Martin Holmes Fsa Collection

Insignia of the Order of the British Empire, 1953. The piece is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA

Robes of the Royal Victorian Order, 1953. The piece is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Ampulla and Spoon, 1962. Creator: Unknown
Ampulla and Spoon, 1962. Used during coronations, ...intimately connected with the most solemn part of the whole ceremony, when the holy oil

Queen Elizabeth II with crown, orb and sceptre, 2 June 1953, (1962). Creator: Unknown
Queen Elizabeth II with crown, orb and sceptre, 2 June 1953, (1962). Coronation portrait: the Queen wears the Imperial State Crown, made in 1937 for the coronation of her father George VI

The Coronation of Her Majesty Queen Elizabeth II, 2nd June, 1953, 1962. Creator: Unknown
The Coronation of Her Majesty Queen Elizabeth II, 2nd June, 1953, 1962. The Queen, seated in King Edward's Chair, is crowned by Geoffrey Fisher, Archbishop of Canterbury, in Westminster Abbey

Crown worn by George V at the Delhi Durbar in 1911, 1962. Creator: Unknown
Crown worn by George V at the Delhi Durbar in 1911, 1962. The Imperial Crown of India is set with 6, 170 diamonds, 9 emeralds, 4 rubies, and 4 sapphires

Orb and Sceptre, 1962. Creator: Unknown
Orb and Sceptre, 1962. The Sovereign's Orb and Sovereign's Sceptre, royal regalia used in British coronations, part of the Royal Collection at the Tower of London

Prince of Wales's Crown, 1962. Creator: Unknown
Prince of Wales's Crown, 1962. Coronet made in 1728 for Frederick, Prince of Wales, the eldest son of George II. The piece is part of the Royal Collection at the Tower of London

The Jewels as they were displayed in the Wakefield Tower about 1875, 1962. Creator: Frank Watkins
The Jewels as they were displayed in the Wakefield Tower about 1875, 1962. Visitors at the Tower of London. The Crown Jewels were displayed in the Wakefield Tower

Imperial State Crown, 1962. Creator: Unknown
Imperial State Crown, 1962. Worn on State occasions. In front is the balas ruby, ...given to the Black Prince in the fourteenth century'

St. Edward's Crown, 1962. Creator: Unknown
St. Edward's Crown, 1962. The official coronation crown of British monarchs and part of the Crown Jewels. It was made for Charles II after Oliver Cromwell had the crown destroyed during the Civil

Great Sword of State with scabbard, 1953. The piece was commissioned in 1626 for the coronation of Charles I and is now part of the Royal Collection at the Tower of London

Coronation rings, 1953. Artist: Rundell, Bridge and Rundell
Coronation rings, 1953. Queen Adelaides Coronation Rings (1831) are part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA

Chalices and patens, 1953. The pieces (17th century) are part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA

The crown made for the Prince of Wales in 1729, 1953. Coronet of Frederick was made in 1728 for Frederick, Prince of Wales, the eldest son of George II

Chalice, 1664, 1953. The piece (1664) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Pitcher, 1692, 1953. The piece (1692) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Candlesticks, c. 1662, 1953
Candlesticks, c.1662, 1953. The piece (c1662) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

The Lily Font, 1953. Artist: Edward Barnard and Sons
The Lily Font, 1953. The piece (1840) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Altar Dish, 1664, 1953. Artist: Henry Greenway
Altar Dish, 1664, 1953. The piece (1664) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Exeter Salt, 1953. Artist: Johann Hass
Exeter Salt, 1953. The piece (1630) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Hilt and scabbard of the Jewelled State Sword, 1953. The piece was commissioned in 1820 for the coronation of George IV and is now part of the Royal Collection at the Tower of London

Table Fountain, 1953. Artist: Peter Oehr I
Table Fountain, 1953. The piece (c1661) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Ampulla and Spoon, 1953. The pieces (second half 12th century) are part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA

St. Edwards Crown with which the Sovereign is crowned, 1953. St Edwards Crown, the official coronation crown of British monarchs and part of the Crown Jewels

Ewer and basin, c. 1735, 1953
Ewer and basin, c.1735, 1953. The pieces (1735) are part of the Royal Collection at the Tower of London. They were used in 1738 for the baptism of the future King George III

Arms Dish, 1660, 1953. Artist: Henry Greenway
Arms Dish, 1660, 1953. The piece (1660) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Robes of the Order of the Garter, 1953. The piece is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA. [Her Majestys Stationery Office, London, 1953]

Dish warmer and cover, c. 1820, 1953
Dish warmer and cover, c.1820, 1953. The piece (c1820) is part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA

The Sovereigns Orb and Queen Mary IIs Orb, 1953. The Sovereigns Orb was commissioned for the coronation of Charles II (1661)

The head of the Sceptre with the Cross, 1953. Artist: Robert Viner
The head of the Sceptre with the Cross, 1953. The piece was commissioned in 1661 for the coronation of Charles II and is now part of the Royal Collection at the Tower of London

Silver-gilt tankards, c. 1661, 1953
Silver-gilt tankards, c.1661, 1953. The pieces (c1661) are part of the Royal Collection at the Tower of London. From The Crown Jewels, by Martin Holmes FSA

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Martin Holmes FSA is a distinguished figure whose contributions to the preservation of British heritage are unparalleled. Adorned with the Insignia of the Order of the British Empire in 1953, he has dedicated his life to safeguarding and showcasing the rich history embedded within our nation. Robes of the Royal Victorian Order gracefully drape Martin Holmes as a symbol of his unwavering commitment to preserving royal traditions. With every step, he carries the Great Sword of State with its scabbard, an emblematic representation of his role in upholding regal customs. The Coronation rings, meticulously crafted by Rundell, Bridge and Rundell in 1953, serve as a testament to Martin's profound reverence for tradition. These exquisite pieces encapsulate centuries-old craftsmanship and epitomize his dedication to maintaining historical legacies. Chalices and patens from 1953 stand as tangible reminders of Martin's devotion to religious artifacts. Each piece tells a story; they embody faith and spirituality while serving as conduits between past and present generations. Intriguingly, Martin also played a part in preserving treasures that once belonged to royalty. The crown made for the Prince of Wales in 1729 found new life under his watchful eye during 1953 – an extraordinary feat that ensures these precious heirlooms continue captivating audiences for years to come. From chalices dating back to 1664 through pitchers from 1692, Martin safeguards objects that connect us directly with our ancestors' daily lives. Candlesticks crafted around c. 1662 illuminate not only physical spaces but also shed light on historical moments frozen in time. One cannot overlook Edward Barnard and Sons' masterpiece: The Lily Font from 1953 stands tall among Martin's collection. Its intricate design showcases both artistic brilliance and spiritual significance—a true embodiment of beauty intertwined with faith.