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Make Fun Of Collection

"Mocking the Sacred: A Satirical Journey through Art and Literature" Step into a world where jesters and fools reign, as they make fun of society's most revered figures

Background imageMake Fun Of Collection: Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)

Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)
AIS5356057 Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho) by Beardsley, Aubrey (1872-98); 32x25 cm; (add.info)

Background imageMake Fun Of Collection: Beauty is only skin deep (colour litho)

Beauty is only skin deep (colour litho)
8656187 Beauty is only skin deep (colour litho) by English School, (20th century); Private Collection; (add.info.: Beauty is only skin deep - then for heaven's sake skin her)

Background imageMake Fun Of Collection: The death of Admiral Horatio Nelson (1758-1805) at the time of victory

The death of Admiral Horatio Nelson (1758-1805) at the time of victory
MMM5481869 The death of Admiral Horatio Nelson (1758-1805) at the time of victory by Gillray, James (1757-1815); National Maritime Museum, London

Background imageMake Fun Of Collection: Dunce's cap, c.1880 (print)

Dunce's cap, c.1880 (print)
7293408 Dunce's cap, c.1880 (print); (add.info.: Education. Student wearing a dunce's cap at school. Imagery, France, ca 1880.); Photo: © Archives Charmet.

Background imageMake Fun Of Collection: Page from The Bible Emblem Anniversary Book (colour litho)

Page from The Bible Emblem Anniversary Book (colour litho)
8630704 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Background imageMake Fun Of Collection: Portraits de Brunswick, 1792 (engraving)

Portraits de Brunswick, 1792 (engraving)
8677260 Portraits de Brunswick, 1792 (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Portraits de Brunswick, 1792)

Background imageMake Fun Of Collection: The Dissolution (engraving)

The Dissolution (engraving)
8677250 The Dissolution (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The Dissolution)

Background imageMake Fun Of Collection: The last Shift (engraving)

The last Shift (engraving)
8677187 The last Shift (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The last Shift)

Background imageMake Fun Of Collection: Past & Present: The Bicycle (colour litho)

Past & Present: The Bicycle (colour litho)
8668679 Past & Present: The Bicycle (colour litho) by English School, (20th century); Private Collection; (add.info.: The Bicycle. Hobby Horse)

Background imageMake Fun Of Collection: The political dancing bear (engraving)

The political dancing bear (engraving)
8677197 The political dancing bear (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The political dancing bear)

Background imageMake Fun Of Collection: Wonders have not ceased (engraving)

Wonders have not ceased (engraving)
8677190 Wonders have not ceased (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Wonders have not ceased)

Background imageMake Fun Of Collection: Agesilaus in Egypt (litho)

Agesilaus in Egypt (litho)
8660739 Agesilaus in Egypt (litho) by Dudley, Robert Ambrose (1867-1951); Private Collection; (add.info.: Agesilaus in Egypt)

Background imageMake Fun Of Collection: The Political Machine that goes without Horses, 1769 (engraving)

The Political Machine that goes without Horses, 1769 (engraving)
8677244 The Political Machine that goes without Horses, 1769 (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The Political Machine that goes without Horses)

Background imageMake Fun Of Collection: Musical entertainment provided in the form of a singing troubadour and children playing a paino

Musical entertainment provided in the form of a singing troubadour and children playing a paino (colour litho)
7150669 Musical entertainment provided in the form of a singing troubadour and children playing a paino (colour litho) by Reynolds

Background imageMake Fun Of Collection: The Old Man and the Three Young Men, 1850

The Old Man and the Three Young Men, 1850
3478185 The Old Man and the Three Young Men, 1850; (add.info.: Illustration titled 'The Old Man and the Three Young Men'. The young men are mocking the old man for planting a tree at his age)

Background imageMake Fun Of Collection: The Birthright of Englishmen ascertained, 1216. Surrendered March 22 1770 (engraving)

The Birthright of Englishmen ascertained, 1216. Surrendered March 22 1770 (engraving)
8677185 The Birthright of Englishmen ascertained, 1216. Surrendered March 22 1770 (engraving) by English School, (18th century) (after); Private Collection; (add.info)

Background imageMake Fun Of Collection: Posh boy refusing to carry a yacht (colour litho)

Posh boy refusing to carry a yacht (colour litho)
8635564 Posh boy refusing to carry a yacht (colour litho) by English School, (20th century); Private Collection; (add.info.: Posh boy refusing to carry a yacht)

Background imageMake Fun Of Collection: Musical entertainment provided in the form of ballad songs and jazz (colour litho)

Musical entertainment provided in the form of ballad songs and jazz (colour litho)
7150668 Musical entertainment provided in the form of ballad songs and jazz (colour litho) by Reynolds, Frank (1876-1953); Private Collection; (add.info)

Background imageMake Fun Of Collection: John Bull (icon of the British nation) exchanging news with the continent

John Bull (icon of the British nation) exchanging news with the continent
MMM5481948 John Bull (icon of the British nation) exchanging news with the continent by Woodward, George Moutard (c.1760-1809); National Maritime Museum, London

Background imageMake Fun Of Collection: The hop merchant from Kent (England) and the speaker at Optics

The hop merchant from Kent (England) and the speaker at Optics
MMM5477349 The hop merchant from Kent (England) and the speaker at Optics; National Maritime Museum, London, UK; (add.info.: The hop merchant from Kent (England) and the speaker of optics

Background imageMake Fun Of Collection: A fight (milling match, a type of boxing where the fighters sit)

A fight (milling match, a type of boxing where the fighters sit, fighting only with their fists) between bridges
MMM5482865 A fight (milling match, a type of boxing where the fighters sit, fighting only with their fists) between bridges by Tegg, Thomas (1776-1845) ; National Maritime Museum, London

Background imageMake Fun Of Collection: The rivals, a cartoon featuring Royal Navy sailors offering to help a young girl who has just

The rivals, a cartoon featuring Royal Navy sailors offering to help a young girl who has just tipped over her basket
MMM5481856 The rivals, a cartoon featuring Royal Navy sailors offering to help a young girl who has just tipped over her basket; National Maritime Museum, London, UK; (add.info.: The rivals)

Background imageMake Fun Of Collection: Equity or the sailor's prayer before the battle

Equity or the sailor's prayer before the battle
MMM5481797 Equity or the sailor's prayer before the battle by Tegg, Thomas (1776-1845) ; National Maritime Museum, London, UK; (add.info.: Fairness or the sailor's prayer before the battle)

Background imageMake Fun Of Collection: Thus vibrates the Affairs of Old England (engraving)

Thus vibrates the Affairs of Old England (engraving)
8677196 Thus vibrates the Affairs of Old England (engraving) by English School, (18th century) (after); Private Collection; (add.info.: Thus vibrates the Affairs of Old England)

Background imageMake Fun Of Collection: The Diaboliad (engraving)

The Diaboliad (engraving)
8677301 The Diaboliad (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The Diaboliad)

Background imageMake Fun Of Collection: The Spartans and Tyrtaeus (litho)

The Spartans and Tyrtaeus (litho)
8660831 The Spartans and Tyrtaeus (litho) by Rowlandson, George Derville (1861-1930) (after); Private Collection; (add.info.: The Spartans and Tyrtaeus)

Background imageMake Fun Of Collection: The equipment of cadet (aspiring officer) William Blockhead, for his service on the HMS 'Hellfire'

The equipment of cadet (aspiring officer) William Blockhead, for his service on the HMS 'Hellfire' at a station
MMM5478578 The equipment of cadet (aspiring officer) William Blockhead, for his service on the HMS 'Hellfire' at a station in the West Indies (America) by Cruikshank

Background imageMake Fun Of Collection: The Premier distributing the loaves and fishes to the labourers in His vineyard, May 9

The Premier distributing the loaves and fishes to the labourers in His vineyard, May 9, 1772 (engraving)
8677189 The Premier distributing the loaves and fishes to the labourers in His vineyard, May 9, 1772 (engraving) by English School

Background imageMake Fun Of Collection: Grand members concert in the House of Commons (colour litho)

Grand members concert in the House of Commons (colour litho)
8672215 Grand members concert in the House of Commons (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageMake Fun Of Collection: The Guy Faux of 1770 (engraving)

The Guy Faux of 1770 (engraving)
8677805 The Guy Faux of 1770 (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The Guy Faux of 1770)

Background imageMake Fun Of Collection: The State Hackney Coach, 1773 (engraving)

The State Hackney Coach, 1773 (engraving)
8677791 The State Hackney Coach, 1773 (engraving) by English School, (18th century) (after); Private Collection; (add.info.: The State Hackney Coach, 1773. They go fast whom the devil drives)

Background imageMake Fun Of Collection: Dido's despair, caricature making fun of Horatio Nelson and Lady Emma Hamilton's relationship

Dido's despair, caricature making fun of Horatio Nelson and Lady Emma Hamilton's relationship, 1801 (engraving)
MMM5481908 Dido's despair, caricature making fun of Horatio Nelson and Lady Emma Hamilton's relationship, 1801 (engraving) by Gillray, James (1757-1815); National Maritime Museum, London

Background imageMake Fun Of Collection: The old bachelor, 1836 (illustration)

The old bachelor, 1836 (illustration)
7485443 The old bachelor, 1836 (illustration) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: The old bachelor)

Background imageMake Fun Of Collection: Dunce's cap, c.1880 (print)

Dunce's cap, c.1880 (print)
7293414 Dunce's cap, c.1880 (print) by French School, (19th century); (add.info.: Education. Student wearing a dunce's cap at school. Imagery, France, ca 1880.); Photo: © Archives Charmet

Background imageMake Fun Of Collection: The Mocking of Christ, 1612-13, (painting)

The Mocking of Christ, 1612-13, (painting)
7130058 The Mocking of Christ, 1612-13, (painting) by Honthorst, Gerrit van (1590-1656); Santa Maria della Vittoria, Rome, Italy; (add.info.: The Mocking of Christ, 1612-13, Gerard van Honthorst)

Background imageMake Fun Of Collection: Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving)

Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving)
7312473 Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Background imageMake Fun Of Collection: The Almost-Night Fool, 1660-86 (brush and Indian ink on paper)

The Almost-Night Fool, 1660-86 (brush and Indian ink on paper)
7308554 The Almost-Night Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Falsifier Fool, 1660-86 (brush and Indian ink on paper)

The Falsifier Fool, 1660-86 (brush and Indian ink on paper)
7308534 The Falsifier Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)

The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper)
7308522 The Fool Who Gives With Displeasure, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Goodness-Preventing Fool, 1660-86 (brush and Indian ink on paper)

The Goodness-Preventing Fool, 1660-86 (brush and Indian ink on paper)
7308520 The Goodness-Preventing Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Usury Fool, 1660-86 (brush and Indian ink on paper)

The Usury Fool, 1660-86 (brush and Indian ink on paper)
7308516 The Usury Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Aufbutz Fool, 1660-86 (brush and Indian ink on paper)

The Aufbutz Fool, 1660-86 (brush and Indian ink on paper)
7308513 The Aufbutz Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Fool Who Prefers Lust To Nurture, 1660-86 (brush and Indian ink on paper)

The Fool Who Prefers Lust To Nurture, 1660-86 (brush and Indian ink on paper)
7308507 The Fool Who Prefers Lust To Nurture, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Sow-Quoting Jester, 1660-86 (brush and Indian ink on paper)

The Sow-Quoting Jester, 1660-86 (brush and Indian ink on paper)
7308474 The Sow-Quoting Jester, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Processionary Fool, 1660-86 (brush and Indian ink on paper)

The Processionary Fool, 1660-86 (brush and Indian ink on paper)
7308471 The Processionary Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Fool Fallen Into His Own Net, 1660-86 (brush and Indian ink on paper)

The Fool Fallen Into His Own Net, 1660-86 (brush and Indian ink on paper)
7308467 The Fool Fallen Into His Own Net, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Beggar Fool, 1660-86 (brush and Indian ink on paper)

The Beggar Fool, 1660-86 (brush and Indian ink on paper)
7308456 The Beggar Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageMake Fun Of Collection: The Fool In Love With Himself, 1660-86 (brush and Indian ink on paper)

The Fool In Love With Himself, 1660-86 (brush and Indian ink on paper)
7308451 The Fool In Love With Himself, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford



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"Mocking the Sacred: A Satirical Journey through Art and Literature" Step into a world where jesters and fools reign, as they make fun of society's most revered figures. From religious icons to comedic characters, these artworks capture the essence of satire and mockery. In "Christ Crowned with Thorns (Mocked Christ), " an oil painting from 1620, we witness the cruel taunting endured by Jesus before his crucifixion. The artist skillfully portrays the pain and humiliation inflicted upon him, reminding us of humanity's capacity for cruelty. "The Mocking of Christ, " a painting from 1612-13, delves deeper into this theme. It depicts the moment when Jesus is ridiculed by those who mock his claim to divinity. Through vivid brushstrokes, we can almost hear their laughter echoing in our minds. But mockery isn't limited to religious subjects alone; it seeps into other realms as well. In "Lysistrata and his allies defending access to the acropolis by farts, " a lithograph from 1896, Aristophanes' famous play comes alive with humor. Here, women use flatulence as a weapon against men in their battle for power – a comical twist on gender dynamics. Moving away from theater but still within the realm of comedy, "Arlequin and Leandre drink and sing while mocking Pierrot" captures an engraving from 1880 that showcases playful banter between theatrical characters. Their joviality mocks Pierrot's seriousness while highlighting the joy found in lightheartedness. Delving further into satirical artistry are works like "The Almost-Night Fool, " "The Falsifier Fool, " "The Fool Who Gives With Displeasure, " "The Goodness-Preventing Fool, " "The Usury Fool, " "The Aufbutz Fool, " and finally, "The Fool Who Prefers Lust To Nurture.