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Mannerism Collection (page 44)

"Mannerism: A Captivating Display of Artistic Eccentricity" Step into the world of Mannerism, a captivating artistic movement that emerged in the late Renaissance period

Background imageMannerism Collection: Chastity, 1516-1570. Artist: Frans Floris

Chastity, 1516-1570. Artist: Frans Floris
Chastity, 1516-1570. Found in the collection of the Hermitage, St Petersburg, Russia

Background imageMannerism Collection: Lucrezia Panchiatichi, c1540. Artist: Agnolo Bronzino

Lucrezia Panchiatichi, c1540. Artist: Agnolo Bronzino
Lucrezia Panchiatichi, c1540. From the collection of the Galleria degli Uffizi, Florence, Italy

Background imageMannerism Collection: The Bath of Diane, c1510. Artist: Francois Clouet

The Bath of Diane, c1510. Artist: Francois Clouet
The Bath of Diane, c1510

Background imageMannerism Collection: Marriage Feast of Cupid and Pscyhe, c1520-1546. Artist: Giulio Romano

Marriage Feast of Cupid and Pscyhe, c1520-1546. Artist: Giulio Romano
Marriage Feast of Cupid and Pscyhe, c1500-1546

Background imageMannerism Collection: Angel Musician, c1520. Artist: Rosso Fiorentino

Angel Musician, c1520. Artist: Rosso Fiorentino
Angel Musician, c1520. Found in the collection of the Galleria degli Uffizi, Florence, Italy

Background imageMannerism Collection: Giuseppe da Porto and his Son, 16th century. Artist: Paolo Veronese

Giuseppe da Porto and his Son, 16th century. Artist: Paolo Veronese
Giuseppe da Porto and his Son, 16th century

Background imageMannerism Collection: Portrait of Countess Livia da Porto Thiene and her Daughter, c1551. Artist: Paolo Veronese

Portrait of Countess Livia da Porto Thiene and her Daughter, c1551. Artist: Paolo Veronese
Portrait of Countess Livia da Porto Thiene and her Daughter, c1551. From the collection of the Walters Art Gallery, Baltimore, U.S.A

Background imageMannerism Collection: The Tower of Babel, ca. 1600. Artist: Bassano, Leandro (1557-1622)

The Tower of Babel, ca. 1600. Artist: Bassano, Leandro (1557-1622)
The Tower of Babel, ca. 1600. Found in the collection of the National Gallery, London

Background imageMannerism Collection: Tanaquil, c. 1519. Artist: Beccafumi, Domenico (1486-1551)

Tanaquil, c. 1519. Artist: Beccafumi, Domenico (1486-1551)
Tanaquil, c. 1519. Found in the collection of the National Gallery, London

Background imageMannerism Collection: Marcia, c. 1519. Artist: Beccafumi, Domenico (1486-1551)

Marcia, c. 1519. Artist: Beccafumi, Domenico (1486-1551)
Marcia, c. 1519. Found in the collection of the National Gallery, London

Background imageMannerism Collection: The Sacrifice of Codrus, King of Athens (Public Virtues of Greek and Roman Heroes), 1529-1535

The Sacrifice of Codrus, King of Athens (Public Virtues of Greek and Roman Heroes), 1529-1535. Found in the collection of the Palazzo Pubblico, Torre del Mangia, Siena

Background imageMannerism Collection: The Charity of St Nicholas of Bari, ca 1555. Artist: Macchietti, Girolamo (c. 1535-1592)

The Charity of St Nicholas of Bari, ca 1555. Artist: Macchietti, Girolamo (c. 1535-1592)
The Charity of St Nicholas of Bari, ca 1555. Found in the collection of the National Gallery, London

Background imageMannerism Collection: Satyr and Nymph. Artist: Carracci, Agostino (1557-1602)

Satyr and Nymph. Artist: Carracci, Agostino (1557-1602)
Satyr and Nymph. Found in the collection of the Nationalmuseum Stockholm

Background imageMannerism Collection: Robert Dudley, 1st Earl of Leicester (1532-1588), 1560s. Artist: Meulen

Robert Dudley, 1st Earl of Leicester (1532-1588), 1560s. Artist: Meulen, Steven van der (active 1543-1564)
Robert Dudley, 1st Earl of Leicester (1532-1588), 1560s. Found in the collection of the Yale University

Background imageMannerism Collection: Portrait of King Henry II of France (Copy). Artist: Clouet, Francois (1510-1572)

Portrait of King Henry II of France (Copy). Artist: Clouet, Francois (1510-1572)
Portrait of King Henry II of France (Copy). Found in the collection of the Rijksmuseum, Amsterdam

Background imageMannerism Collection: The Adoration of the Magi, late 16th or 17th century. Artist: Rutilio di Lorenzo Manetti

The Adoration of the Magi, late 16th or 17th century. Artist: Rutilio di Lorenzo Manetti
The Adoration of the Magi, late 16th or 17th century. Found in the collection of the State Art Museum, Yekaterinburg, Russia

Background imageMannerism Collection: In a shop, late 16th or early 17th century. Artist: Lodewijk Toeput

In a shop, late 16th or early 17th century. Artist: Lodewijk Toeput
In a shop, late 16th or early 17th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania

Background imageMannerism Collection: Venus and Cupid, 1600. Artist: Aegidius Sadeler II

Venus and Cupid, 1600. Artist: Aegidius Sadeler II
Venus and Cupid, 1600. According to Roman Mythology, Cupid was the son of Venus, the goddess of love, and Mars, the god of war

Background imageMannerism Collection: Portrait of Maria de Medici, 16th century. Artist: Alessandro Allori

Portrait of Maria de Medici, 16th century. Artist: Alessandro Allori
Portrait of Maria de Medici (26 April 1575 - 4 July 1642, from the Kunthistoriches Museums collection, Vienna, 16th century

Background imageMannerism Collection: San Rocco in Glory, 1564. Artist: Jacopo Tintoretto

San Rocco in Glory, 1564. Artist: Jacopo Tintoretto
San Rocco in Glory, 1564. From the Scuola San Rocco, Venice, Italy

Background imageMannerism Collection: Two women with a mirror, c. 1620, by Orazio Gentileschi (1563

Two women with a mirror, c. 1620, by Orazio Gentileschi (1563
Orazio Gentileschi (1563 -1639). Italian painter. Two women with a mirror, c.1620. Alte Pinakothek. Munich. Germany

Background imageMannerism Collection: Giulio Romano (1499-1546). Italian painter. Noli me tangere

Giulio Romano (1499-1546). Italian painter. Noli me tangere
Giulio Romano (1499-1546). Italian painter, pupil of Raphael. Noli me tangere. Christ appears to Saint Mary Magdalen after the resurrectIon. Wood. Mannerism. Prado Museum. Spain

Background imageMannerism Collection: BAROCCI, Federico Fiori da Urbino, called Federico (1526-161

BAROCCI, Federico Fiori da Urbino, called Federico (1526-1612). The Nativity. Mannerism art. Oil on canvas



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"Mannerism: A Captivating Display of Artistic Eccentricity" Step into the world of Mannerism, a captivating artistic movement that emerged in the late Renaissance period. With its exaggerated forms, elongated figures, and intricate compositions, Mannerism pushed the boundaries of traditional art. Take a glimpse at El Greco's "View of Toledo, " where the artist skillfully captures an otherworldly landscape with distorted perspectives and vibrant colors. In his masterpiece "The Fable, " El Greco showcases his unique style through elongated figures and dramatic lighting, creating a sense of mystery and intensity. Agnolo Bronzino's "An Allegory with Venus and Cupid" mesmerizes viewers with its sensual yet enigmatic portrayal. The delicate details and meticulous brushwork highlight Bronzino's mastery in capturing complex emotions within his subjects. Benvenuto Cellini's sculpture "Perseus" astonishes with its dynamic composition and intricate detailing. This masterpiece embodies the essence of Mannerist sculpture by showcasing exaggerated poses and elaborate ornamentation. The School of Fontainebleau presents us with "Gabrielle d'Estrees and one of her sisters. " This painting exudes elegance as it portrays two noblewomen engaged in intimate conversation while surrounded by sumptuous fabrics—a testament to the refined aesthetics characteristic of Mannerism. Raphael's "Transfiguration" exemplifies how this artistic movement blended elements from both High Renaissance classicism and emerging Mannerist tendencies. The harmonious composition combined with intense emotion creates a powerful visual narrative. Intriguingly titled "Minerva Victorious over Ignorance, " this artwork symbolizes knowledge triumphing over ignorance through allegorical representations—an essential theme explored during this era. Anonymous brings forth Antonietta Gonsalvus in their portrait, revealing beauty beyond conventional norms—a reflection on society's obsession with physical appearance during that time.