Mantegna Andrea 1431 1506 Collection

Saint Mark the Evangelist, c.1450 (mixed media on canvas)
7487568 Saint Mark the Evangelist, c.1450 (mixed media on canvas) by Mantegna, Andrea (1431-1506); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Andrea Mantegna)

Triumph of Caesar and Oculus of the Bridal Chamber, c. 1473 (fresco)
7413400 Triumph of Caesar and Oculus of the Bridal Chamber, c.1473 (fresco) by Mantegna, Andrea (1431-1506); o270 cm; Palazzo Ducale & Museo, Mantua, Lombardy

Scenes from the life of Christ, 1463-64 circa, (tempera on panel)
7146579 Scenes from the life of Christ, 1463-64 circa, (tempera on panel) by Mantegna, Andrea (1431-1506); Galleria degli Uffizi, Florence, Tuscany

Portrait of Ludovico Gonzaga, 1470 circa, Andrea Mantegna (tempera on panel)
7064142 Portrait of Ludovico Gonzaga, 1470 circa, Andrea Mantegna (tempera on panel) by Mantegna, Andrea (1431-1506); Museo di Capodimonte, Naples, Campania

The Infant Savior, c. 1460 (tempera on canvas)
7295167 The Infant Savior, c.1460 (tempera on canvas) by Mantegna, Andrea (1431-1506); 70.2 x 34.3 cm; National Gallery of Art, Washington DC, USA; (add.info.: by Andrea Mantegna (1431-1506))

The martyrdom of Saint Christopher and the moving of his body (before restoration), c. 1450-56 (fresco)
897130 The martyrdom of Saint Christopher and the moving of his body (before restoration), c.1450-56 (fresco) by Mantegna, Andrea (1431-1506); Chiesa degli Eremitani (Eremitani Church), Padua

Andrea Mantegna, The "Virgin of Quarries": Virgin and Child and on the background stone quarries with workers
GIM5038229 Andrea Mantegna, The " Virgin of Quarries" : Virgin and Child and on the background stone quarries with workers at work, Uffizi Gallery, Florence by Mantegna

Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale)
BEN5463163 Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale, Mantova): detail of allegorical figures and putti

Ducal Palace of Mantua, House of Spouses, Italy (Camera degli Sposi, Palazzo Ducale, Mantova)
BEN5462606 Ducal Palace of Mantua, House of Spouses, Italy (Camera degli Sposi, Palazzo Ducale, Mantova). Fresco by Andrea Mantegna (1431-1506), 1474

La Sainte Famille (The Holy Family) - Peinture de Andrea Mantegna (1431-1506), huile sur toile (75x61, 5)
FIA5387427 La Sainte Famille (The Holy Family) - Peinture de Andrea Mantegna (1431-1506), huile sur toile (75x61, 5), vers 1495 - State Art Gallery, Dresde (Allemagne) by Mantegna

Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale)
BEN5463160 Occulus of the ceiling of the House of Spouses, Ducal Palace of Mantua, Italy (Camera degli Sposi, Palazzo Ducale, Mantova). Fresco by Andrea Mantegna (1431-1506), 1474

The Virgin with the Dead Christ, c. 1480 (tempera on panel)
BAL53580 The Virgin with the Dead Christ, c.1480 (tempera on panel) by Montagnana, Jacopo da (1440/43-1508); 76x50.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; Italian

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Andrea Mantegna (1431-1506) was an Italian painter and engraver who made significant contributions to the Renaissance art movement. His works encompassed a wide range of subjects, from religious scenes to mythological narratives, showcasing his exceptional talent and attention to detail. One of his notable frescoes is the "Triumph of Caesar and Oculus of the Bridal Chamber" created around 1473. This masterpiece depicts a grand procession celebrating Julius Caesar's victory, while the Oculus showcases a stunning architectural illusion that adds depth to the scene. In his "Scenes from the life of Christ" series painted in 1463-64, Mantegna portrayed various episodes from Jesus' life with meticulous precision using tempera on panel technique. These artworks capture both emotional intensity and spiritual devotion. Mantegna's portraiture skills are evident in his work like "Portrait of Ludovico Gonzaga, " circa 1470. The painting exudes elegance as it captures Gonzaga's regal presence through delicate brushwork and vibrant colors. Another remarkable piece by Mantegna is "Judith with the Head of Holofernes, " executed between 1495-1500. This powerful depiction showcases Judith's bravery as she holds the severed head of her enemy, displaying Mantegna's ability to convey drama and tension within a composition. "The Infant Savior, " created around 1460, portrays baby Jesus with exquisite tenderness on canvas using tempera technique. It exemplifies Mantegna's ability to depict divine innocence through subtle details and soft hues. Mantegna also showcased his mastery in narrative storytelling through paintings such as "David Holding Goliath’s Head. " Painted in 1490, this artwork captures David's triumph over Goliath with striking realism and intricate details that highlight Mantegna's skillful use of light and shadow.