Messiah Collection (page 5)

Man With Raised Arms, Dove In Background

Holy Spirit Ascending

Woman asleep and dreaming on a Christmas card. She has been playing music from Handels Messiah on a pipe organ, and dreams of angels announcing the birth of Christ -- For unto us a child is born

Isaiah the Prophet
ISAIAH, PROPHET prophet who supplied much of the libretto for Handels Messiah and may have foreseen the career of Jesus. Date: flourished 742 BC

Handels Messiah premier, Fishamble Street, Dublin
The original entrance arch to Neals Music Hall, Fishamble Street, Dublin. It was here, at Noon on Tuesday 13th April, 1742, that over 700 men, without their swords, and women, without their hoops

Crucifixion of Christ. Engraving

Israel. Jerusalem. Via Dolorosa. Inscription that marks the
Israel. Jerusalem. Via Dolorosa. Old City. Inscription that marks the place of the encounter between Jesus and Veronica, the woman who wiped with a handkerchief the face of Jesus

Annunciation to the shepherds. Book of hours Tour et Taxis, 15th century. Chateau of Chantilly. France

David George, Fanatic
DAVID GEORGE Flemish religious enthusiast from Ghent who 1525 proclaimed himself the Messiah : he died at Basel vainly expecting to be resurrected in 3 days, Date: ? - 1556

HANDEL COMMEMORATION, Westminster Abbey
The Handel Commemoration in Westminster Abbey when the orchestra and performers were seated in tiers round the organ Date: 1785

Mount Precipice, Nazareth, Northern Israel
Mount Precipice (Mount of Precipitation, Mount of the Leap of the Lord and Mount Kedumim), Nazareth, Northern Israel. According to biblical legend

Robert Montgomery - 3
ROBERT MONTGOMERY Churchman and writer, author of Satan, The Omnipresent, The Messiah etc. Date: 1807 - 1855

Robert Montgomery - 1
ROBERT MONTGOMERY Churchman and writer, author of Satan, The Omnipresent, The Messiah etc. Date: 1807 - 1855

Robert Montgomery - 2
ROBERT MONTGOMERY Churchman and writer, author of Satan, The Omnipresent, The Messiah etc. Date: 1807 - 1855

An Easter Play, the Passion of Christ

The Training of a Volunteer: Easter Manoeuvres

The Volunteer Sham Fight at Brighton on Easter Monday: the Sussex Artillery Ascending the Downs

The Volunteer Sham Fight at Wimbledon on Easter Monday: the Troops Formed into Squares to Resist a Charge of Cavalry, Uk

The Volunteer Sham Fght at Brighton on Easier Monday: View from the Grand Stand, the Troops Marching Past

The Volvnteer Sham Fight at Brighton on Easter Monday: Lord Ranelagh Passing The
The Volvnteer Sham Fight at Brighton on Easter Monday: Lord Ranelagh Passing the Grand Stand

Palm Sunday at Grasse, France

Source Size = 3745 x 4939
Church Decoration at Easter, 1870

Source Size = 3771 x 1521
The Volunteer Review at Dunstable on Easter Monday: Distant View of the Battle

Source Size = 1868 x 1681
The Volunteer Review at Dunstable on Easter Monday: Going up the Downs

Source Size = 1884 x 1679
The Volunteer Review at Dunstable on Easter Monday: the March Past

Source Size = 1911 x 1711
The Volunteer Review at Dunstable on Easter Monday: the Triumphal Arch, High Street

Source Size = 1890 x 1679
The Volunteer Review at Dunstable on Easter Monday: a Determined Resistance

Source Size = 3792 x 2531
THE EASTER VOLUNTEER MANOEUVRES AT PORTSMOUTH, UK: 1. Signalling to the Front the Advance of No. 2 Marching Column on Saturday. 2. Alarm of the Natives. 3. A Letter Home from Eastney Barracks. 4

Source Size = 3925 x 5910
THE PERFORMANCE OF " THE MESSIAH" IN ST. PAULs CATHEDRAL, 1861

Source Size = 3868 x 2253
Easter Sunday, the Pope Blessing the People from the Portico of St. Peter s

Source Size = 3969 x 5726
The Volunteers at Brighton: the Beach on Easter Sunday, Uk, 1866

Source Size = 3914 x 5700
" mary with the Child Jesus, " by Murillo, in the Dresden Gallery, Germany, 1866

Source Size = 3539 x 2517
The Easter Volunteer Review: the First Gun, 1880

Source Size = 3576 x 4607
Preparing for the Easter Monday Volunteer Review, 1880

The Paris Easter Promenade at Longchamps, France, 1869

Group of Images Inside the Crater of Otuiti, Easter Island, 1869

Source Size = 3972 x 2987
The " bluecoat Boys" at the Mansion House, on Easter Tuesday

Receiving Visitors on Easter Monday at the Zoological Societys Gardens, London, 1873

Source Size = 2555 x 3649
Celebration of Palm Sunday in the Hall of Sackville College, East Grinstead

Source Size = 2339 x 3120
Jesus Christ, Painted by Paul De LA Roche

Source Size = 3831 x 2869
Easter Monday, the Great Zoological Gallery, British Museum

Source Size = 3500 x 1676
Easter Hunt with the Royal Stag Hounds, the Meet at Stoke Common

Source Size = 2183 x 2907
Easter Monday, the Elizabethan Armoury, Tower of London

Source Size = 3714 x 2360
The Union Room, Jesus Lane, Cambridge; Uk

The Last Supper (tempera on panel)
BAL283548 The Last Supper (tempera on panel) by Russian School, (18th century); 44x53 cm; Regional Art Museum, Zaporizhia, Ukraine; Russian, out of copyright

Then I am Messiah, indeed, he thought, glowing, and, stooping, he
" Then I am Messiah, indeed, he thought, glowing, and, stooping, he knew for the first time the touch of a womans lips." DRAWN BY SOLOMON J. SOLOMON, A.R.A. 1897

SHABBETAI TZEVI (1626-1676). Hebrew mystic and self-proclaimed Messiah. Tzevi before an Ottoman nobleman. Engraving, 18th or 19th century

SHAKESPEARE PAVILION, 1864. Performance of the Oratorio of The Messiah, at the Tercentenary Theatre at Stratford-on-Avon, built for the 300th anniversary celebration of the birth of William

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"Did not you say could sing at sight? - Yes, sir, but not at FIRST sight" George Frederick Handel, a German composer who became naturalized British, was a musical genius known for his ability to compose and perform masterpieces. This oil on canvas portrait captures the essence of Handel's brilliance as he stands proudly in Westminster Abbey, London during The Handel Festival. As we delve into the world of Messiah, we are reminded of Jan van Scorel's Triptych of the Crucifixion from 1535. This powerful artwork depicts the mockery Jesus faced from both people and soldiers. It serves as a poignant reminder of the sacrifices made by Christ. Intriguingly, an exquisite silver altar with an ebony frame from Husum Chapel catches our attention. Its intricate design and craftsmanship symbolize devotion and reverence towards God. Moving away from physical representations, we encounter captivating scenes that stir our emotions. From Baby Jesus peacefully resting in the manger to Jesus' ultimate sacrifice on the cross alongside two others – these images evoke profound contemplation about faith and redemption. On a lighter note, we come across a whimsical Christmas card featuring a woman asleep and dreaming. Perhaps she envisions herself partaking in this divine story or finding solace within its message during festive celebrations. Taking us back centuries ago is Stern des Meschiah's page from 1477. Created anonymously, it transports us to another era where artistic expressions celebrated religious narratives through stunning illustrations. Finally, standing tall amidst all these references is George Frederic Handel himself immortalized in bronze at Westminster Abbey. A testament to his enduring legacy as one of history's greatest composers whose masterpiece "Messiah" continues to captivate audiences worldwide.