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Maat Collection

"Maat: The Ancient Egyptian Goddess of Balance and Justice" In the ancient world, from 1312 to 1298 BC, the goddess Maat reigned supreme

Background imageMaat Collection: Goddess Maat. 1312 -1298 BC. Represented with

Goddess Maat. 1312 -1298 BC. Represented with a feather in the head. Egyptian art. New Kingdom. Painting. ITALY. Florence. National Museum of Archaeology. Proc: EGYPT. Dayr al-Bahri

Background imageMaat Collection: Detail of Sekhmet freize on shrine of Tutankhamun, Cairo Museum, Egypt

Detail of Sekhmet freize on shrine of Tutankhamun, Cairo Museum, Egypt, North Africa, Africa

Background imageMaat Collection: Museum of Art, Architecture and Technology (MaT), Belem, Lisbon, Portugal

Museum of Art, Architecture and Technology (MaT), Belem, Lisbon, Portugal

Background imageMaat Collection: Cloud

Cloud
Olavo Azevedo

Background imageMaat Collection: Inge Schuster

Inge Schuster

Background imageMaat Collection: MAAT serie: visitor, exit

MAAT serie: visitor, exit
Luca Domenichi

Background imageMaat Collection: On the river side

On the river side
Olavo Azevedo

Background imageMaat Collection: Inge Schuster

Inge Schuster

Background imageMaat Collection: ALONE

ALONE
Olavo Azevedo

Background imageMaat Collection: Ancient Egypt, Carving/Painting, Tomb of Rameses I, Thebes, The Goddess Maat

Ancient Egypt, Carving/Painting, Tomb of Rameses I, Thebes, The Goddess Maat, Goddess of truth and justice
3476340 Ancient Egypt, Carving/Painting, Tomb of Rameses I, Thebes, The Goddess Maat, Goddess of truth and justice, with ostrich feather (photo); (add.info.: Ancient Egypt, Carving/Painting)

Background imageMaat Collection: Run boy, run

Run boy, run
Jurij Bizjak

Background imageMaat Collection: To the hole

To the hole
Jurij Bizjak

Background imageMaat Collection: Urban beach

Urban beach
Jurij Bizjak

Background imageMaat Collection: The Electricity Museum (Central Tejo) now part of the MaT (Museum of Art, Architecture

The Electricity Museum (Central Tejo) now part of the MaT (Museum of Art, Architecture and Technology), bordering the Tagus river at twilight. Lisbon, Portugal

Background imageMaat Collection: Museum of Art, Architecture and Technology (MaT), Belem, Lisbon, Portugal

Museum of Art, Architecture and Technology (MaT), Belem, Lisbon, Portugal

Background imageMaat Collection: BOOK OF THE DEAD/31

BOOK OF THE DEAD/31
The Hail of the Two-fold Maat decorated with uraei and feathers symbolical of the Law. Within are the 42 judges of the dead, 33 shown here

Background imageMaat Collection: BOOK OF THE DEAD/32

BOOK OF THE DEAD/32
1. Hall of the Two-fold Maat showing the remaining 9 judges of the dead. (refer to plate 31) 2. 23 gods to wom are severally assigned various parts of the body

Background imageMaat Collection: Running on Roof Top

Running on Roof Top
Molly Fu

Background imageMaat Collection: Lisbon - Art Museum Sunrise

Lisbon - Art Museum Sunrise
Jean Claude Castor

Background imageMaat Collection: The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood)

The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood)
PWI95063 The sarcophagus of Psamtik I (664-610 BC) Late Period (painted wood) by Egyptian 26th Dynasty (664-525 BC); Musee des Beaux-Arts, Grenoble, France; © Peter Willi

Background imageMaat Collection: Coffin with Cobra (Atum) and Ostrich Feather of Goddess Maat on the Top, Egypt

Coffin with Cobra (Atum) and Ostrich Feather of Goddess Maat on the Top, Egypt, Late Period-Ptolemaic Period (664-30 BCE)

Background imageMaat Collection: Scarab: Baboon with Ma at Feather, Egypt, New Kingdom

Scarab: Baboon with Ma at Feather, Egypt, New Kingdom, Dynasty 18 (about 1550-1295 BCE)

Background imageMaat Collection: Scarab: The God Ptah with Ma at Feather and Djed-Pillar, Egypt, New Kingdom

Scarab: The God Ptah with Ma at Feather and Djed-Pillar, Egypt, New Kingdom, Ramesside Period, Dynasties 19-20 (about 1295-1069 BCE)

Background imageMaat Collection: Scarab: Criosphinx and Ma at with Name of Amun-Ra, Egypt, New Kingdom-Late Period

Scarab: Criosphinx and Ma at with Name of Amun-Ra, Egypt, New Kingdom-Late Period, Dynasties 18-26 (about 1550-525 BCE)

Background imageMaat Collection: Scarab: Falcon with Cobra and Ma at Feather, Egypt, Middle Kingdom-New Kingdom

Scarab: Falcon with Cobra and Ma at Feather, Egypt, Middle Kingdom-New Kingdom, Dynasties 12-18 (about 2055-1295 BCE)

Background imageMaat Collection: Scarab: Ma at with Hieroglyphs, Egypt, New Kingdom-Late Period

Scarab: Ma at with Hieroglyphs, Egypt, New Kingdom-Late Period, Dynasties 18-30 (about 1550-343 BCE)

Background imageMaat Collection: Scarab: Hieroglyphs and Figures (Re-Harakhti, nb- and ma at signs), Egypt, New Kingdom

Scarab: Hieroglyphs and Figures (Re-Harakhti, nb- and ma at signs), Egypt, New Kingdom, Dynasty 18-20 (?) (about 1550-1069 BCE)

Background imageMaat Collection: Statuette of the Goddess Maat, Egypt, New Kingdom, Dynasty 18 or earlier (1623-1293 BCE)

Statuette of the Goddess Maat, Egypt, New Kingdom, Dynasty 18 or earlier (1623-1293 BCE)

Background imageMaat Collection: The Goddess Meshkenet (colour litho)

The Goddess Meshkenet (colour litho)
3621097 The Goddess Meshkenet (colour litho) by English School, (20th century); Private Collection; (add.info.: The Goddess Meshkenet)

Background imageMaat Collection: Detail of the cover of the mummy of Nesyamun, possibly found at Deir El-Bahri

Detail of the cover of the mummy of Nesyamun, possibly found at Deir El-Bahri
LMG308059 Detail of the cover of the mummy of Nesyamun, possibly found at Deir El-Bahri, New Kingdom, c.1100 BC (painted wood) by Egyptian 20th Dynasty (1200-1085 BC)

Background imageMaat Collection: Plaques of Maat, Nephthys and sons of Horus, Late Dynastic Period (faience

Plaques of Maat, Nephthys and sons of Horus, Late Dynastic Period (faience
HSC325655 Plaques of Maat, Nephthys and sons of Horus, Late Dynastic Period (faience) (see also 325656, 325657 and 325658) by Egyptian

Background imageMaat Collection: The Weighing of the Heart, detail from a page of the Book of the Dead (papyrus)

The Weighing of the Heart, detail from a page of the Book of the Dead (papyrus)
PWI95057 The Weighing of the Heart, detail from a page of the Book of the Dead (papyrus) by Egyptian; Louvre, Paris, France; (add.info.: Hall of the Two Maats; ); ePeter Willi; Egyptian

Background imageMaat Collection: Detail from the Book of the Dead of the priest Aha-Mer depicting Anubis weighing

Detail from the Book of the Dead of the priest Aha-Mer depicting Anubis weighing
ALG156845 Detail from the Book of the Dead of the priest Aha-Mer depicting Anubis weighing the heart of the deceased against the Feather of Truth (papyrus) by Egyptian 21st Dynasty (c.1069-945 BC)

Background imageMaat Collection: Facsimile copy of Nut, the sky goddess and the solar barques of Ra

Facsimile copy of Nut, the sky goddess and the solar barques of Ra
CHT201594 Facsimile copy of Nut, the sky goddess and the solar barques of Ra, plate 20b from Pantheon Egyptien, Paris, 1822 (colour litho) by Champollion

Background imageMaat Collection: The Singer of Amun Nanys Funerary Papyrus, c. 1050 BC (papyrus, paint)

The Singer of Amun Nanys Funerary Papyrus, c. 1050 BC (papyrus, paint)
3525819 The Singer of Amun Nanys Funerary Papyrus, c.1050 BC (papyrus, paint) by Egyptian, Third Intermediate Period (c.1069-664 BC); 521 long cm; Metropolitan Museum of Art, New York

Background imageMaat Collection: Stele of the High Priest of Ptah, Shedsunefertem, 945-924 BC (limestone)

Stele of the High Priest of Ptah, Shedsunefertem, 945-924 BC (limestone)
490747 Stele of the High Priest of Ptah, Shedsunefertem, 945-924 BC (limestone) by Egyptian 22nd Dynasty (945-715 BC); 86.8x78.5 cm; Cleveland Museum of Art, OH

Background imageMaat Collection: Relief depicting Seti I (c. 1294-1279 BC) making an offering to Amun

Relief depicting Seti I (c. 1294-1279 BC) making an offering to Amun
XIR226170 Relief depicting Seti I (c.1294-1279 BC) making an offering to Amun, from the north exterior wall of the Hypostyle Hall

Background imageMaat Collection: Relief depicting Tuthmosis III (c. 1479-1425 BC) making an offering to a seated god

Relief depicting Tuthmosis III (c. 1479-1425 BC) making an offering to a seated god
XIR226172 Relief depicting Tuthmosis III (c.1479-1425 BC) making an offering to a seated god, New Kingdom (stone) by Egyptian 18th Dynasty (c.1567-1320 BC); Karnak Temple, Karnak, Egypt; Egyptian

Background imageMaat Collection: The Judgement of Osiris, detail from a Book of the Dead, Late Period (papyrus)

The Judgement of Osiris, detail from a Book of the Dead, Late Period (papyrus)
XIR218216 The Judgement of Osiris, detail from a Book of the Dead, Late Period (papyrus) by Egyptian 30th Dynasty (380-343 BC); Louvre, Paris

Background imageMaat Collection: Plaque of Maat (faience) (see also 325655, 325656 and 325658)

Plaque of Maat (faience) (see also 325655, 325656 and 325658)
HSC325657 Plaque of Maat (faience) (see also 325655, 325656 and 325658) by Egyptian, Late Period (715-332 BC); Private Collection; (add.info.: Maat was the Ancient Egyptian concept of truth)

Background imageMaat Collection: The Weighing of the Heart against Maats Feather of Truth

The Weighing of the Heart against Maats Feather of Truth
BAL22811 The Weighing of the Heart against Maats Feather of Truth, from the Book of the Dead of the Royal Scribe Hunefer, New Kingdom

Background imageMaat Collection: The god Re, Saite Period (bronze & gold encrusted with glass paste)

The god Re, Saite Period (bronze & gold encrusted with glass paste)
XIR240204 The god Re, Saite Period (bronze & gold encrusted with glass paste) by Egyptian 26th Dynasty (664-525 BC); Louvre, Paris, France; Egyptian, out of copyright

Background imageMaat Collection: Funerary papyrus of Djedkhonsouefankh depicting the judgement of the deceased

Funerary papyrus of Djedkhonsouefankh depicting the judgement of the deceased
XIR226536 Funerary papyrus of Djedkhonsouefankh depicting the judgement of the deceased, Third Intermediate Period (papyrus) by Egyptian 21st Dynasty (c.1069-945 BC); Egyptian National Museum, Cairo

Background imageMaat Collection: Maat, Late Dynastic Period, c. 600-400 BC (bronze) (see also 270357 and 270359)

Maat, Late Dynastic Period, c. 600-400 BC (bronze) (see also 270357 and 270359)
HSC270358 Maat, Late Dynastic Period, c.600-400 BC (bronze) (see also 270357 and 270359) by Egyptian, Late Period (715-332 BC); height: 25 cm; Private Collection; (add.info)

Background imageMaat Collection: Maat, Late Dynastic Period, c. 600-400 BC (bronze) (see also 270358-359)

Maat, Late Dynastic Period, c. 600-400 BC (bronze) (see also 270358-359)
HSC270357 Maat, Late Dynastic Period, c.600-400 BC (bronze) (see also 270358-359) by Egyptian, Late Period (715-332 BC); height: 25 cm; Private Collection; (add.info)

Background imageMaat Collection: Excerpt from an Egyptian hieroglyphic manuscript, engraved by Dominique Vivant

Excerpt from an Egyptian hieroglyphic manuscript, engraved by Dominique Vivant
810351 Excerpt from an Egyptian hieroglyphic manuscript, engraved by Dominique Vivant, Baron de Denon (1747-1825) (colour litho) by Italian School

Background imageMaat Collection: MAAT

MAAT
Paulo Gomes

Background imageMaat Collection: 1224594

1224594



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"Maat: The Ancient Egyptian Goddess of Balance and Justice" In the ancient world, from 1312 to 1298 BC, the goddess Maat reigned supreme. Represented with a feather on her head, she symbolized order, truth, and harmony. Her presence can be seen in various forms throughout history. One such depiction is found in the detail of the Sekhmet frieze on the shrine of Tutankhamun at the Cairo Museum in Egypt. Here, Maat stands tall among other deities, showcasing her significance in Egyptian mythology. Fast forward to modern times and we find ourselves at the Museum of Art, Architecture and Technology (MaT) in Belem, Lisbon. In their MAAT series titled "Visitor Exit, " Maat's influence continues to captivate audiences as they explore art that reflects balance and justice. The power extends beyond museums alone; it permeates through literature as well. In both Book of Dead/31 and Book of Dead/32, her name appears alongside rituals for eternal life - a testament to her role as a guide for souls seeking salvation. Moving away from traditional depictions, we witness an intriguing sight atop rooftops - someone running freely under Lisbon's golden sunrise. This scene reminds us that even amidst bustling cities like Lisbon, where modernity thrives, there remains room for embracing ancient principles like those embodied by Maat. Returning to Egypt once more brings us face-to-face with Psamtik I's sarcophagus from the Late Period. Painted wood showcases intricate details depicting scenes related to death rituals while also honoring Maat's presence within this sacred burial artifact. Karnak Temple offers yet another glimpse into Egyptian artistry with its relief carving portraying none other than goddess Maat herself. Standing tall amongst other gods and goddesses carved into stone walls signifies her importance within religious practices during that era.