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Maclure Collection

Maclure, a name that resonates with the artistic and architectural heritage of London

Background imageMaclure Collection: Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes, 1867

Gothic Forms Applied to Furniture, Metal Work and Decoration for Domestic Purposes, 1867

Background imageMaclure Collection: Dufferin, c1890. Creator: Maclure and Macdonald

Dufferin, c1890. Creator: Maclure and Macdonald
Dufferin, c1890. Portrait of Frederick Temple Blackwood, Earl of Dufferin, British public servant. Regarded as one of the most able of Victorian diplomats

Background imageMaclure Collection: View of the cloisters of the Merchant Taylors School, City of London, 1860. Artist: Maclure

View of the cloisters of the Merchant Taylors School, City of London, 1860. Artist: Maclure
View of the cloisters of the Merchant Taylors School, City of London, 1860

Background imageMaclure Collection: Bow Churchyard, London, c1860. Artist: Andrew Maclure

Bow Churchyard, London, c1860. Artist: Andrew Maclure
Bow Churchyard, London, c1860; view of the premises of Copestake, Moore, Crampton & Co, Bow Churchyard. Streetscene with figures, carriages and carts

Background imageMaclure Collection: Design by Frederic Barnett for a duplex low-level bridge, London, 1876

Design by Frederic Barnett for a duplex low-level bridge, London, 1876. The bridge was intended to allow uninterrupted continuity of vehicular and general traffic

Background imageMaclure Collection: Interior view of the Scottish Corporation in Crane Court, near Fleet Street, City of London, 1860

Interior view of the Scottish Corporation in Crane Court, near Fleet Street, City of London, 1860
Interior view of the Scottish Corporation, formerly the Royal Scottish Societys rooms, in Crane Court, near Fleet Street, City of London, 1860

Background imageMaclure Collection: Marble Arch and street trams, London, 1860. Artist: Macdonald

Marble Arch and street trams, London, 1860. Artist: Macdonald
View of two street trams in front of Marble Arch, London, 1860

Background imageMaclure Collection: Riley 9 Brooklands of E Maclure and Bugatti Type 43 of JF Field, RAC TT, Ards Circuit

Riley 9 Brooklands of E Maclure and Bugatti Type 43 of JF Field, RAC TT, Ards Circuit
Riley Brooklands 9. Entry No: 14. Driver: Maclure, E. Flagged off. Left: Bugatti Type 43 Grand Sport 2262S cc. Reg. No. KO5128. Entry No: 53. Driver: Field, J.F. Flagged off

Background imageMaclure Collection: ERA of Raymond Mays and Riley of Percy Maclure racing at Crystal Palace, London, 1939

ERA of Raymond Mays and Riley of Percy Maclure racing at Crystal Palace, London, 1939
Right: ERA 1980S cc. No: 16. Driver: Mays, R. Right of centre: Riley 1487S cc. No: 21. Driver: Maclure, R.W. Left of centre: ERA 1488S cc. Entry No: 17. Left: Alfa Romeo 2904S cc

Background imageMaclure Collection: Edgar Maclures Riley leading Tim Birkins Alfa Romeo, RAC TT Race, Ards Circuit, Belfast, 1932

Edgar Maclures Riley leading Tim Birkins Alfa Romeo, RAC TT Race, Ards Circuit, Belfast, 1932
Riley 1486 cc. Entry No: 15. Driver: Maclure, E. Background: Alfa Romeo 2336S cc.Entry No: 3. Driver: Birkin, Sir H.R.S. Bt. Finished: 5th. Overall, 2nd. In class. R.A.C. T.T. Race. Date: 20.8.32

Background imageMaclure Collection: MG C type Midget of Cyril Paul and Riley of Edgar Maclure, RAC TT Race, Ards Circuit, Belfast, 1932

MG C type Midget of Cyril Paul and Riley of Edgar Maclure, RAC TT Race, Ards Circuit, Belfast, 1932
Right: MG C-Type Midget 746S cc. Event Entry No: 31. Driver: Paul, C. Retired. Left: Riley 1486 cc. Event Entry No: 15. Driver: Maclure, E. Finished: 8th. overall, 1st. In class. Place: R.A.C. T.T

Background imageMaclure Collection: Riley of PW Maclure and ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939

Riley of PW Maclure and ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939
Left: Riley 1487S cc. Event No: 21 Driver: Maclure, P.W Right: ERA 1980S cc. Entry No: 16. Driver: Mays, R. Centre: ERA 1488S cc.t Entry No: 17. Driver: Dobson, A.C. Crystal Palace. Imperial Trophy

Background imageMaclure Collection: Sevastopol

Sevastopol. Private Collection

Background imageMaclure Collection: View of the harbour of Balaclava

View of the harbour of Balaclava. Private Collection

Background imageMaclure Collection: Tennyson Maclure

Tennyson Maclure
Alfred Tennyson (1809 - 1892)the English poet and Poet Laureate in old age

Background imageMaclure Collection: Sir John Maclure

Sir John Maclure
Sir John William Maclure, 1st Baronet (1835 - 1901), British businessman and Conservative politician. Caption: The Whitehead Topedo. Date: 1892

Background imageMaclure Collection: MUIR: YOSEMITE, c1890. Mount Maclure, Mount Lyell and the highest Yosemite fountain

MUIR: YOSEMITE, c1890. Mount Maclure, Mount Lyell and the highest Yosemite fountain in Yosemite National Park. Sketch by American naturalist John Muir, c1890

Background imageMaclure Collection: Advertisement for Maclure & Macdonald

Advertisement for Maclure & Macdonald, Lithographers, Draftsmen, Engravers & Printers of London and Glasgow. circa 1883


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Maclure, a name that resonates with the artistic and architectural heritage of London. From Gothic forms applied to furniture and metalwork to stunning decorations for domestic purposes, Maclure's creations in 1867 showcased their mastery of intricate design. The collaboration between Maclure and Macdonald resulted in the breathtaking Dufferin, c1890 - a testament to their ability to merge elegance with functionality. The cloisters of the Merchant Taylors School stood as an awe-inspiring example of Maclure's craftsmanship in 1860. Andrew Maclure, another talented artist bearing the same name, captured the essence of Bow Churchyard in his artwork from around 1860. His attention to detail brought life to this historical site nestled within London's bustling streets. The interior view of St Pauls Cathedral (new) transported viewers back to c1852 when Andrew Maclure skillfully depicted its grandeur. Every brushstroke revealed his deep understanding and appreciation for architecture. Frederic Barnett's design for a duplex low-level bridge in London showcased Maclure's versatility beyond traditional artistry. Their influence extended into engineering projects that seamlessly blended aesthetics with practicality. In Crane Court near Fleet Street, City of London, we catch a glimpse inside the Scottish Corporation through an exquisite interior view captured by Maclure himself in 1860. This image serves as a reminder that beauty can be found even within corporate spaces. Macdonald left his mark on Marble Arch and street trams during 1860 - immortalizing these scenes through his artistic lens. His work highlighted not only architectural marvels but also everyday life intertwined with urban landscapes. Moving forward into more recent times, we witness racing legends like Raymond Mays and Percy Maclure competing at Crystal Palace in their ERA Riley Brooklands cars during 1939. These daredevils pushed boundaries while embodying speed and style on the track.