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Mallord Collection (page 2)

Joseph Mallord William Turner, commonly known as J. M. W. Turner, was a renowned British painter who lived from 1775 to 1851

Background imageMallord Collection: Joseph Mallord William Turner and William Say, British (1768-1834), Tenth Plague of Egypt

Joseph Mallord William Turner and William Say, British (1768-1834), Tenth Plague of Egypt
Joseph Mallord William Turner and William Say (British, 1768 - 1834), Tenth Plague of Egypt, published 1816, etching and mezzotint

Background imageMallord Collection: Joseph Mallord William Turner and Henry Edward Dawe (British, 1775 - 1851), The Source

Joseph Mallord William Turner and Henry Edward Dawe (British, 1775 - 1851), The Source of the Arveron, published 1816, etching and mezzotint

Background imageMallord Collection: Joseph Mallord William Turner and George Clint (British, 1770 - 1854), Procris

Joseph Mallord William Turner and George Clint (British, 1770 - 1854), Procris and Cephalus, published 1812, etching and mezzotint

Background imageMallord Collection: Joseph Mallord William Turner and Robert Dunkarton (British, 1775 - 1851), Water Mill

Joseph Mallord William Turner and Robert Dunkarton (British, 1775 - 1851), Water Mill, published 1812, etching and mezzotint

Background imageMallord Collection: Joseph Mallord William Turner and W. T. Annis and J

Joseph Mallord William Turner and W. T. Annis and J
Joseph Mallord William Turner and W.T. Annis and J.C. Easling (British, active early 19th century), The Mildmay Sea-Piece, published 1812, etching, mezzotint, and aquatint

Background imageMallord Collection: Joseph Mallord William Turner and Charles Turner (British, 1773 - 1857), Basle, published

Joseph Mallord William Turner and Charles Turner (British, 1773 - 1857), Basle, published 1807, etching and mezzotint

Background imageMallord Collection: John Pye after Joseph Mallord William Turner (British, 1782 - 1874), Ehrenbreitstein

John Pye after Joseph Mallord William Turner (British, 1782 - 1874), Ehrenbreitstein, 1845, engraving on chine colla©

Background imageMallord Collection: Joseph Mallord William Turner (British, 1775 - 1851), A Waterfall, 1795-1796, graphite

Joseph Mallord William Turner (British, 1775 - 1851), A Waterfall, 1795-1796, graphite with blue and gray wash, laid down on old album sheet

Background imageMallord Collection: Van Tromp, going about to please his Masters, Ships a Sea, getti

Van Tromp, going about to please his Masters, Ships a Sea, getting a Good Wetting; Joseph Mallord William Turner, British, 1775 - 1851; 1844; Oil on canvas; Unframed: 91.4 x 121.9 cm (36 x 48 in.)

Background imageMallord Collection: Modern Rome - Campo Vaccino

Modern Rome - Campo Vaccino; Joseph Mallord William Turner, British, 1775 - 1851; England, Europe; 1839; Oil on canvas; Unframed: 91.8 x 122.6 cm (36 1/8 x 48 1/4 in.)

Background imageMallord Collection: Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851

Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Harlech Castle, from Tygwyn Ferry, Summers Evening Twilight Harlech Castle

Harlech Castle, from Tygwyn Ferry, Summers Evening Twilight Harlech Castle, from Twgwyn Ferry, Summers Evening Twilight, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Off the Nore Squally Weather, Joseph Mallord William Turner, 1775-1851, British

Off the Nore Squally Weather, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore

Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off Shore, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Port Ruysdael, Joseph Mallord William Turner, 1775-1851, British

Port Ruysdael, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Chateau de St. Michael, Bonneville, Savoy, Joseph Mallord William Turner, 1775-1851

Chateau de St. Michael, Bonneville, Savoy, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Tummel Bridge, Perthshire Dummel Bridge Dummel Bridge, Fifeshire, Painted in 1812

Tummel Bridge, Perthshire Dummel Bridge Dummel Bridge, Fifeshire, Painted in 1812 Highland Bridge, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Dort or Dordrecht: The Dort packet-boat from Rotterdam, The Netherlands becalmed

Dort or Dordrecht: The Dort packet-boat from Rotterdam, The Netherlands becalmed Inscribed, lower right: " Dort" Signed and dated, lower right: " JMW Turner RA 1818"

Background imageMallord Collection: Limekiln at Coalbrookdale Lime Kilns by Night, Joseph Mallord William Turner, 1775-1851

Limekiln at Coalbrookdale Lime Kilns by Night, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Schloss Rosenau, Coburg Signed in brown paint, lower left: JM TURNER | RA'

Schloss Rosenau, Coburg Signed in brown paint, lower left: JM TURNER | RA"
Schloss Rosenau, Coburg Signed in brown paint, lower left: " JM TURNER | RA" ; lower right: " RA", Formerly attributed to Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: The Victory Returning from Trafalgar, in Three Positions The Victory'

The Victory Returning from Trafalgar, in Three Positions The Victory"
The Victory Returning from Trafalgar, in Three Positions The " Victory" returning from Trafalgar Inscription lower right, illegible. Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: Stormy Sea Breaking on a Shore Waves Breaking on the Shore, Joseph Mallord William Turner

Stormy Sea Breaking on a Shore Waves Breaking on the Shore, Joseph Mallord William Turner, 1775-1851, British

Background imageMallord Collection: TURNER: CAMPO SANTO. Campo Santo in Venice, Italy

TURNER: CAMPO SANTO. Campo Santo in Venice, Italy. Oil on canvas, 1842, by Joseph Mallord William Turner

Background imageMallord Collection: TURNER: GRAND CANAL, c1837. Grand Canal, Venice. Oil on canvas by Joseph Mallord William Turner

TURNER: GRAND CANAL, c1837. Grand Canal, Venice. Oil on canvas by Joseph Mallord William Turner, c1837

Background imageMallord Collection: The Angel Standing in the Sun c1846. Joseph Mallord Willliam Turner (1775-1851)

The Angel Standing in the Sun c1846. Joseph Mallord Willliam Turner (1775-1851) English painter. Oil on canvas

Background imageMallord Collection: Constance c1841-1842: Joseph Mallord Willliam Turner (1775-1851) English artist

Constance c1841-1842: Joseph Mallord Willliam Turner (1775-1851) English artist. Study

Background imageMallord Collection: Venice: View of La Salute and the Ridotto at night. Joseph Mallord Willliam Turner

Venice: View of La Salute and the Ridotto at night. Joseph Mallord Willliam Turner (1775-1851) English artist

Background imageMallord Collection: Artist Painting in a Room with a Large Window 1828: Joseph Mallord Willliam Turner

Artist Painting in a Room with a Large Window 1828: Joseph Mallord Willliam Turner (1775-1851) English artist

Background imageMallord Collection: Music Party, East Cowes Castle c1835: Joseph Mallord Willliam Turner (1775-1851)

Music Party, East Cowes Castle c1835: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Whitby c1824: Joseph Mallord Willliam Turner (1775-1851) English artist. Watercolour on paper

Whitby c1824: Joseph Mallord Willliam Turner (1775-1851) English artist. Watercolour on paper

Background imageMallord Collection: Joseph Mallord William Turner (1775-1851) English artist. Self portrait, age

Joseph Mallord William Turner (1775-1851) English artist. Self portrait, age 24 Oil painting

Background imageMallord Collection: The Sun of Venice Going to Sea exhibited 1843: Joseph Mallord Willliam Turner

The Sun of Venice Going to Sea exhibited 1843: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate themselves

Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate themselves 1846: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Venice: The Dogana (Customs Office), San Giorgio, Citella, from the Steps of the Europa 1842

Venice: The Dogana (Customs Office), San Giorgio, Citella, from the Steps of the Europa 1842: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Queen Mabs Cave 1846: Joseph Mallord Willliam Turner (1775-1851) English artist

Queen Mabs Cave 1846: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Mercury Sent to Admonish Aeneas 1850. Joseph Mallord Willliam Turner (1775-1851)

Mercury Sent to Admonish Aeneas 1850. Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Calais Pier: an English packet boat arriving, 1803: Joseph Mallord Willliam Turner

Calais Pier: an English packet boat arriving, 1803: Joseph Mallord Willliam Turner (1775-1851) English artist. Oil on canvas

Background imageMallord Collection: Trafalgar : painting by James Mallord William Turner (1775-1851). Oil on canvas

Trafalgar : painting by James Mallord William Turner (1775-1851). Oil on canvas. Battle of Trafalgar, 21 October 1805, between British and Franco-Spanish fleets

Background imageMallord Collection: FRANCE: SAUMUR. A view of the waterfront in Saumur, France, on the Loire River

FRANCE: SAUMUR. A view of the waterfront in Saumur, France, on the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: BLOIS. A view of Blois on the Loire River in France, showing the royal chteu at left

FRANCE: BLOIS. A view of Blois on the Loire River in France, showing the royal chteu at left and the cathedral at right. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: MONTJEAN-SUR-LOIRE. A view of Montjean-sur-Loire on the Loire River in France

FRANCE: MONTJEAN-SUR-LOIRE. A view of Montjean-sur-Loire on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: AMBOISE. A view of the royal chteau at Amboise, France, on the Loire River

FRANCE: AMBOISE. A view of the royal chteau at Amboise, France, on the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: ORLEANS. A view of the cathedral and adjacent buildings in Orl

FRANCE: ORLEANS. A view of the cathedral and adjacent buildings in Orl

Background imageMallord Collection: FRANCE: TOURS. A view of the waterfront in Tours, France, on the Loire River

FRANCE: TOURS. A view of the waterfront in Tours, France, on the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: CHATEAU ON LOIRE. Ruins of a chteau, believed to date from the 14th century, at Clairmont

FRANCE: CHATEAU ON LOIRE. Ruins of a chteau, believed to date from the 14th century, at Clairmont, France, overlooking the Loire River. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: SAUMUR. A view of Saumur on the Loire River in France

FRANCE: SAUMUR. A view of Saumur on the Loire River in France. Steel engraving, English, c1835, after J. M. W. Turner
FRANCE: SAUMUR. A view of Saumur on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: LOIRE. Scene on the Loire River in France. Steel engraving, English, c1835, after J. M. W

FRANCE: LOIRE. Scene on the Loire River in France. Steel engraving, English, c1835, after J. M. W. Turner
FRANCE: LOIRE. Scene on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner

Background imageMallord Collection: FRANCE: BEAUGENCY. A view of Beaugency on the Loire River in France

FRANCE: BEAUGENCY. A view of Beaugency on the Loire River in France. Steel engraving, English, c1835, after J. M. W
FRANCE: BEAUGENCY. A view of Beaugency on the Loire River in France. Steel engraving, English, c1835, after J.M.W. Turner



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Joseph Mallord William Turner, commonly known as J. M. W. Turner, was a renowned British painter who lived from 1775 to 1851. His works captured the beauty and essence of various landscapes and historical events. One of his notable paintings is "Rain, Steam and Speed – The Great Western Railway, " which depicts a train crossing the Beeston Castle in Cheshire. This masterpiece showcases Turner's ability to capture movement and atmospheric effects with his brushstrokes. Another famous artwork by Turner is "The Burning of the Houses of Lords and Commons, " painted in 1834 after witnessing this catastrophic event firsthand. This painting portrays the destructive fire that engulfed the Parliament buildings on October 16th, leaving an indelible mark on London's history. Turner also excelled in pencil drawings, such as his depiction of Inverary Pier at Loch Fyne during a serene morning. His attention to detail brings out the tranquility of this Scottish landscape. In "Sunset at Flint Castle, " Turner captures Wales' rugged beauty as he paints the castle against a breathtaking sunset backdrop. The play between light and shadow creates an ethereal atmosphere that only enhances its charm. Throughout his career, Joseph Mallord William Turner showcased his versatility by exploring different subjects ranging from canal scenes like Newark Abbey Thames Lighter at Teddington Canal Scene with Barges to mythological themes like "The Goddess of Discord Choosing the Apple. " These diverse artworks demonstrate his mastery over various genres. Turner's love for nature led him to depict stunning natural formations like Staffa's Fingal's Cave or Walton Bridges spanning across riverscapes. His ability to convey mood through colors and textures made these landscapes come alive on canvas. Approaching Venice in 1844 marked one of Turner's later works where he portrayed Venice’s grandeur using oil paint techniques. This piece exemplifies how he continued pushing boundaries throughout his career while maintaining artistic excellence.