Metalpoint Collection (page 2)

The Monymusk Reliquary, 8th century
The Monymusk Reliquary is a blend of Pictish and Irish style, probably made by monks. It is said to have been the brechbrennoch of St Columba

Athenian owl tetradrachm, early 2nd Century
Athenian tetradrachm in the new style of the early 2nd Century. The reverse has the owl of Athena and the issuing magistrates names

Door Ring found in a Viking grave, 9th century
This copper alloy door ring was found in a Viking grave at Vik, Stennes, Norway - but is from Ireland. It probably belonged originally to a monastery door, 9th century

Visigothic Belt-Buckle, 6th century
A visigothic belt-bucle from S.E Gaul, from the Cluny Museums collection in Paris, 6th century

British Celtic gold staters, 1st century
British Celtic gold staters, of the N.E coast type, descended from the coins of Phillip II of Macedon. It depicts part of his hair on the obverse, and a set of horses with a chariot on the reverse

Athenian Tetradrachm, 6th century BC
An Athenian tetradrachm, showing the owl of Athens, 6th century BC

Brass Sestertius of Claudius, 1st century
Obverse view of a Roman brass sestertius, facing right, 1st century. It depicts the Julio-Claudian Emperor Claudius (10 BC - 54 AD)

Arrow-points from the Sahara, 7th century BC

Late republican denarii showing the face of a Gaul, 1st century BC
Left: an obverse side, showing the face of a Gaul, 1st century BC. Right reads L.Hostilius Seserur

Denarius of Mark Antony, 1st century BC
Republican coin of Mark Antony (83-30 BC), obverse, head facing right, 1st century BC. One of the members of the triumvirate

Gallo-belgic stater of the Ambiani, 1st centruy BC
Gallo-belgic stater of the Ambiani (also found in S.E Britain), obverse side, head facing left, 1st century BC

Cast lead-alloy disc brooch from New Market Street, York. The decoration is related to a brooch from the Beeston Tor Hoard

Seal of King William II of England
The seal of William II (1056-1100), depicting a man on horseback. He was commonly known as William Rufus, possibly because of his red faced appearance

Viking Jellinge-style Disc-Brooch
Viking Disc-Brooch from York, in the Jellinge Style

Late republican denarii of Julius Caesar, 1st century BC
Late republican denarii of Julius Caesar (100 BC ? 44 BC). On the left is an elephant and snake, in an allegory of good destroying evil

Late republican denarii with Mark Antony and Augustus Caesar, 1st century BC
On the left is Mark Antony (83-30 BC), and on the right Octavian/Augustus (63 BC-14 AD)

Late republican Roman coin showing the head of a Gaul, 1st century
A late republican Roman coin showing the head of a Gaul, 1st century

Roman coin of Vespasian, 1st century
Roman coin of the Emperor Vespasian (9-79)

Roman coin of Vespasian
Roman coin of the Emperor Vespasian (9-79)

Coins from the Cuerdale Hoard, mostly English with some from the continent, including Hedeby and Kueic coins. Found near Rebbes, Lancashire in 1840

Butterflies Insects Currants Jan van Kessel II
Butterflies, Insects, and Currants; Jan van Kessel II (Flemish, 1626 - 1679); about 1650 - 1655; Gouache and brown ink, over underdrawing in metalpoint, on vellum; 13 x 17 cm (5 1, 8 x 6 11, 16 in.)

Seated Young Man Florentine School Florence Tuscany
Seated Young Man; Florentine School; Florence, Tuscany, Italy; about 1515; Metalpoint, heightened with white gouache, on light pinkish brown prepared paper; 20 × 9.8 cm (7 7, 8 × 3 7, 8 in.)

St Paul Rending Garments Raphael Raffaello Sanzio
St. Paul Rending His Garments; Raphael (Raffaello Sanzio) (Italian, 1483 - 1520); about 1515 - 1516; Metalpoint, heightened with white gouache, on lilac-gray prepared paper; 23 × 10.3 cm (9 1)

Head Man 1886 Alphonse Legros French 1837-1911
Head of a Man, 1886. Alphonse Legros (French, 1837-1911). Metalpoint; sheet: 31.5 x 23 cm (12 3/8 x 9 1/16 in.)

Head Woman Profile Facing Left 1490-1500 Metalpoint
Artokoloro

Torso Belvedere 1837-1911 Metalpoint white paper
Artokoloro

Study Figure 1888 Metalpoint 10 7 / 8 x 8 1 / 4 27. 7 20. 9 cm
Artokoloro

Studies Hands 1837-1911 Metalpoint prepared paper
Artokoloro

Head Boy 15th century Metalpoint sheet 3 1 / 8 x 2 1 / 4
Artokoloro

Head Irish Girl 1888 Metalpoint white paper 11 x 8 1 / 2
Artokoloro

Head Man 1837-1911 Metalpoint white prepared paper
Artokoloro

Bust Young Woman ca 1495 Metalpoint highlighted
Artokoloro

Portrait Ecclesiastic ca 1461 Metalpoint black chalk
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Study Kneeling Youth Head Another 1500 Metalpoint
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Saint Leonard Four Episodes Life ca 1500-1510
Artokoloro

Compositional Sketches Virgin Adoring Christ Child
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Study Figure 1837-1911 Metalpoint blue washed paper
Artokoloro

Standing Youth Hands Back Seated Youth Reading
Artokoloro

Heads Two Saints 1495-1510 Metalpoint reworked
Artokoloro

Fragment Ornamental Drawing Antique Half-harpy
Artokoloro

Frieze Acanthus Rinceau Grotesques 16th century
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Three Virtues Temperance Hope Fortitude Justice
Artokoloro

Studies Saint John Baptist 1455 Flemish Metalpoint
Artokoloro

Alphonse Legros, Head of a Man Looking Up to the Right, French, 1837-1911, metalpoint on prepared paper

Alphonse Legros after Michelangelo, Study of Delphic Sibyl; Head of a Man, French, 1837-1911, metalpoint on prepared paper

Filippino Lippi, Italian (1457-1504), Standing Nude Youth, c. 1496, metalpoint heightened with white on gray-prepared paper

Alphonse Legros, Head of a Child, French, 1837 - 1911, metalpoint on gray bristol board

Alphonse Legros, Old Man, French, 1837 - 1911, metalpoint on bristol board

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"Exploring the Timeless Artistry of Metalpoint: A Glimpse into History and Creativity" Metalpoint, an ancient drawing technique dating back centuries, continues to captivate artists and art enthusiasts alike. This captivating medium allows for intricate details and delicate lines that bring artworks to life. Leonardo da Vinci's "Head of a Bear, c1480 (1945)" showcases his mastery in metalpoint, capturing the ferocity and strength of this majestic creature with remarkable precision. The silver Viking disc-brooch imitating a Byzantine coin from York reveals the versatility as it adorns jewelry with intricate designs, blending history and craftsmanship seamlessly. In Alphonse Legros' "Head of an Old Man, " we witness the artist's skillful use of metal-point on bluish grey prepared paper to portray every wrinkle and expression etched upon the elderly man's face. Similarly, Legros' "Study of Cupid (Head of a Girl)" captures youthful innocence through delicate strokes on grey prepared paper. The softness in texture brings out the tender emotions hidden within this portrait. Minerva stands tall in all her glory in another metalpoint masterpiece. With her shield held firmly in her left hand and lance poised confidently in her right, she embodies strength personified. "Pearl, " created using metalpoint heightened with white and yellow accents along with scratching techniques, exemplifies how this medium can create luminosity that adds depth to any artwork. Alphonse Legros further demonstrates his talent with his self-portrait from 1895. Through meticulous rendering using metal-point techniques, he immortalizes himself while showcasing his artistic prowess. Piero di Cosimo's attributed work "Bust of a Young Woman" transports us back to Renaissance times as we marvel at its lifelike qualities achieved through precise metal-point strokes. Lastly, two distinct pieces by Alphonse Legros capture the essence of youth and knowledge.