Martinet Aaron Collection

Richesse et misère ou rien qu'un, 1818. Creator: Louis Maloeuvre
Richesse et misere ou rien qu'un, 1818. (Wealth and Misery or Nothing but One). A thin man stands holding a thread; is he repairing his shirt which hangs on the chair

Woman teases her lover, 1827-1828. Creator: Francis Conscience
Woman teases her lover, 1827-1828. " Jules est-tu drole comme ca!'. (Jules, you're so funny like that!). A young woman puts her lace cap on the head of her loved one

Esquisses Parisiennes, (Parisian Sketches), 1827-1828. Creator: Francis Conscience
Esquisses Parisiennes, (Parisian Sketches), 1827-1828. A reserved man is greeted exuberantly by an excited man. He arrive donc farceur, nous sommes deja au champagne

Provinciaux visitant les curiosites de Paris (Provinicials Visiting the Curiosities of Paris), c. 1805

Les Invisibles en tete-a-tete (Tete-a-Tê
Les Invisibles en tete-a-tete (Tete-a-Tete with Poke Bonnets), c. 1805

Hec est l ami Careme!, Musee Grotesque No. 53, early 19th century
He c est l ami Careme!, Musee Grotesque No. 53, early 19th century

Les Musards de la Rue du Coq (Dawdlers of the Rue du Coq), 1805. Previously attributed to Jean-Baptiste-Francois Bosio

Les alliess appretent apousser les operations du siè
Les alliess appretent a pousser les operations du siege avec plus de vigueur que jamais... from Actualites, published in Le Charivari, February 26, 1855, February 26, 1855

The landscape painters, the first copies nature, the second copies the first, from The artists, published in Le Charivari, May 12, 1865, May 12, 1865

Le Gout du Jour, No. 21: Les Modernes Incroyables, from Caricatures Parisiennes, ca. 1815

Les Visites, Musee Grotesque, No. 21, early 19th century. Creator: Unknown
Les Visites, Musee Grotesque, No. 21, early 19th century

Recontre d Anglais a Paris;Le Supreme Bon-Ton No. 23, ca. 1815
Recontre d Anglais a Paris; Le Supreme Bon-Ton No. 23, ca. 1815

L Amour et les Graces Arrivant de Londres;Le Supreme Bon-Ton No. 24, 1815
L Amour et les Graces Arrivant de Londres; Le Supreme Bon-Ton No. 24, 1815

La Promenade en Bokei;Le Supreme Bon-Ton No. 26, 1816
La Promenade en Bokei; Le Supreme Bon-Ton No. 26, 1816

Le Gout du Jour ou Des Chinois du Boulevard Coblentz, from Caricatures Parisiennes, ca. 1815

Walk-through of an influential critic, from Sketches from the Salon, published in Le Charivari, June 24, 1865, June 24, 1865

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"Martinet Aaron: A Glimpse into the Quirky World of 19th Century Paris" Step back in time and join us on a journey through the whimsical artworks of Martinet Aaron, an enigmatic artist who captured the essence of early 19th century Paris. From "Provinciaux visitant les curiosites de Paris" to "Les Invisibles en tete-a-tete, " his creations offer a delightful glimpse into the lives of both locals and visitors. In "Hec est l'ami Careme. , " we witness the vibrant atmosphere of Musee Grotesque No. 53, where peculiar characters come to life. The bustling streets are brought to light in "Les Musards de la Rue du Coq, " showcasing individuals lost in their own world as they wander aimlessly. As we delve deeper into Martinet Aaron's collection, we encounter intriguing scenes like "Les alliess appretent apousser les operations du siège. " Here, military alliances prepare for strategic maneuvers while landscape painters meticulously capture nature's beauty. Leaping forward, we find ourselves amidst Les Modernes Incroyables in Le Gout du Jour No. 21 from Caricatures Parisiennes. This satirical piece humorously portrays fashionable trends that captivated society at that time. Continuing our exploration, we stumble upon Les Visites from Musee Grotesque No. 21 – an artwork shrouded in mystery with its unknown creator but brimming with captivating details about social interactions during this era. The allure of international encounters unfolds before our eyes as depicted in "Recontre d'Anglais à Paris; Le Supreme Bon-Ton No. 23. " Meanwhile, love and grace take center stage when Londoners arrive in L'Amour et les Graces Arrivant de Londres; Le Supreme Bon-Ton No. 24. " Finally, we conclude our journey with "La Promenade en Bokei.