Fraud Blocker Skip to main content

Mediaeval Collection (page 2)

Step back in time to the enchanting world of the medieval era, where history comes alive through captivating artifacts and stunning artwork

Background imageMediaeval Collection: Injured Vitruvian Man, conceptual image

Injured Vitruvian Man, conceptual image

Background imageMediaeval Collection: Cardiff Castle, Bute Park, South Wales, Wales, United Kingdom, Europe

Cardiff Castle, Bute Park, South Wales, Wales, United Kingdom, Europe

Background imageMediaeval Collection: Medieval bridge and aqueduct

Medieval bridge and aqueduct, Ponte delle Torri, Spoleto, Umbria, Italy, Europe

Background imageMediaeval Collection: Ancient Cathar city, medieval town of Puy-l Eveque, Vallee du Lot (Lot Valley)

Ancient Cathar city, medieval town of Puy-l Eveque, Vallee du Lot (Lot Valley), Midi-Pyrenees, France, Europe

Background imageMediaeval Collection: Chapel Of Saint Kevin At Glendalough And Round Tower, Glendalough, Co. Wicklow, Ireland

Chapel Of Saint Kevin At Glendalough And Round Tower, Glendalough, Co. Wicklow, Ireland

Background imageMediaeval Collection: The Temple Church, London, England, seen here in the 19th century

The Temple Church, London, England, seen here in the 19th century. The church was built by the Knights Templar as their English headquarters

Background imageMediaeval Collection: Harvesting honey, 15th century

Harvesting honey, 15th century
Harvesting honey. 15th-century artwork showing the collection and use of honey, as part of a section describing honeys medicinal and therapeutic properties

Background imageMediaeval Collection: Medieval Travellers

Medieval Travellers
A toll is exacted from a group of medieval travellers by armed guards to allow them to be taken by boat across the river to the city

Background imageMediaeval Collection: Ota Darvoza, the western gate to the old town of Khiva. A UNESCO World Heritage Site

Ota Darvoza, the western gate to the old town of Khiva. A UNESCO World Heritage Site, Uzbekistan

Background imageMediaeval Collection: Henry II, 1133 -1189, aka Henry Curtmantle, Henry FitzEmpress or Henry Plantagenet

Henry II, 1133 -1189, aka Henry Curtmantle, Henry FitzEmpress or Henry Plantagenet
3058509 Henry II, 1133 -1189, aka Henry Curtmantle, Henry FitzEmpress or Henry Plantagenet. Count of Anjou, Count of Maine, Duke of Normandy, Duke of Aquitaine, Count of Nantes

Background imageMediaeval Collection: The Coronation of a Monarch from The Liber Regalis. From The Illustrated London News, 1910

The Coronation of a Monarch from The Liber Regalis. From The Illustrated London News, 1910
2915354 The Coronation of a Monarch from The Liber Regalis. From The Illustrated London News, 1910.; Photo © Hilary Morgan

Background imageMediaeval Collection: The costume of a woman from 1135 to 1154. Illustration from the book The Connoisseur Illustrated

The costume of a woman from 1135 to 1154. Illustration from the book The Connoisseur Illustrated published 1904
2915302 The costume of a woman from 1135 to 1154. Illustration from the book The Connoisseur Illustrated published 1904.; Photo © Hilary Morgan

Background imageMediaeval Collection: Line drawing of St Benedict

Line drawing of St Benedict
1578257 Line drawing of St Benedict; (add.info.: Line drawing of St Benedict handing his book (the Rule) to a group of monks symbolising the foundation of Western monasticism

Background imageMediaeval Collection: Line drawing of Brother William

Line drawing of Brother William
1578262 Line drawing of Brother William; (add.info.: Line drawing of Brother William, Englishman and companion of St Francis)

Background imageMediaeval Collection: Manuscript depicting Hugh of St-Victor teaching

Manuscript depicting Hugh of St-Victor teaching
1578261 Manuscript depicting Hugh of St-Victor teaching; (add.info.: Manuscript depicting Hugh of St Victor (1096-1141) teaching

Background imageMediaeval Collection: Illustration of a leper with a begging bowl and rattle

Illustration of a leper with a begging bowl and rattle
1578328 Illustration of a leper with a begging bowl and rattle; (add.info.: Illustration of a leper with a begging bowl and rattle. Dated 14th Century); Universal History Archive/UIG

Background imageMediaeval Collection: Line drawing of a fresco from Torcello

Line drawing of a fresco from Torcello
1578298 Line drawing of a fresco from Torcello; (add.info.: Line drawing of a fresco from Torcello. It is divided into five levels. The first: Christ releases Adam from Limbo)

Background imageMediaeval Collection: German woodcut of Pilgrims (woodcut)

German woodcut of Pilgrims (woodcut)
1578331 German woodcut of Pilgrims (woodcut); (add.info.: German woodcut of Pilgrims in Europe. Dated 15th Century); Universal History Archive/UIG

Background imageMediaeval Collection: Title page from a 16th Century Bible

Title page from a 16th Century Bible
1578325 Title page from a 16th Century Bible; (add.info.: Title page from a 16th Century Bible. Gothic elements such as the large black lettering and the angels beside the Virgin and Child)

Background imageMediaeval Collection: Print of the Virgin and Child in maniere criblee style

Print of the Virgin and Child in maniere criblee style
1578322 Print of the Virgin and Child in maniere criblee style; (add.info.: Print of the Virgin and Child in maniere criblee (dotted style)

Background imageMediaeval Collection: Line drawing of the Last Judgement tympanum at Rheims

Line drawing of the Last Judgement tympanum at Rheims
1578301 Line drawing of the Last Judgement tympanum at Rheims; (add.info.: Line drawing of the Last Judgement tympanum at Rheims. Christ, the judge, is the apex f the composition)

Background imageMediaeval Collection: Mediaeval line drawing of Alexander the Great descending to the bottom of the sea in a glass barrel

Mediaeval line drawing of Alexander the Great descending to the bottom of the sea in a glass barrel
1578291 Mediaeval line drawing of Alexander the Great descending to the bottom of the sea in a glass barrel; (add.info.: Mediaeval line drawing of Alexander the Great descending to the bottom of)

Background imageMediaeval Collection: Pen drawing of Harmony personified in the figure of Air (AER)

Pen drawing of Harmony personified in the figure of Air (AER)
1578288 Pen drawing of Harmony personified in the figure of Air (AER); (add.info.: Pen drawing of Harmony personified in the figure of Air (AER)

Background imageMediaeval Collection: Illustrations from Boethius's De Musical

Illustrations from Boethius's De Musical
1578286 Illustrations from Boethius's De Musical'; (add.info.: Illustrations from Boethius's De Musical'. Top left image is of Boethius himself; the other figures are philosophers who)

Background imageMediaeval Collection: Page from Das Buchlein der Ewigen Weisheit by Heinrich Seuse

Page from Das Buchlein der Ewigen Weisheit by Heinrich Seuse
3586108 Page from Das Buchlein der Ewigen Weisheit by Heinrich Seuse; (add.info.: Page from Das Buchlein der Ewigen Weisheit by Heinrich Seuse (1295-1366) a Mediaeval mystic and Dominican friar

Background imageMediaeval Collection: A knight in armour worn during the 12th century. From A First Book of British History published 1925

A knight in armour worn during the 12th century. From A First Book of British History published 1925
3058510 A knight in armour worn during the 12th century. From A First Book of British History published 1925.; Photo © Hilary Morgan

Background imageMediaeval Collection: Noblemen and women hawking during a hunt, from a 19th century print

Noblemen and women hawking during a hunt, from a 19th century print
4071158 Noblemen and women hawking during a hunt, from a 19th century print

Background imageMediaeval Collection: General appearance of a fortified mediaeval town, from The National Encylopaedia published by

General appearance of a fortified mediaeval town, from The National Encylopaedia published by William Mackenzie
3501415 General appearance of a fortified mediaeval town, from The National Encylopaedia published by William Mackenzie, London

Background imageMediaeval Collection: Map of Fra Mauro, 1457 - 1459. From the book Life of Christopher Columbus by Clements R

Map of Fra Mauro, 1457 - 1459. From the book Life of Christopher Columbus by Clements R. Markham published 1892
2915315 Map of Fra Mauro, 1457 - 1459. From the book Life of Christopher Columbus by Clements R. Markham published 1892.; Photo © Hilary Morgan

Background imageMediaeval Collection: John of Austria, illegitimate son of Charles Quint, 1880 (engraving)

John of Austria, illegitimate son of Charles Quint, 1880 (engraving)
5242613 John of Austria, illegitimate son of Charles Quint, 1880 (engraving); (add.info.: from Military and Religious Life in the Middle Ages by Paul Lacroix pub. London c. 1880)

Background imageMediaeval Collection: Medieval cavalry charging against infantry, from a 19th century engraving

Medieval cavalry charging against infantry, from a 19th century engraving
5242582 Medieval cavalry charging against infantry, from a 19th century engraving

Background imageMediaeval Collection: The Nose Dance, after a 16th century woodcut by Nikolaus Meldemann

The Nose Dance, after a 16th century woodcut by Nikolaus Meldemann. A rural German dance festival from the middle ages
955315 The Nose Dance, after a 16th century woodcut by Nikolaus Meldemann. A rural German dance festival from the middle ages

Background imageMediaeval Collection: Woodcut of Geffrey Chaucer's Wife (woodcut)

Woodcut of Geffrey Chaucer's Wife (woodcut)
1578320 Woodcut of Geffrey Chaucer's Wife (woodcut); (add.info.: Woodcut of Geffrey Chaucer's Wife, Phillipa Roet (1366-1387) riding on horseback

Background imageMediaeval Collection: Line drawing of a mural painter painting

Line drawing of a mural painter painting
1578319 Line drawing of a mural painter painting; (add.info.: Line drawing of a mural painter painting. He is sat painting a woman holding flowers, symbolising May in the Mediaeval calendar)

Background imageMediaeval Collection: Front piece from a manuscript of St Ambrose

Front piece from a manuscript of St Ambrose
1578318 Front piece from a manuscript of St Ambrose; (add.info.: Front piece from a manuscript of St Ambrose shows the depicts the painting of a shrine)

Background imageMediaeval Collection: Woodcut depicting the Municipal court of Paris (woodcut)

Woodcut depicting the Municipal court of Paris (woodcut)
1578311 Woodcut depicting the Municipal court of Paris (woodcut); (add.info.: Woodcut depicting the Municipal court of Paris)

Background imageMediaeval Collection: Plate from a block-book illustrating sin of impatience (the folly of man)

Plate from a block-book illustrating sin of impatience (the folly of man)
1578305 Plate from a block-book illustrating sin of impatience (the folly of man); (add.info.: Plate from a block-book illustrating sin of impatience (the folly of man)

Background imageMediaeval Collection: The Front piece of the Liber Vitae of New Minster, Winchester

The Front piece of the Liber Vitae of New Minster, Winchester
1578296 The Front piece of the Liber Vitae of New Minster, Winchester; (add.info.: The Front piece of the Liber Vitae of New Minster, Winchester)

Background imageMediaeval Collection: Mediaeval line drawing of death with a bow and scythe

Mediaeval line drawing of death with a bow and scythe
1578294 Mediaeval line drawing of death with a bow and scythe; (add.info.: Mediaeval line drawing of death with a bow and scythe. Dated 13th Century); Universal History Archive/UIG

Background imageMediaeval Collection: Illustration from the manuscript of Terence's Woman of Andros

Illustration from the manuscript of Terence's Woman of Andros
1578285 Illustration from the manuscript of Terence's Woman of Andros'; (add.info.: Illustration from the manuscript of Terence's Woman of Andros depicting the preparations for a wedding)

Background imageMediaeval Collection: Bourges Cathedral Floor Plan

Bourges Cathedral Floor Plan
1578267 Bourges Cathedral Floor Plan; (add.info.: Bourges Cathedral Floor Plan. Bourges Cathedral is a Roman Catholic cathedral, dedicated to Saint Stephen, located in Bourges, France)

Background imageMediaeval Collection: Illustration depicting the Monk Gunzo laying a stick in bed with Abbot Hugh of Cluny and his dream

Illustration depicting the Monk Gunzo laying a stick in bed with Abbot Hugh of Cluny and his dream
1578259 Illustration depicting the Monk Gunzo laying a stick in bed with Abbot Hugh of Cluny and his dream; (add.info.: Illustration depicting the Monk Gunzo laying a stick in bed with Abbot Hugh of)

Background imageMediaeval Collection: Plan of London, England c. 1300. From Historical Atlas, published 1923

Plan of London, England c. 1300. From Historical Atlas, published 1923
2603529 Plan of London, England c. 1300. From Historical Atlas, published 1923

Background imageMediaeval Collection: A Norman ship

A Norman ship
3253019 A Norman ship; (add.info.: A Norman ship. From Enciclopedia Ilustrada Segui, published c. 1900)

Background imageMediaeval Collection: The costume of a man from 1135 to 1154. Illustration from the book The Connoisseur Illustrated

The costume of a man from 1135 to 1154. Illustration from the book The Connoisseur Illustrated published 1904
2915301 The costume of a man from 1135 to 1154. Illustration from the book The Connoisseur Illustrated published 1904.; Photo © Hilary Morgan

Background imageMediaeval Collection: The Chaucer's Knight, from the Canterbury Tales

The Chaucer's Knight, from the Canterbury Tales
1578280 The Chaucer's Knight, from the Canterbury Tales; (add.info.: A line drawing of the Chaucer's Knight, from the Canterbury Tales The Knight's Tale')

Background imageMediaeval Collection: Sketch of the Mihrab wall from the tomb of Mustafa Pasha

Sketch of the Mihrab wall from the tomb of Mustafa Pasha
1578274 Sketch of the Mihrab wall from the tomb of Mustafa Pasha; (add.info.: Sketch of the Mihrab wall from the tomb of Mustafa Pasha, Cairo, Egypt. Dated 13th Century); Universal History Archive/UIG

Background imageMediaeval Collection: Illustration of a man with a deformed foot and crude crutches

Illustration of a man with a deformed foot and crude crutches
1578330 Illustration of a man with a deformed foot and crude crutches; (add.info.: Illustration of a man with a deformed foot and crude crutches. Dated 14th Century); Universal History Archive/UIG



All Professionally Made to Order for Quick Shipping

Step back in time to the enchanting world of the medieval era, where history comes alive through captivating artifacts and stunning artwork. Explore Al-Idrisi's intricate world map from 1154, a testament to the incredible knowledge and curiosity of that time. Marvel at the ingenuity of medieval scientists with their urine wheel, an early attempt at understanding bodily fluids. Transport yourself to Hever Castle in Edenbridge, Kent, where Anne Boleyn spent her childhood amidst grandeur and intrigue. Immerse yourself in celestial mechanics as you admire mesmerizing medieval artwork depicting heavenly bodies and their movements. Discover the Catalan Atlas from the 14th century, a masterpiece that showcases both geographical accuracy and artistic finesse. Cross Monnow Bridge over River Monnow in Wales; its sturdy structure has stood strong since medieval times. Journey to Barga, Italy, where echoes of medieval architecture still resonate through its charming streets. Admire Oronce Fine's remarkable world map from 1531; it offers a glimpse into how people perceived our planet during those times. Learn about Ladislaus I of Hungary or St. Ladislaus (Laszlo), whose reign left an indelible mark on history between 1040-1095. Feel like royalty as you explore Ashford Castle in County Mayo, Ireland – a majestic fortress dating back to the 13th century. Gaze upon Saint Michael Arcangel's Byzantine icon from Greece; its exquisite craftsmanship reflects devotion and spirituality prevalent during this period. Lastly, delve into trepanation through awe-inspiring artworks from the 14th century – witness ancient medical practices unfold before your eyes. The mediaeval era beckons us with tales of exploration, artistry beyond compare, architectural wonders that have stood against time itself.