC465781 Newman Noggs, from Nicholas Nickleby, by Charles Dickens, 1923 (colour litho) by Clarke, Joseph Clayton (Kyd) (1856-1937); Private Collection; (add.info)

Journey Test for the 1st Class Scouts Badge, 1929 (colour litho)
472986 Journey Test for the 1st Class Scouts Badge, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: Final test required to obtain the 1st class Scouting badge)

A Scout Troop in Camp, 1929 (colour litho)
472984 A Scout Troop in Camp, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: Illustration from the Boy Scouts series of cigarette cards produced by Ogdens;)

A Scouts Honour is to be trusted, 1929 (colour litho)
472982 A Scouts Honour is to be trusted, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: First Scout Law)

A Scout is Clean, 1929 (colour litho)
472979 A Scout is Clean, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: Tenth Scout Law: A Scout is clean in thought)

A Scout is Loyal, 1929 (colour litho)
472978 A Scout is Loyal, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: 2nd Scout law: A Scout is Loyal to the King/Queen, to his/her Country, his/her parents)

A Scout Obeys Orders without Question, 1929 (colour litho)
472977 A Scout Obeys Orders without Question, 1929 (colour litho) by English School, (20th century); Private Collection; (add.info.: 7th Scout Law)

Fidelity (Shin), c. 1767 (colour woodblock print)
1068022 Fidelity (Shin), c.1767 (colour woodblock print) by Harunobu, Suzuki (1725-70); 27.9x20.6 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, gift of Mr. and Mrs

Fidele Messagere (colour litho)
3098445 Fidele Messagere (colour litho) by Corcos, Vittorio Matteo (1859-1933); Private Collection; (add.info.: Fidele Messagere)

Preparation for Coronation Day, Chichester, c. 1902 (oil on canvas)
659740 Preparation for Coronation Day, Chichester, c.1902 (oil on canvas) by Rainey, William (1852-1936); 61x91.4 cm; Private Collection; (add.info.: Preparation for Coronation Day, Chichester)

Doddy and her Pets, (oil on canvas)
658479 Doddy and her Pets, (oil on canvas) by Garland, Charles Trevor (fl.1880-1901); 41.5x29.5 cm; Private Collection; (add.info.: Doddy and her Pets. Charles Trevor Garland (1855-1906)

Trotty Veck and his Daughter Meg, illustration for
IL193499 Trotty Veck and his Daughter Meg, illustration for Character Sketches from Dickens compiled by B.W. Matz, 1924 (colour litho) by Copping, Harold (1863-1932); Private Collection; English

King Henry IV: the Last Scene, published by S. W. Fores in 1788 (hand-coloured etching)
NCO193121 King Henry IV: the Last Scene, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Portolan Chart of Western Europe and North Africa, c. 1580 (sepia ink and colour on vellum
986016 Portolan Chart of Western Europe and North Africa, c.1580 (sepia ink and colour on vellum) by Dutch School, (16th century); 89x73 cm; Private Collection; (add.info)

Portolan Chart of Western Europe and North Africa, 1578 (sepia ink and colours on vellum)
986015 Portolan Chart of Western Europe and North Africa, 1578 (sepia ink and colours on vellum) by Teixeira, Luis (fl.1564-1612); 69x61 cm; Private Collection; (add.info)

The Fourteenth of July in Paris, (oil on canvas)
988848 The Fourteenth of July in Paris, (oil on canvas) by Loiseau, Gustave (1865-1935); 55x46 cm; Private Collection; (add.info.: The Fourteenth of July in Paris; Le Quatorze Juillet a Paris)

The War in Italy: Genoa, The Arrival of the Emperor Napoleon III
827351 The War in Italy: Genoa, The Arrival of the Emperor Napoleon III, 1859 (watercolour and gouache) by Bossoli, Carlo (1815-84); 28x48.3 cm; Private Collection; (add.info.: The War in Italy)

Segawa Kikunojo as Tomoe Gozen, c. 1825-29 (colour woodcut)
3597279 Segawa KikunojA as Tomoe Gozen, c.1825-29 (colour woodcut) by Toyokuni, Utagawa (1769-1825); 18.6x18.2 cm; Rijksmuseum, Amsterdam

Lord Headley (colour litho)
612783 Lord Headley (colour litho) by Pellegrini, Carlo (1866-1937); Private Collection; (add.info.: Lord Headley, A loyal Irishman, 3 April 1880, Vanity Fair)

Mr Thomas Wallace Russell (colour litho)
611977 Mr Thomas Wallace Russell (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: Mr Thomas Wallace Russell, Loyal and Patriotic, 24 March 1888)

Saluting the Admiral (oil on canvas)
659788 Saluting the Admiral (oil on canvas) by Holden, Albert William (1848-1932); 76.2x50.8 cm; Private Collection; Photo eChristies Images; British, out of copyright

Bastille Day, 1919 (oil on canvas)
658596 Bastille Day, 1919 (oil on canvas) by Madelein, Gustave (1867-1944); 41x33 cm; Private Collection; (add.info.: Bastille Day. Gustave Madelain (1867-1944). Oil on canvas. Signed and dated 1919

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"Loyal: A Tribute to Unwavering Devotion" In the realm of art, loyalty is immortalized through captivating masterpieces. Titian's "Noli Me Tangere" transports us to a world where loyalty triumphs over temptation. Across continents, the statue of Skye Terrier dog Greyfriars Bobby stands as an emblem of unwavering fidelity in Edinburgh, Scotland. His legendary tale echoes through time, reminding us that true loyalty knows no bounds. During Ulster's tumultuous year of 1914, a patriotic postcard emerged as a symbol of unyielding allegiance. It serves as a testament to the indomitable spirit and steadfast commitment of its people. Even royalty understands the power of loyalty. Queen Victoria's bond with her beloved Dachshund showcases how devotion transcends social status and breeds unconditional love. Amidst the chaos of World War I, military regimental badge brooches became more than mere accessories; they represented soldiers' dedication to their comrades and country. The Ten Scout Laws etched in vibrant colors on litho prints in 1923 remind us that loyalty is not just about allegiance but also about integrity and honor – values that guide individuals towards becoming better versions of themselves. Art has always celebrated stories steeped in faithfulness. Naomi and Ruth's poignant depiction on canvas captures their enduring friendship—a reminder that loyal companionship can weather any storm. Her Majesty Queen Victoria's First Entry into Brighton Oct portrays not only her majesty but also highlights her subjects' unwavering support—loyalty intertwined within every step she takes. From Westminster Cavalry to Southwark Cavalry, regiments have long embodied unity forged by trust and fidelity—an unbreakable bond between warriors who fight side by side for a common cause. James 6th Earl Abercorn stands tall as an epitome of noble allegiance—a beacon guiding his clan with unwavering commitment throughout generations.