Fraud Blocker Skip to main content

Manuscript Collection (page 5)

"Unveiling the Treasures: A Journey through Time and Knowledge" Step into the world of manuscripts, where history comes alive through ink and parchment

Background imageManuscript Collection: Js Bach / Bone

Js Bach / Bone
JOHANN SEBASTIAN BACH German organist and composer with a manuscript in his hand

Background imageManuscript Collection: Froissart / Chronicles

Froissart / Chronicles
JEAN FROISSART - French chronicler in his study

Background imageManuscript Collection: Book of the procession in honour of circumcision of Prince Mehmed

Book of the procession in honour of circumcision of Prince Mehmed, Topkapi Palace Library, Istanbul, Turkey, Europe

Background imageManuscript Collection: Ms - C15 French Breviary

Ms - C15 French Breviary
page from a French Breviary: the miniature depicts the Annunciation to Mary by an angel, watched by God from up there Date: early 15th century

Background imageManuscript Collection: Leoncavallo / Caric Ths

Leoncavallo / Caric Ths
RUGGERO LEONCAVALLO Italian opera composer looking rather pleased with himself

Background imageManuscript Collection: Duc D orleans Imprisoned

Duc D orleans Imprisoned
The Tower during the captivity of the duc d Orleans, taken prisoner after Agincourt

Background imageManuscript Collection: Old Chinese Manuscript

Old Chinese Manuscript
Fragment from a manuscript of the Uigur dynasty : figures are shown writing and reading, and one is playing a lute-like musical instrument

Background imageManuscript Collection: Tres Sainte Trinosophie

Tres Sainte Trinosophie
Title-page of LA TRES SAINTE TRINOSOPHIE, a Cabbalistic manuscript attributed to the Comte de Saint-Germain

Background imageManuscript Collection: Dickens Manuscript / 1891

Dickens Manuscript / 1891
An extract from a manuscript of Dickens

Background imageManuscript Collection: Illumination from the MacDumon Gospel

Illumination from the MacDumon Gospel
An illumination from the MacDurnon Gospel, an Irish medieval manuscript

Background imageManuscript Collection: The Birtish Library in London UK

The Birtish Library in London UK
Ashley Cooper / SpecialistStock

Background imageManuscript Collection: Erotic scenes, Early 19th cen

Erotic scenes, Early 19th cen.. Private Collection

Background imageManuscript Collection: Sinograms, Japanese writing characters, National Art Center, Roppongi, Tokyo, Japan

Sinograms, Japanese writing characters, National Art Center, Roppongi, Tokyo, Japan.

Background imageManuscript Collection: Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816

Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood, 1816
Emblem 50. The dragon killed the woman and she killed him, and both are covered in blood. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageManuscript Collection: Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816

Emblem 49. The philosophical child recognizes three fathers, like Orion, 1816
Emblem 49. The philosophical child recognizes three fathers, like Orion. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816

Emblem 48. The king gets an illness from drinking water, but when healed by doctors he..., 1816
Emblem 48. The king gets an illness from drinking water, but when healed by doctors he regains health. From "Atalanta f, 1816. Private Collection

Background imageManuscript Collection: Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816

Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have..., 1816
Emblem 47. The wolf coming from the staircase and the dog coming from the staircase have bitten each other. From "Atalanta fugiens" v, 1816. Private Collection

Background imageManuscript Collection: Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816

Emblem 46. Two eagles, one from the east, the other from the west, come together, 1816
Emblem 46. Two eagles, one from the east, the other from the west, come together. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus

Emblem 45. The sun and its shadow accomplish the work, 1816. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 45. The sun and its shadow accomplish the work. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 44. Through deceit Typhon kills Osiris and scatters his members

Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings...,1816 Creator: Merian
Emblem 44. Through deceit Typhon kills Osiris and scatters his members, which in turn brings together Isis, as far as is known, 1816. Private Collection

Background imageManuscript Collection: Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816

Emblem 43. Listen to the talking vulture, who in no way deceives you, 1816
Emblem 43. Listen to the talking vulture, who in no way deceives you. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816

Emblem 42. To him who is in Chymicis be nature, reason, experience and reading..., 1816
Emblem 42. To him who is in Chymicis be nature, reason, experience and reading as a guide, staff, glasses and, 1816. Private Collection

Background imageManuscript Collection: Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816

Emblem 41. Adonis is slain by a boar, and as Venus comes running she colours the Roses..., 1816
Emblem 41. Adonis is killed by a wild boar. As Venus wanted to help him, she colored the roses red with blood. Ow, 1816. Private Collection

Background imageManuscript Collection: Emblem 40. Make two waters into one, and it will be the water of health, 1816

Emblem 40. Make two waters into one, and it will be the water of health, 1816
Emblem 40. Make two waters into one, and it will be the water of health. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816

Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother..., 1816
Emblem 39. Oedipus, after defeating the Sphynx and killing his father, takes his mother as his wife. From "Atalanta fugiens" by Mich, 1816. Private Collection

Background imageManuscript Collection: Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816

Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus, 1816
Emblem 38. The Rebis like a hermaphrodite is born from two mountains, Mercurius and Venus. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816

Emblem 37. Three things are sufficient for mastery, the white smoke, which is water..., 1816
Emblem 37. Three things are sufficient for mastery, the white smoke, which is water, the green lion, the ore Hermes, and the embroidery, 1816. Private Collection

Background imageManuscript Collection: Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air

Emblem 36. This stone is cast on the earth and lifted up on the mountains, dwells in the air and is fed in rivers, that is, 1816. Private Collection

Background imageManuscript Collection: Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so

Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the ..., 1816 Creator: Merian
Emblem 35. Like Ceres Triptolemum, Thetis brought Achillem to get used to the fire, so the artist should use the stone, 1816. Private Collection

Background imageManuscript Collection: Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816

Emblem 34. He is conceived in a water bath and born in the air, but when he turns..., 1816
Emblem 34. He is conceived in a water bath and born in the air, but when he turns red he leaves the water. From "Atala, 1816. Private Collection

Background imageManuscript Collection: Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816

Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire, 1816
Emblem 33. The hermaphrodite, lying like a dead person in darkness, needs fire. From "Atalanta fugiens" by Michael Maier, 1816. Private Collection

Background imageManuscript Collection: Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816

Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone, 1816
Emblem 32. The coral as it grows under the water and is hardened by air, so does the stone. From "Atalanta fugiens" v, 1816. Private Collection

Background imageManuscript Collection: Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816

Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me..., 1816
Emblem 31. The king, swimming in the sea, cries out with a loud voice: Whoever saves me will receive a great gift. From "At, 1816. Private Collection

Background imageManuscript Collection: Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus

Emblem 30. The sun needs the moon, like the rooster needs the hens, 1618. Creator: Merian, Matthäus
Emblem 30. The sun needs the moon, like the rooster needs the hens. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618

Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut, 1618
Emblem 28. The king bathes in the airy bath and is rid of the black bile by Pharut. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618

Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a..., 1618
Emblem 27. Whoever wants to go in the philosopher's rose garden without the key is like a man who wants to go without feet, 1618. Private Collection

Background imageManuscript Collection: Emblem 26. The fruit of human wisdom is the wood of life, 1618

Emblem 26. The fruit of human wisdom is the wood of life, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 26. The fruit of human wisdom is the wood of life. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618

Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol..., 1618
Emblem 25. The dragon does not die unless killed by his brother and sister, which are Sol & Luna. A, 1618. Private Collection

Background imageManuscript Collection: Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618

Emblem 24. The wolf ate the king, and how he burned the life back to him, 1618
Emblem 24. The wolf ate the king, and how he burned the life back to him. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618

Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus, 1618
Emblem 23. It rains gold as Pallas is born at Rhodes and the sun is at Venus. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 22. If you have the white lead, do the woman's work, that is, cooking, 1618

Emblem 22. If you have the white lead, do the woman's work, that is, cooking, 1618
Emblem 22. If you have the white lead, do the woman's work, that is, cooking. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618

Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle..., 1618
Emblem 21. Make a circle of man and woman, out of it a square, out of that into a triangle, make a circle, and you shall have, 1618. Private Collection

Background imageManuscript Collection: Emblem 20. Nature teaches nature to overcome fire. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 20. Nature teaches nature to overcome fire. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 19. If you kill one of the four, soon they will all die, 1618

Emblem 19. If you kill one of the four, soon they will all die, 1618. Creator: Merian, Matthäus, the Elder (1593-1650)
Emblem 19. If you kill one of the four, soon they will all die. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 18. Fire makes fiery, not gold, but gold. From 'Atalanta fugiens' by Michael Maier, 1618

Emblem 18. Fire makes fiery, not gold, but gold. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 16. This lion has no feathers, but that one has. From 'Atalanta fugiens' by Michael..., 1618

Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael..., 1618
Emblem 16. This lion has no feathers, but that one has. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 17. A fourfold ball of fire governs this work. From 'Atalanta fugiens' by Michael Maier

Emblem 17. A fourfold ball of fire governs this work. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection

Background imageManuscript Collection: Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618

Emblem 15. The potter's work, consisting of dry and wet, shall teach you, 1618
Emblem 15. The potter's work, consisting of dry and wet, shall teach you. From "Atalanta fugiens" by Michael Maier, 1618. Private Collection



All Professionally Made to Order for Quick Shipping

"Unveiling the Treasures: A Journey through Time and Knowledge" Step into the world of manuscripts, where history comes alive through ink and parchment. From Mozart's haunting Requiem excerpt to Stravinsky's revolutionary Rite of Spring, these pages hold the echoes of musical genius that have transcended centuries. Marvel at the intricate illustrations in the Book of Kells, as St. Matthew springs to life with vibrant colors and meticulous detail. Witness Byzantine mastery in Hippocrates' code of ethical conduct, a cross-shaped manuscript guiding healers through centuries past. Mendeleyev's periodic table revolutionized science, forever immortalizing his groundbreaking discoveries on paper. The court record from Salem witch trials serves as a chilling reminder of humanity's darkest moments, etched forever in time. William Blake's illustration from Songs of Innocence and Experience captures innocence lost amidst societal turmoil. Lindisfarne Gospels transport us back to an era when faith was illuminated by stunning artwork on every page. Witness Botticelli's Primavera come alive before your eyes; each brushstroke tells a story within this masterpiece. Bar Kokhba’s original Dead Sea Scroll reveals ancient wisdom preserved for generations to come. Finally, Wagner's Gotterdammerung takes center stage as his magnum opus unfolds on paper—a testament to human creativity and passion throughout history. These they are not mere relics; they are gateways to understanding our collective past—the triumphs, struggles, and aspirations that shape who we are today. Let their words and images guide you on a journey through time—an exploration that will leave you inspired by the power held within these fragile yet enduring pages.