Mayer Collection (page 3)

Passage from the Second to the Third Gallery in the Great Pyramid, Giza, Egypt, 1802. Exploring the interior of the Pyramid of Cheops (Khufu). Plate 5 from Views in Egypt by Luigi Mayer, 1802

Chamber and Sarcophagus in the Great Pyramid of Giza, Egypt, 1802. Inside the Pyramid of Cheops (Khufu), built in the 25th century BC. Plate 6 from Views in Egypt by Luigi Mayer

Mamelukes Exercising in the Square of Mourad Beys Palace, Cairo, Egypt, 1802. The Mamluks (Mamelukes) were a powerful Islamic soldier caste

Interior View of the Catacombs at Alexandria, Egypt, 1802. Artist: Thomas Milton
Interior View of the Catacombs at Alexandria, Egypt, 1802. Plate 11 from Views in Egypt by Luigi Mayer

Henri-Jacques-Guillaume Clarke, comte d Hunebourg, duc de Feltre (1765-1818), 1810. Found in the Collection of Bibliothe que Nationale de France

Portrait of Albert Methfessel (1785-1869), c. 1830. Found in the Collection of Eotvos Lorand Tudomanyegyetem

Portrait of Carl Czerny (1791-1857), c. 1830. Found in the Collection of Eotvos Lorand Tudomanyegyetem

Woman trying on Earrings (Constance Mayer), ca 1806. Artist: Prud hon, Pierre-Paul (1758-1823)
Woman trying on Earrings (Constance Mayer), ca 1806. Private Collection

Self-Portrait, 1800s. Artist: Mayer, Constance (1775-1821)
Self-Portrait, 1800s. Found in the collection of Bibliotheque Paul Marmottan, Boulogne-Billancourt

Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Artist: Vicente Lopez y Portana
Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Francisco de Goya y Lucientes (1746-1828 ) was a Spanish painter and engraver

La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco Goya
La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). First owned by Prime Minister Manuel de Godoy, who was known as a womaniser

La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady

El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya
El Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street

La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Artist: Francisco Goya
La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Portrait of the family of King Carlos IV (1748-1819)

Retrato de Familia, (Painters Family), 1612-1622, (c1934). Artist: Jacob Jordaens
Retrato de Familia, (Painters Family), 1612-1622, (c1934). Set in a garden, wife Catherine van Noort, sits next to the little girl

La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Artist: Frans Snyders
La Vendedora De Frutas, (The Fruit Seller), 1636, (c1934). Frans Snyders was a Flemish painter of animals and still lifes. A woman stands at a table laden with a variety of fruits. Oil on canvas

El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Artist: Peter Paul Rubens
El Juicio De Paris, (The Judgment of Paris), 1639, (c1934). Commissioned by Philip IV of Spain, to illustrate a story from Greek mythology, Paris

El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Artist: Peter Paul Rubens
El Jardin Del Amor, (The Garden of Love), 1633, (c1934). Scene of a party in a park, the home of Rubens in Antwerp. The cherubs are symbolic of love and idepicted wearing crowns

Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Artist: Peter Paul Rubens
Ninfas Sorprendidas Por Satiros, (Diana and Nymphs Surprised by Satyrs), 1639-1640, (c1934). Diana appears on far right of composition with her nymphs attacked by a group of satyrs in a forest

Eva, (Eve), 1507, (c1934). Artist: Albrecht Durer
Eva, (Eve), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Autorretrato, (Self-portrait), 1498, (c1934). Artist: Albrecht Durer
Autorretrato, (Self-portrait), 1498, (c1934). Self-portrait (or Self-portrait at 26) is the second of Albrecht Durers (1471-1528) three painted self-portraits

Adan, (Adam), 1507, (c1934). Artist: Albrecht Durer
Adan, (Adam), 1507, (c1934). One of a pair of paintings by German artist Albrecht Durer. According to creation myth, Adam and Eve were the first man and woman and the ancestors of all humans

Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. Artist: Lorenzo Lotto
Desposorio, (Micer Cassotti Marsilio and his wife Faustina), 1523, c1934. The Cassotti family were wealthy textile merchants from Bergamo

Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). Artist: Paolo Veronese
Jesus Y El Centurio De Cafarnaun, (Jesus and the Centurion), 1571, (c1934). From the Book of Matthew, the encounter between two groups of characters

La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Artist: Titian
La Fiesta De Venus, (The Worship of Venus), 1518-1519, (c1934). Depicts a Roman rite of worship conducted in honour of the goddess Venus each 1 April

Speech of the Marquis del Vasto, c1540, (c1934). Artist: Titian
Speech of the Marquis del Vasto, c1540, (c1934). Alfonso d Avalos, Marchese del Vasto, (1502-1546) was a noble Neapolitan, who participated in the Battle of Pavia and the conquest of Tunisia in 1535

Venus Con El Musico, (Venus and music), 1550, (c1934). Artist: Titian
Venus Con El Musico, (Venus and music), 1550, (c1934). Venus lies before a large window. At her feet an organist plays his instruments in contemplation of the nakedness of the goddess. Oil on canvas

El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Artist: Raphael
El Pasmo de Sicilia, (Christ Falling on the Way to Calvary), c1515, (c1934). Christ Carrying the Cross to his crucifixion, at the moment when he falls, his mother kneels in agony, and devotion

Noli Me Tangere, 1523-1524, (c1934). Artist: Correggio
Noli Me Tangere, 1523-1524, (c1934). On a road, in the shade of a tree, Christ reveals himself to Mary Magdalene, raising an arm

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

Ala De Retablo (Santa Barbara), 1438, (c1934). Artist: Robert Campin
Ala De Retablo (Santa Barbara), 1438, (c1934). Right panel of the Werl Triptych, painted by Robert Campin (sometimes called Master of Flemalle). Santa Barbara lived when Christianity was illegal

La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). Artist: Jan van Eyck
La Fuente De La Vida, (The Fountain of Grace), 1430-1455, (c1934). A theological allegory responding to a point of medieval

St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Artist: Robert Campin
St. John the Baptist and the Franciscan master Henry of Werl, 1438, (c1934). Left panel of the Werl Triptych was painted by Robert Campin (sometimes called Master of Flemalle)

La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). Artist: El Greco
La Venida Del Espiritu Santo, (The coming of the Holy Spirit), 1514-1519, (c1934). From the altarpiece of Saint Lazarus of Palencia, the Virgin Mary

Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). Artist: El Greco
Cristo En Brazos Del Padre Eterno, (Christ in Arms of the Eternal Father), 1577, (c1934). El Greco painted his only version of the Trinity, with the semi-nude corpse of Christ being supported

La Asuncion, (Assumption), 1660, (c1934). Artist: Mateo Cerezo
La Asuncion, (Assumption), 1660, (c1934). The Catholic Church teaches as dogma that the Virgin Mary having completed the course of her earthly life, was assumed body and soul into heavenly glory

Cristo Llorado Por Un Angel, (Dead Christ she Supported by an Angel), 1646-1652, (c1934). Artist: Alonso Cano
Cristo Llorado Por Un Angel, (Dead Christ Supported by an Angel), 1646-1652, (c1934). A meditation on the death of Christ

Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austria), 1557-1559, (c1934). Artist: Alonso Sanchez Coello
Principe Don Carlos hijo de Felipe II, (Prince Carlos de Austrias), 1557-1559, (c1934). Don Carlos (1545-1548), son of Philip II and his first wife Maria of Portugal

La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Artist: Bartolome Esteban Murillo
La Concepcion Inmaculada De Maria, (Immaculate Conception), 1660 - 1665, (c1934). Immaculate Conception, is a belief of Catholicism which holds that Mary mother of Jesus

Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns

Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Artist: Bartolome Esteban Murillo
Martirio Del Apostol San Andres, (Martyrdom of San Andres), 1675-1682, (c1934). Saint Andrew is tied to the cross on which he will die as an exemplary spectacle: labourers prepare

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). Artist: Bartolome Esteban Murillo
La Sagrada Familia (The Holy Family with a Little Bird), c1650, (c1934). A tender domestic scene showing Virgin Mary winding a skein of thread and watching the Christ Child

Jesus y Juan El Bautista Ninos, (Jesus and John the Baptist, children), 1670, (c1934). The infant Christ holds a shell for his cousin John to drink

La Anunciacion, (The Annunciation), 1660, (c1934). Artist: Bartolome Esteban Murillo
La Anunciacion, (The Annunciation), 1660, (c1934). New Testament scene depicting Archangel Gabriels Annunciation to the Virgin Mary, accompanied by a sewing basket and book

Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). Artist: Bartolome Esteban Murillo
Rebeca Y Eliecer, (Rebecca and Eliezer ), 1652, (c1934). An episode from Genesis when Abraham asks one of his servants (Eliezer) to find a wife for his son (Isaac)

El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Artist: Jusepe de Ribera
El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Jacob appears as a shepherd sleeping, resting on his left shoulder with a tree behind

San Antonio Abad Visita A San Pablo, (San Antonio Abad visits Saint Paul), 1634, (c1934). Artist: Diego Velasquez
San Antonio Abad Visita A San Pablo, (San Antonio Abad visits Saint Paul), 1634, (c1934). San Antonio visits St Paul the hermit at his cave and recounts the Golden Legend

All Professionally Made to Order for Quick Shipping

"Mayer: A Journey Through Time and Artistic Expression" Step into the world of Mayer, where diverse elements intertwine to create a captivating narrative. From the iconic MGM Lion roaring with pride to Lou Mayer's Grape-Shot, this caption takes you on an artistic adventure. In 1915, Henry Mayer's American cartoon "The Awakening" symbolizes the women's suffrage movement as it spreads from west to east. Alice Duer Miller's powerful poem echoes their struggle for equality. Diego Velasquez's masterpiece "Las Hilanderas" transports us back to 1657, showcasing the skill of The Spinners in mesmerizing detail. Meanwhile, Carl Mayer captures the elegance of Biebrich Palace in Wiesbaden during Germany's early 19th century. Tobias Mayer emerges as both astronomer and mathematician, illuminating our understanding of the universe. Henry Mayer Hyndman leaves his mark as a prominent figure in history while Schlachtschiff Bismarck lapel badge commemorates German battleship heroics during World War II. MGM’s Hollywood Revue of 1929 sets hearts racing with its enchanting music cover. Paris Exhibition of 1889 witnesses corsets by Mayer, Strouse & Co stealing glances at every turn. Francisco Goya unveils La Maja Desnuda (The Naked Maja), a timeless artwork that captivates viewers even today. And let us not forget The Rothschild Family Home in Frankfurt am Main – a testament to wealth and influence throughout centuries. Join us on this extraordinary journey through time and artistry as we explore all facets of "Mayer. " Discover how these seemingly disparate hints come together harmoniously, creating a tapestry that celebrates human creativity across generations and continents.