Lysippus Collection

Roman statue of Hercules. This marble statue of Hercules, 3.17 metres high, is a copy made by Glycon in 200-210 AD of a smaller original Greek bronze sculpture of the 4th century BC by Lysippus

Apoxyomenos, c. 50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble)
3362131 Apoxyomenos, c.50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble) by Roman, (1st century AD); (add.info.: Museo Pio Clementino)

Apoxyomenos, c. 50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble)
3362130 Apoxyomenos, c.50 AD, copy of the bronze masterpiece by Lysippus around 320 BC (marble) by Roman, (1st century AD); Vatican Museums and Galleries

Exotic butterflies
Hooked copper, Phasis thero 1, metalmark butterfly, Riodina lysippus 2, large faun, Faunis eumeus 3, and common nawab, Charaxes athamas 4, ventral and dorsal views

Alexander the Great (356-323 BC) (marble) (see also 16535)
JJ16524 Alexander the Great (356-323 BC) (marble) (see also 16535) by Lysippos (fl.370-310 BC) (attributed to); Louvre, Paris, France; Greek, out of copyright

Athlete (copy of a Greek original of c04th BC) (bronze) (detail)
XAM198134 Athlete (copy of a Greek original of c04th BC) (bronze) (detail) by Roman, (4th century AD); height:192 cm; Kunsthistorisches Museum, Vienna

Apoxyomenos, marble copy of a bronze original representing a boxer cleaning his right arm with a currycomb

Apoxyomenos, Roman copy of a Greek original by Lysippus

Hercule Farnese, Roman copy of a Greek work by Lysippus

Bust of the Macedonian General Alexander the Great. Artist: Lysippos
Bust of Alexander the Great (356-323 BC), copying the physiognomy of Alexander as portrayed by Lysipuus c. 330 BC, currently in the Louvres collection

Statuette of Hercules resting
bronze statuette of Hercules resting, either a Hellenistic or Roman copy of the 3rd Century BC larger work by Lysippus

The so-called aApoxyomenosa (athe Scrapera)
Antique illustration engraving of the so-called Apoxyomenosa (the Scrapera) by Lysippus

Greek civilization, marble statue of athlete Agias, pankration champion, Roman copy of Greek original by Lysippus
Greek civilization. Marble statue of athlete Agias, a pankration champion. Roman copy of the Greek original by Lysippus

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Lysippus, the renowned Greek sculptor of ancient times, left an indelible mark on art history with his masterpieces. One such masterpiece is the Roman statue of Hercules, a powerful depiction that showcases Lysippus' exceptional skill and attention to detail. Another notable work attributed to the Apoxyomenos, a marble copy of his original bronze sculpture created around 320 BC. This captivating piece portrays an athlete in action, capturing the essence of strength and grace. Intriguingly, it also ventured into creating sculptures inspired by nature's beauty. Exotic butterflies adorned some of his works, adding a touch of whimsy and enchantment to his already awe-inspiring creations. Lysippus' talent was not limited to mere mortals; he also immortalized Alexander the Great in marble. The bust captures the commanding presence and charisma that made Alexander one of history's most influential figures. The Apoxyomenos appears again in Lysippus' repertoire as a Roman copy of his Greek original. This particular version depicts a boxer meticulously cleaning his right hand after intense combat—a testament to both physical prowess and meticulousness. One cannot discuss Lysippus without mentioning Hercule Farnese—a Roman replica based on another Greek work by this esteemed artist. This sculpture showcases Hercules in all his glory—muscular physique and determined expression—embodying strength personified. A smaller but equally captivating creation attributed to the statuette depicting Hercules at rest—an intimate portrayal that reveals vulnerability amidst unparalleled power. Lastly, we encounter "the so-called Apoxyomenosa, " or "the Scraper. " Though its attribution remains uncertain, it bears resemblance to other works associated with Lysippus due to its refined craftsmanship and attention to anatomical accuracy.