Medium Close Up Collection (page 4)

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LONG ARM, THE (1956), log1956 bw pri 022 edited-1

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LONG ARM, THE (1956), log1956 bw neg 004 edited-1

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LONG ARM, THE (1956), log1956 bw neg 009 edited-1

Jill Adams and Ian Carmichael
as Prudence Greenslade and private Windrush in a scene from Privates Progress (1956)

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LONG ARM, THE (1956), log1956 bw pri 015 edited-1

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LONG ARM, THE (1956), log1956 bw neg 001 edited-1

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LONG ARM, THE (1956), log1956 bw neg 002 edited-1

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LONG ARM, THE (1956), log1956 bw neg 003 edited-1

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LONG ARM, THE (1956), log1956 bw neg 005 edited-1

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LONG ARM, THE (1956), log1956 bw neg 006 edited-1

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LONG ARM, THE (1956), log1956 bw neg 007 edited-1

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LONG ARM, THE (1956), log1956 bw neg 010 edited-1

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LONG ARM, THE (1956), log1956 bw neg 021 edited-1

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LONG ARM, THE (1956), log1956 bw neg 024 edit

A scene from The Maggie
directed in 1954 by Alexander MacKendrick

Tommy Kearins as the wee boy
in a scene from The Maggie (1954)

Hubert Gregg and Abe Barker
as Pusey and the engineer in a scene from The Maggie (1954)

James Copeland as The Mate
in a scene from The Maggie (1954)

Mrs Peel is blinded by a sudden light
in the episode From Venus With Love Series 5

Steed wears glasses
in the episode From Venus With Love Series 5

A victim of Venus
in the episode From Venus With Love Series 5

Steed goes fishing
in the episode From Venus With Love Series 5

Steed to the rescue
in the episode From Venus With Love Series 5

Mrs Peel faces a fire
in the episode From Venus With Love Series 5

Steed on his Bentley
in the episode From Venus With Love Series 5

Steed and Mrs Peel
in the episode From Venus With Love Series 5

Mrs Peel and Steed wait for the gala performance to start
in the episode Deaths Door Avengers Series 5

Steed helps Mrs Peel down some furnitre
in the episode Deaths Door Avengers Series 5

Mrs Peel and Steed in the audience
in the episode Deaths Door Avengers Series 5

Allan Cuthbertson and Patrick Macnee
in a scene from the Avengers

All Professionally Made to Order for Quick Shipping

"Capturing the Essence: Exploring Medium Close-Ups in Iconic Scenes" In the thrilling world of espionage, Mrs. Peel and her Lotus Elan take center stage, as a medium close-up captures their undeniable allure. Steed and Mrs. Peel indulge in a delightful tea session, their expressions perfectly framed by a medium close-up that reveals their chemistry and charm. A scene from the cult classic "The Wicker Man" showcases the power of a medium close-up to intensify emotions and immerse viewers in its eerie atmosphere. Inside Mrs. Peel's flat, we witness an intimate moment between her and Steed, beautifully captured through a medium close-up that highlights their connection. Joseph Tomelty mesmerizes as Mr. Pedelty in "Meet Mr. Lucifer (1953), " his nuanced performance brought to life with the help of well-placed medium close-ups. Hayley Mills shines as Ellie Thomsen, her youthful exuberance radiating through every frame thanks to skillful use of medium close-ups. Jim MacLaine's tireless work with dodgems comes alive in vivid detail through expertly executed medium close-ups that capture his dedication and determination. 8 & 9: The whimsical world of Punch and Judy is immortalized on screen with captivating shots using medium close-ups – transporting audiences into this timeless art form twice over. 10: Steed's flat becomes an intriguing backdrop for another engaging encounter between him and Mrs. Peel - masterfully depicted through precisely placed medium close-ups. 11: Naunton Wayne captivates us as Blakeworth; his commanding presence enhanced by strategic employment of impactful medium-close ups throughout his performance. 12: Hugh Griffith & Edie Martin deliver heartfelt performances that resonate deeply within our souls.